If so, find some time to wander about in Jim Goldstein’s list of ‘the best of 2008’ from 92 (!) photograhers. Amazing! And thanks, Jim!
Yes, my 2008 favorites are in the Jim’s list, too.
If so, find some time to wander about in Jim Goldstein’s list of ‘the best of 2008’ from 92 (!) photograhers. Amazing! And thanks, Jim!
Yes, my 2008 favorites are in the Jim’s list, too.
There are so many more opportunities to see so much more photography today, given the astonishing number new electronic ways to share photographs and to find the photographs of others. Through blogs, Flickr, the many photo web sites and discussion forums, photographer’s web sites, email, you name it, we all experience a flood of visual media. While not all of it is great stuff, quite a lot of it is interesting and the sheer variety is astonishing. I don’t know how much time you spend intentionally looking at photographs, but I suspect that I may look at over 100 per day. (I’m not counting the images that we are exposed to by don’t actually give attention to – add those to the mix and the total would be much, much higher.)
But one thing has perhaps been lost in all of this, and that is the appreciation for the printed photograph. Continue reading Printing is on my Mind
Seen at the Michael Reichmann’s Luminous Landscape web site:
I am fortunate to count among my friends some of the top photographic instructors in the world. I list their workshops on my Workshops page, and from time to time feature something new that they’re doing.
Charles Cramer is one of America’s most famous landscape photographers and teachers. For years he and Bill Atkinson have been teaching printing workshops together, but now Bill has decided to retire from these and so Charlie is striking out on his own.
You can find out more about this new series of printing workshops here.
I’m also fortunate to know Charlie. Everything Reichmann says is true, and I can vouch for Charlie’s teaching skills, having been the grateful recipient of some individual time with him in his studio. I’ve also been through his booklet on digital post-processing – it distills more useful and practical information into a small text than anything else I’ve seen, and I regularly consult it.
If you are looking to learn from an outstanding photographer, master printmaker, and fine teacher I highly recommend Charlie’s workshops.
During the latter part of 2008 I posted more than once about my participation in Jim M. Goldstein’s Buying Prints project. I’m a bit slow about this stuff, but I get to it eventually!
Earlier this fall I wrote about meeting up with Edie Howe in Yosemite to trade one of my aspen photographs for one of her images from Mono Lake. Last week I finally managed to connect with Jim to make our trade – a copy of my Submerged Boulders, Lake, and Cliffs for a copy of his Primitive Coastline. Jim is a fine landscape and nature/wildlife photographer and also quite the photography writer, blogger, and podcaster. (Follow the link in the first paragraph back to his web site to find out more.)
One of the great things about doing the print exchanges for me is that I get to meet photographers who I otherwise only know from their online personalities. It was a special pleasure to meet Jim and his wife Cindy in their home, talk photography a bit, take a look at some of Jim’s work that currently only exists on his computer, and then to accompany the two of them to a holiday party where I met more photographers. Thanks Jim and Cindy!