I’m no longer the young person I was when I began backpacking at the age of just about 16, nor even the person who was young and footloose and fancy free in the Sierra during college and in his twenties. During the past few years, I and others have noticed a decreasing number of young backpackers compared to what we saw back in our youth. In a recent discussion, the subject of “young people in the backcountry” came up — in the context of noticing that their numbers seem to be increasing again.
During the first part of September I was in the Sierra with a group of photographers “of a certain age,” among whom I may have been the youngest, when we were passed by a delightful young couple on the trail… and they brought back wonderful memories of my own travels when I was more like them in appearance and pace, and when everything in the mountains was new and fresh and unknown. That was a wonderful and magical time! Continue reading The Young and the Old in the Backcountry (Morning Musing 9/19/14)→
Hazy evening light slants across steep granite cliffs and slabs and trees
This was not quite the very last photograph I made on my recent 10-day Sierra sojourn, but it was close. Our exit from the backcountry was scheduled for the following morning, and camp busy-ness (and general end-of-trip laziness) would mean no morning photography the next day, so I went to nearby area of beautiful granite slabs and canyon views and went to work, photographing on into the evening light and eventually stopping only after the sun had set.
We often hear that the vast majority of visitors to Yosemite only visit The Valley, and that they regard that small but spectacular place as being the whole of the experience of the park… and that they are entirely wrong. In a sense I am grateful that most visitors do not crowd into the high country in the same way they do in The Valley, even though a part of me is disappointed that they miss so many other astonishing beauties. I cannot think of a juxtaposition of cliff and slabs and trees in the Valley that is more beautiful than this spot, especially in the evening when the last rays of the sun shine up this valley and illuminate cliff edges and the branches of trees.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Boulders, grasses, and trees along the shoreline of a subalpine lake, Yosemite National Park
Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.
When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Thick smoke from the September 2014 Yosemite National Park Meadow Fire drifts over the Grand Canyon of the Tuolumne, blotting out the afternoon sun.
Today’s “Morning Musing” post will take the form of a second “photo of the day,” but with a bit of back-story about what you are seeing.
Last weekend a wildfire suddenly appeared in a popular area of the Yosemite backcountry along the Merced River drainage above Yosemite Valley, roughly between Half Dome, Clouds Rest, and Mount Starr King. I was not in the area of the fire, but further north in a different backcountry area, where our group of photographers had been camped for several days on a high ridge area. On this morning we did see a small “puff” of smoke coming from over the shoulder of Clouds Rest, but it was no larger than other fires that, as is typical this time of year, were burning in various areas of the backcountry.
Our plan was to pack up camp and follow a more-or-less cross-country route into a canyon and on to a new camp that night. We loaded up and set out, and by the time we were half way to our goal the smoke plume has begun to stretch across the sky above our position, thought it was still quite diluted. However, very soon the winds whipped up to a surprising degree and the smoke suddenly became a lot thicker and began to blot out the sun and drop ash on us. By this time we were in a valley and could no longer see the location of the fire, but it was plainly apparent that this fire was roaring and likely to become a very serious matter.
This photograph has not been color corrected at all. This is, in fact, what the atmosphere in and above the canyon looked like! Fortuitously, later that evening as we sat around in camp, we saw a flash in the sky and heard thunder… and before long light rains arrived and continued into the next afternoon.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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