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Commentary, Photograph Exposed

A Photograph Exposed: One Subject, Two Compositions

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(“A Photograph Exposed” is a series exploring some of my photographs in greater detail. A companion article looks at post processing issues related to the same subject.)

Landscape photographs depend on many things: good fortune to be in the right place at the right time, experience that helps predict when and where to find “right place at the right time,” sensitivity and experience that help you recognize the potential in a scene, being able to think beyond the intrinsic beauty of a scene to consideration of how it might make a photograph, an intuitive sense of “what is right” visually, the ability to apply some objective thought on top of the intuition, and other things in a list that is too long to recount completely.

I would like to share some of the thinking that went into photographing one particular scene earlier this summer.

Island and Trees, Tuolumne River
Trees grow on a small, rocky island in the Tuolumne River, Yosemite National Park

Back in mid-July I experienced a special evening in the Tuolumne Meadows Sierra Nevada of Yosemite National Park. It was special for many reasons — some photographic and some not, but even the non-photographic reasons helped put my mind and my senses in the right place to make photographs. I had arrived and set up camp, taken care of camp chores, and finally headed out for late-afternoon and evening photography. I pulled off the road to take a look at a possible subject, and by remarkable coincidence found myself parked behind two good friends who were there for much the same reason. We joined forces and headed of to a nearby area that seemed promising. In an even more remarkable coincidence, partway there two more friends showed up, also there for the same purpose! Something about hiking off into a beautiful landscape with like-minded friends seems to heighten my awareness.

We followed the Tuolumne River and soon its angle of descent began to increase slightly as its channel narrowed and became more rocky. Continue reading A Photograph Exposed: One Subject, Two Compositions →

Commentary, Ideas, Morning Musings

Landscape Not-Photography

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It is no secret that I’m pretty serious about my landscape photography. I spend a lot of time going to interesting places, searching out subjects, and making photographs. In fact, this activity is undoubtedly the single biggest influence on the nature of my outdoor experiences.

Subalpine Meadow, Summer
Midday summer sky reflected in a subalpine tarn, Yosemite National Park

I embrace this effect and regard it as highly positive. I’m convinced that photography deepens my appreciation and understanding of these places and subjects. Like every photographer I know who shares my passion for these subjects, entering the natural world to make photographs focuses my perceptions in powerful ways. I slow down. I stop. I look. I ponder. I wonder. I indulge my curiosity and I see things that I would otherwise miss. I’m intensely aware of light, color, atmosphere, form, and subject.

But sometimes the photography gets in the way… Continue reading Landscape Not-Photography →

Commentary, Photographs: Birds, Photographs: Nature, Photographs: Wildlife

Brown Pelican in Flight

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Brown Pelican in Flight
Brown pelican flight above the shoreline of Monterey Bay, Moss Landing, California

Brown Pelican in Flight. Monterey Bay, California. July 28, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Brown pelican flight above the shoreline of Monterey Bay, Moss Landing, California

Rediscovering this photograph and a few of its buddies makes for a bit of an odd story. Earlier today I got a message telling me that one of the drives attached to my computer was nearly full. That seemed a bit surprising, but it also was clearly an issue I had to address, so I set about looking for unnecessary files on that volume. In doing so I “discovered” a folder full of raw files and a few Photoshop files that I had apparently transferred to the computer last year… and then forgot. Most of the files there turned out to be unneeded, and I reclaimed 5GB of disk space by deleting them. But among there were s small number of shorebird photographs that I had forgotten.

The photographs came from an amazing and surprising spur-of-the-moment visit to Monterey Bay last June. For weeks I had been hearing stories of whales coming very close to the shoreline, and I had even observed a few from the cliffs in the Big Sur area. A news story claimed that they were now inside Monterey Bay and even coming very close to the beaches an Moss Landing — and friends had photographs to prove it. So over the hill we went to go there ourselves. When we arrived we were, indeed, impressed by how close the whales came to the beach — I had no idea they did that. But as impressive was the huge collection of birds that was perhaps attracted to the same food sources that drew the whales. I had never seen such numbers of these birds along the coast. Among them were a large number of brown pelicans, so many that photographing them was almost too easy.

G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Commentary, Photograph Exposed, Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Southern California

A Photograph Exposed: “Two Rocks, Morning, Racetrack Playa”

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(“A Photograph Exposed” is a series exploring some of my photographs in greater detail.)

Two Rocks, Morning, Racetrack Playa - Black and white photograph of two "moving rocks" on the Racetrack Playa at Death Valley National Park. Morning light with unusual clouds, and the Grandstand in the distance.
Black and white photograph of two “moving rocks” on the Racetrack Playa at Death Valley National Park. Morning light with unusual clouds, and the Grandstand in the distance.

Two Rocks, Morning, Racetrack Playa. Death Valley National Park, California. April 3, 2006. © Copyright 2006. G Dan Mitchell – all rights reserved.

Moving rocks, lenticular clouds — morning on the Racetrack Playa.

This photograph from Death Valley’s Racetrack Playa is one of the first I made when I began photographing this landscape seriously, and it remains one of my favorites from the park — yet it also carries a flaw that I’ll describe below.

My first visit to Death Valley National Park had been about seven years earlier at the very end of the previous millennium, when I was one of several adults accompanying a group of middle school and high school students on a visit that was to include a short backpack trip in the Cottonwood Canyon area. The story of that trip deserves its own article, one that would include snow, near-hypothermia, winds that blew down tents, a retreat from the pack trip, an attempt to hike down the upper portion of Death Valley, water shortages, a dust storm, a dangerous situation with a bus, and more.

I’ll never forget my first view of Death Valley on that first visit. We arrived in the park after dark, stopping between Towne Pass and Stovepipe Wells at a small campground a few thousand feet above the valley floor, where we set up in the darkness and went to sleep. Having never seen the Valley before, the next morning I unzipped my tent and stepped outside to see the stupendous “oh wow!” landscape of Death Valley and the mountains on the far side in the beautiful morning light. I was hooked, and I’ve been going back annually since then. Continue reading A Photograph Exposed: “Two Rocks, Morning, Racetrack Playa” →