G Dan Mitchell, photographer and visual opportunist focusing on the Pacific coast, the Sierra Nevada, redwood forests, California oak/grasslands, California deserts, urban landscapes, night photography and more. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.
OK, here we go! I’m about to share a string of urban photographs, many of which are from New York City, where I spent slightly more than a week in early August. We were there for several reasons. My wife was attending a music conference at NYU. (A conference of oboe and bassoon players, if you wondered.) Her brother and sister-in-law live in Brooklyn and graciously agreed to host us during our stay, and our two sons also live in Brooklyn. For me this meant that I had the better part of a week to simply head out into Manhattan and Brooklyn, going wherever my intuition took me, and make photographs of the city.
A lot of the photographs fit into the street photography genre — which may seem a bit perplexing to those who know my landscape and nature photography — but this first one is more of an abstraction, created my means of a slow shutter speed and camera motion, most likely as I was crossing some busy street in midtown Manhattan.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Late summer morning fog clears about oak and grass-covered California hills. (And yes, it is the same image I shared earlier as today’s daily photograph.)
I first encountered “AutumnIsAroundTheCorner” day — which is my own invention, so don’t try to look it up! — many years ago on a Sierra Nevada backpacking trip. I recall the day specifically, even though it was decades ago. At the time I didn’t know quite what it was even though I clearly sensed the symptoms. As we hiked, we passed an expansive, remote meadow in which a large group of deer were feeding. It was a summer day by the calendar, but it felt different from all of the previous days of that summer. The day was windy and we felt compelled to wear warmer clothes than on other days on this trip. After that I began to notice it more regularly and pay attention to it, and I am now aware of its arrival every year.
It comes unannounced and not on any specific day. For me it typically shows up on a day in the middle of August, at a point when we are just a bit closer to the end of summer than to its beginning. I suspect that its arrival is a rather subjective thing, and that it varies by location and each person’s exposure and sensitivity to natural patterns — though this week when I pointed out its arrival to my wife while we were walking, she agreed that she felt it, too.
I cannot quite put my finger on what it is that I sense, even though I’m certain that it is here when I do sense it. I think that the quality of light has something to do with it, and yesterday we both agreed that it made sense to speak of this light as being somehow “softer.” I know it when I see it, and when I then pay attention to the light I detect a certain loss of clarity in the atmosphere, almost as if there is a bit more of a luminous haze.
But it isn’t just the light. One August I was backpacking across a meadow in the Yosemite Sierra and suddenly becoming aware of it. Again, although I recognized what I was feeling, I wasn’t completely clear about the specific cause, though I had a very clear sense that it had to do with a change in the sound quality of the wind and the way it carried across space. More recently I experienced it while hiking though a place much like that in the photograph accompanying this post, and as I hiked I tried to understand as many aspects of it as I could. The morning breeze had a crisp edge, even though the sunlight was warm. There was a glowing haze as morning fog cleared. I walked past piles of fallen oak leaves and noticed a faint sweet, musty autumn fragrance, and as I walked on them I felt and heard their crunch. I wondered whether it might be that, at some subconscious level, I was aware that the sun was now a bit lower in the sky, or if I was more aware that seasonal plants had stopped growing and were now in decline.
On this day, whenever it arrives and without any doubt, I have a certain awareness of the inevitable approach of autumn and the fading away of summer. Until this day I live in the patterns of summer, taking the warm weather for granted, complaining about the heat, and making summer plans and perhaps putting them off, comfortable in the knowledge that there is plenty of summer left. I watch my vegetable garden grow and anticipate the ripening of vegetables and fruit. But then, on “AutumnIsAroundTheCorner” day, my perspective switches — now summer is no longer coming nor here, but instead coming to an end. Summer things must be done soon. It is time to plant a fall garden. And out there on the horizon of my thinking now are autumn and then winter… my favorite seasons of the year.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Late summer morning fog clears about oak and grass-covered California hills
Today’s photographic journey was a short one — back to a local park where I have photographed for quite a few years, though not recently. This is a place that I used to go to almost every week, and where I hiked just about every trail, to the point that I became intimately familiar with the place in all seasons. It is a landscape of rolling hills with a few high, rocky outcroppings, many oak trees, and grassland. In the manner of most of California, the grass deeply affects the appearance — changing from “impossible green” in winter and spring to brown or golden, depending upon your disposition. I think of it as golden.
This morning I was in a bit of an autumn frame of mind. (A separate post today will have more to say about that pleasant state.) I got up early to discover that the area was covered by the typical coastal high fog. (I live perhaps an hour’s drive from the Pacific Ocean.) This is not the sort of romantic and moody fog that sits low to the ground and floats among trees. It is the higher, drab, gray kind of fog that produces an undifferentiated sky and very flat light. However, at this time of year that fog will most certainly clear, usually by mid-morning. So I left home in these gray conditions, planning to be among the oaks and grass when the fog began to break up.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
If you don’t already follow The Online Photographer (or “TOP”), wander on over there and take a look. The slightly idiosyncratic blog often offers articles and commentary that provide interesting insights and which might make you look at things a bit differently. I read it regularly.
I’m mentioning TOP this morning because of something I saw there recently, a “something” that is directly related to this post, namely the TOP posts shared as “The Morning Coffee.” These are typically relatively short posts on a variety of subjects and at least giving the feeling of being somewhat informal posts written over a cup of coffee. Hey, I’m usually up early. I drink coffee. I like to write. Hence my own new “Morning Musings” series. We’ll see where it leads.
My “musing” for today relates to something from my recent trip to New York City. The brief story — likely to be expanded upon soon in other posts — is that I got to spend about a week wandering around Manhattan and Brooklyn with a camera. I had been thinking about doing some handheld night street photography for some time, and I had the opportunity on this trip. On one particular night, after emerging from a musical performance at a club, we headed off toward another performance in a nearby park. As we walked, hours after sunset, I pulled out my smaller “street” camera with a f/1.4 lens, raised ISO to 1600 or 3200 and started shooting. The ability to do this — shoot handheld in the middle of the night — was incredibly liberating. I’ve done a lot of tripod-based traditional night photography, but the technology of these newer cameras lets us shoot the night in an entirely different way, capturing quickly appearing subjects and conditions in ways that were essentially impossible only a few years ago. (Photos upcoming in the next week or two.)
Musing written. Coffee consumed. Now off to make some photographs…
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.