All posts by G Dan Mitchell

G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Base of the Cliff

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Base of the Cliff
Autumn plants growing at the base of a sandstone cliff

Base of the Cliff. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Autumn plants growing at the base of a sandstone cliff

It seems that we have arrived at that time when each year my thoughts begin to turn again to autumn photography. That is probably my favorite season as it includes those final warm days of Indian summer, the first inkling of the coming winter, the annual color transition as trees lose their leaves, and the first real winter weather — all of which are favorite photographic subjects of mine. (I’ll be paying special attention to Sierra Nevada fall color this coming season, for a number of reasons, but especially since this is the first autumn following the publication of my book on the subject: “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Press.)

So, an autumn photograph! This one comes from last October, when I had the opportunity to make a photography trip through some of may favorite areas of southern Utah. Partway through the trip I met up with my friend and fellow photographer, David Hoffman. We spent several days poking around in and photographing Capitol Reef National Park. On this evening we passed through a narrow gorge not far from our camp, quickly stopped, and ended up photographing the red rock canyon walls and the autumn colors until the light faded at the end of the day.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Deals and Sales

For Sale: EF 24mm f/1.4L II and EOS 5D Mark II Body

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I am selling some equipment that I no longer use:

Canon EF 24mm f/1.4 L IICanon EF 24mm f/1.4 L II lens – This is the newest version of Canon’s wide-angle, large-aperture 24mm prime lens, known for its excellent image quality and performance at large apertures. This lens is in “like new” condition — no scratches or blemishes, as it was purchased for a particular project and only used minimally for that purpose. Includes lens, both caps, hood, pouch, and original box. Reduced to $1050.

Canon EOS 5D Mark II DSLR body-only — This is the 21.2 MP full-frame DSLR body that I have used to make the great majority of the photographs you see on this website and elsewhere. I am selling it now that I have acquired a 5Ds R DSLR body. This is a “well used” camera body — it is not in new condition, but everything works well and nothing is broken. It includes a body cap, several batteries (not new), the charger, the original box, and a few other small odds and ends. This is a fine body for someone on a budget who wants a solid full frame camera. $900. Does not include a lens. Camera SOLD 7/1716

I prefer a person-to-person cash sale in the San Francisco Bay Area — that way be both know what we’re getting. Leave a comment on this post or email me if you are interested in either item.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Ocean & Coast

Headlands, Cove, Coastal Haze

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Headlands, Cove, Coastal Haze
Headlands stretch into the distance beyond a cove and beach, Big Sur

Headlands, Cove, Coastal Haze. Big Sur Coast, California. July 20, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Headlands stretch into the distance beyond a cove and beach, Big Sur

We just returned from a two-day jaunt along the Central California coast. This is familiar territory, as I’ve been visiting this part of California since I was a child, and I have been photographing it almost as long. (Some of my earliest photographic memories include using old film cameras borrowed from my father to make photographs at Point Lobos.) Most of my visits are on day trips, so it is special to be able to spend more than a single day at a time photographing here.

We had unusual conditions and we saw a number of unusual things this time. The remnants of tropical storm Dolores have affected the weather, bringing unusual amounts of tropical moisture to the state and setting of big thunderstorms. We had no such storms on the coast — though they had swept through a day or two earlier — but there was high humidity, a lot of clouds, and warm temperatures. The water was also unusual in several ways. The swell was coming out of the south rather than the typical northwest. Overall the water was relatively calm, and in many places the water’s surface was smooth enough to produce interesting reflections. Sea life seemed unusually abundant: we spotted whales in many places, and large numbers of fishing boats were lined up close to the shore south of Carmel. In the evening as we headed back north towards Monterey the coastal inversion layer began to reassert itself, producing a layer of incipient fog along the coastline and producing haze that enhanced the sense of distance as we looked past successive layers of coastal headlands stretching into the distance.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Equipment, Technique, Tests

The Canon 5Ds R — Autofocus ‘Torture’ Test

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OK, “torture test” might be overstating things just a bit, but I’ve been meaning to check out a few things related to the capabilities of the autofocus system of my new Canon EOS 5DS R. A few years ago birds, especially winter migratory birds, became one of my photographic passions. While this camera is not really optimized for this sort of photography, I plan to use it for this purpose, as I did my 5DII.

The Landing
“The Landing” — A brown pelican joins the flock on a rock along the Pacific coast of California

Most often when I photograph birds I use the Canon EF 100-400mm f/4.5-5.6L IS II lens. It usually provides enough reach for my purposes, it focuses accurately and quite quickly, it is sharp, and its flexibility fits my style of photography. (I often pause while photographing the birds and use the lens to photograph landscapes.)  It was my understanding that the 5Ds R added the capability to autofocus (AF) at smaller apertures down to f/8. This means that I should be able to add my Canon Extender EF 1.4x III tele-extender to get 560mm at f/8 from this lens.

A few days ago I was doing landscape/seascape photography along the Central California coast between lower Big Sur and San Francisco. On the final afternoon as we drove north we passed a small island where scores of brown pelicans had landed.

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