Category Archives: Ideas

Commentary, Equipment, Ideas

“Have you ever shot a Leica or Contax lens on your Canon Body?”

4 Comments

(From time to time I re-post stuff that I wrote elsewhere, including things from various photography forums. This is one of those posts. While I do believe it using good and appropriate photographic equipment, I do not believe in “magical gear,” whether lenses or cameras or whatever. Gear is important, but only insofar as it actually affects your ability to produce the photographs that you are working on. This particular – and lengthy! – comment was a response to a common response to those of us who don’t believe in magical gear, namely to suggest that because we don’t use it we must not understand. Enjoy!)

G Dan – just one question Have you ever shot a Leica or Contax lens on your Canon Body?”

That dismissive come-back doesn’t work, despite the fact that such a reply is often offered as if it should stop discussion in its tracks.

So, no, I have not. There are many things I have not done, however, that I don’t do because facts don’t support the wisdom of doing them, or because facts do support the wisdom of doing something else. Let me give you a photographic example. I have chosen certain specific lenses for my photography. In the process of making those decisions I investigated and considered many other lens options, almost all without actually trying them, and came to logical and intelligent decisions that led me to choose something else.

The argument that people can only have opinions about things they have actually “used” is, on its face, simply nonsense. It also is an absurdly impractical concept. I’d be willing to bet that those who offer up this gem of an argument do not follow it in the rest of your lives. For example, you might be able to offer an opinion about various political systems or countries and whether you would prefer to live in them or not, but you would be a very unusual person if you had actually lived in all of them about which you have an opinion. I’ll bet that when you purchase a car, you do not try all of the options that you dismiss before deciding that you are uninterested in them. You might admit to knowing things about places you have never visited or about which you have not made direct observations yourself. (It is cold in Antarctica. There is no oxygen on the moon. When it is night where you are, it is day on the opposite side of the planet.) Continue reading “Have you ever shot a Leica or Contax lens on your Canon Body?” →

Commentary, Ideas, Photographic Myths and Platitudes

Photographic Myths and Platitudes – Primes Make You a Better Photographer

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(This is another in my series of occasional posts based on my replies to questions about photography that come up from time to time. This question was under discussion in an online photography forum, where the discussion began with a new photographer asking whether the acquisition of certain equipment would make him a better photographer. Those with experience in photography know the answer to this question, but it comes up, explicitly or implicitly, all the time, so I think it is worth another look here. The following text is a slightly edited and expanded version of my original answer. This is also part of my “Photographic Myths and Platitudes” series of posts. )

For the moment I’ll leave the full-frame question aside * – not that there isn’t a lot to say about it in the context of your desire to become a better photographer – and just respond to the following:

“My goal here is to become a better photographer. I feel zooms make me lazy, and that primes would make me think more about my photography.”

Sorry to say, but that is nonsense, plain and simple.

This notion that somehow primes are more “serious” than zooms comes up from time to time, and certain folks who post about photography (though not so often people who actually do a ton of photography) encourage this odd and unfounded line of thinking. I’ve speculated about where it comes from at times, and some of the following come to mind:

  • There is a certain mindset among some folks who desire to be viewed as artists that holds that being “different” is the most important characteristic of artists. (It isn’t, by the way.) And by doing something different, like using only primes, they may feel that they have established their different-ness from a world in which most others use zooms most often.
  • There is another notion that modern is not as good as “classic,” and therefore sticking to older equipment types is better. While there can be a risk of being too infatuated with new stuff just because it is new (perhaps the opposite form of gear obsession from the extreme of automatically dismissing the new) it just doesn’t make sense to automatically assume that, for example, because Henri Cartier-Bresson shot with primes that  you should, too. (HCB, by the way, did not choose the gear he used because it was “classic” – he chose the newly developed and quite modern small 35mm film cameras for a variety of reasons relating to his specific needs.)
  • There is also an odd notion that assigns an almost moral imperative to doing things the hard way, and that then presumes that those who do things in a more efficient or practical way must not be as serious as artists. Therefore, if shooting with zooms is “too easy,” shooting with primes must be better. This is often paired with the derisive advice to “zoom with your feet” or a claim that “zooms will make [you] lazy.” (Artists typically have no interest in making their work harder; they are generally far more concerned with making it better, and will use any tools or methods that accomplish the latter goal.)
  • Finally, there is the unfortunate notion, not unique to photography, that being “better” is largely the result of having the best or the “right” equipment – e.g., if I use this sort of camera or this sort of lens I will be more of an artist than if I use that camera/lens. The seed of truth in this – photography does require equipment – is too often built up into a false notion that photography is largely or even primarily about what gear you use.

The “zooms will make you lazy” business completely baffles me. Yes, folks doing point and shoot photography often may use a zoom that way, just zooming to get the shoot of their kids or the waterfall that most fills the frame, without bothering to move from their current position. But that fact that casual amateurs can use a zoom lens on their point and shoot cameras that way does not mean that the use of a zoom always means that this is the way one shoots. Continue reading Photographic Myths and Platitudes – Primes Make You a Better Photographer →

Commentary, Ideas

Photographing Icons – Or Not

9 Comments

Yesterday I shared elsewhere a photograph that someone had posted featuring a line-up of scores of photographers, arrayed tripod-to-tripod, ready to photograph one of those iconic views that we all know so well. I suspect that we have all been to such places and either found the experience of seeing and photographing them to be powerful… or we might have been repulsed by the crowds of people all apparently trying to “capture” the same thing, among them perhaps a number of folks who might be trying to almost literally recreate versions of the scene that they had seen elsewhere.

The point of the share (seen here and here) was not complimentary. My reaction to the photograph was to wonder, even more than usual, why people would want to make photographs that way. I phrased it as, more or less, “yet another reason to avoid photographing icons.”

However, a person wrote to me after I posted and pointed out, with a bit of anger and with some justification I think, that complaining about and putting down those who want to photograph a beautiful place might seem a bit pretentious and self-righteous.

She has a point.

While there is something a bit troubling about seeing dozens of people lined up to make the very same photograph, some of us might be a bit too quick to jump to overly negative conclusions. Perhaps there is a way to cast this as a positive lesson, rather than ridicule. So let me engage in a bit of reflection and honesty. Continue reading Photographing Icons – Or Not →

Ideas, Locations, Stories

I Feel Fall Coming

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It happens every year at about this time, close to the middle of August. Even though I have learned to expect it, I’m still happily surprised when it occurs. There is inevitably a day when I am outside and I sense something different in the world and I know (really know, not just know by looking at the calendar) that the seasonal trajectory is now beginning to leave summer behind and head inevitably toward autumn.

This is not a bad thing, by the way. I happen to love autumn.

Dry Creek at Fletcher Lake - A dry creek surrounded by golden autumn meadow grasses and illuminated by early morning light winds through a clump of small trees near Fletcher Lake, Yosemite National Park, California.
A dry creek surrounded by golden autumn meadow grasses and illuminated by early morning light winds through a clump of small trees near Fletcher Lake, Yosemite National Park, California.

It often happens for me in the Sierra. I usually spend weeks there between June and October – the time of year when camping and backpacking are possible. The beginning of the season is marked by tremendous changes. Snow melts, rivers rise, meadows flood, plants emerge, flowers bloom, campgrounds open, trails clear, tourists arrive, plans are made and executed and many things are new, or at least new once again. Then on that August day, something changes. I cannot put my finger precisely on the nature of the change, but it is unmistakable and it often stops me momentarily in my tracks when it happens. For some reason I often associate it with the way the air seems to move and with the way it carries sound – I may notice something different in the sound of the breeze or the way it amplifies the sound of a cascade across a valley. There is something about the light that I think of as a kind of soft quality and a feeling that the color of the light might be a bit cooler. At about the same time I often notice certain other more concrete indications for the first time, too, such as the way that more of the corn lily plants start to become brown or even yellow and that grasses are less and less green and more and more brown.

I was not in the Sierra when it happened this year. This year, the past few months have not been a time for a lot of travel to places like the Sierra. I have only been to the Sierra on a single multi-day visit, and that was over a month ago. (Don’t worry – I will be going back soon!) So this year it happened at home, on a morning earlier this week – my birthday, actually – when I walked into our yard in the morning to take a look at the vegetable garden, and I notice that vague but unmistakable quality of light, quietness of the breeze, and softness of the atmosphere.

The calendar may say summer, and for more than a month to come, but I’m ready for autumn.

© Copyright 2012 G Dan Mitchell – all rights reserved.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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