Tag Archives: Wind

Dunes, Afternoon Light, Blowing Sand

Dunes, Afternoon Light, Blowing Sand
Late afternoon light and blowing dust above Death Valley sand dunes

Dunes, Afternoon Light, Blowing Sand. © Copyright 2018 G Dan Mitchell – all rights reserved.

Late afternoon light and blowing dust above Death Valley sand dunes

Wind and blowing dust on sand dunes can produce an otherworldly and spectacular scene. They are also very difficult to work in — tough on equipment and tough on photographers! (I recently read some advice about entering the dunes during serious sand storms. Basically, the recommendation was, “don’t.” For the stubborn, who would do it anyway, the text continued with a recommendation to wear protective clothing, eye protection, and some kind of mask — perhaps towels soaked in water. Fun, eh?) The conditions on this occasion were not really that bad, probably not even as challenging as they might appear to be in the photograph, but it was an afternoon of blowing wind and sand.

We were in a section of low dunes, a distance away from the popular areas where the challenge seems to be to surmount the highest dune. In these lower areas there is plenty to see and photograph, and I usually prefer them to the less accessible and higher areas. Here there are plenty of plants growing in the same, and the more intimate landscape of hills and valleys provides endless subjects. As I was working that terrain I happened to look west toward the late day sun — barely out of the frame — to see the complex patters leading away on the closer dunes, the dark shape of the more distant tall dune, and the light shining through the wind-blown sand in the distance.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Winding Desert Canyon

Winding Desert Canyon
A desert canyon winds into the Black Mountains of Death Valley

Winding Desert Canyon. © Copyright 2018 G Dan Mitchell – all rights reserved.

A desert canyon winds into the Black Mountains of Death Valley

These desert canyons come in a variety of forms. In many ways, the slot canyons are the most appealing, with their tall, often vertical walls, serpentine paths, and sometimes very narrow dimensions. But the constitute the minority of the canyon types. Others may be quite wide and shallow, almost having the character of wide washes instead of canyons. These are often found lower in the mountains, and are easy to spot from a distance where the canyons spill out onto (sometimes vast) fans of gravel. Another type feels like a canyon, but has a more open character, with hills rather than walls along the sides, and often with a wide path up the center.

This canyon has the latter character, at least at this point. (Elsewhere in the same drainage it has more of the character of a slot canyon.) While there are low walls along its edges, one wouldn’t be too hard pressed to pass over them, and above these walls the sides of the canyon slope away at relatively low angles that allow sunlight to penetrate to the bottom. Recently it finally occurred to me that one of the things that makes such canyons so enjoyable to walk is that there is no single path to follow. Where the canyon is wide enough, the feeling is midway between following a trail and walking in trail-less country. You do follow the course of the canyon, but you can pick your way through it in any way that seems to make sense.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Dunes, Mountains, Haze

Dunes, Mountains, Haze
Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

Dunes, Mountains, Haze. © Copyright 2018 G Dan Mitchell – all rights reserved.

Afternoon winds and blowing sand soften the contours of sand dunes and desert mountains

For us, the drive to Death Valley from the San Francisco Bay Area is always a long one, even when we break it into sections as we did on this trip. We came through Trona and up the Panamint Valley, then following the newly reopened Wild Rose Canyon Road up into the mountains. Along the way to made a few stops in this range, and finally ended up in Death Valley itself in the middle afternoon. After getting settled in following the drive it is very tempting to just be lazy! However, we were there (mostly) to make photographs, so we got to work.

For me, the first photography of almost any trip amounts, to some extent, to a sort of warm-up exercise. I may (or may not) have a particular photograph or subject in mind, but it is important to get the camera out, head into the field, and start making photographs right away, if for no other reason than to “prime the pump” for the rest of the visit. We we headed to the dunes, stopping at a place where few others go, shouldered tripods, packs and cameras, and headed out to see what we could find. I had my sights on some low dunes where various vegetation grows, but along the way I looked toward the more distant higher dunes and spotted this beautiful backlight and haze as wind began to blow sand into the air from the dune ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Bluffs, Autumn Storm

Bluffs, Autumn Storm
An autumn rain storm and coastal bluffs, Mendocino

Bluffs, Autumn Storm. Mendocino, California. November 19, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

An autumn rain storm and coastal bluffs, Mendocino

The surf, the clouds, and the light continually changed our plans on this mid-November day — not that our plans were all that set, in any case. But several times we thought we had come up with something resembling a plan, only to have the scene distract us. We had finally made it back into town for coffee, thinking that afterwards we might head out of town and look for more distant sights. Yet we soon realized that there were things to see and photograph right here, and we headed to the bluffs along the south side of the town.

The surf was up, with large waves associated with a passing weather front and lingering rain and wind. The light was constantly changing — atmosphere filled with mist and spray one moment, and patches of blue sky and sunlight the next. From the top of these bluffs we could look south across the bay to the next peninsula, where large waves were rolling up on the rocks, and beyond to where the sun shone through breaks in the clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.