Category Archives: Photographs: Death Valley

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Sunset Cloud, Desert Mountains

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Sunset Cloud, Desert Mountains
“Sunset Cloud, Desert Mountains” — A solitary cloud floats above the Death Valley landscape and catches the last sunset light.

This cloud was a luminous benediction at the end of a long and varied day that began before dawn along the shoreline of Lake Manly. After a late-morning break for coffee and food, I headed up into the Panamint Mountains to investigate recent snowfall. I timed my departure from there to give me time to get to this spot, an elevated location in Death Valley, in time for sunset.

I have realized that many of the landscape subjects that appeal to me are ephemeral. Like many photographers I am usually out during the edge hours around sunrise and sunset, when the light is the most transitory. I also love interesting and sometimes wild weather conditions — wind, precipitation, fog, isolated clouds forming momentarily above the landscape. This scene had a cloud that was shrinking and changing shape, along with the last bits of colorful sunset light before dusk.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Canyon, Cloud Shadows

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Desert Canyon, Cloud Shadows
“Desert Canyon, Cloud Shadows” A twisting and colorful desert canyon empties in Death Valley under the shadows of passing clouds.

Light is everything when it comes to photographing the desert landscapes of Death Valley. The terrain is always impressive, but the midday light can be intense and harsh, washing out colors and muting details. But in the right light a feature that might look, well, “washed out” in that intense light can become beautiful. Add a few passing clouds to increase contrasts between light and shadow and things get even more interesting.

I don’t know the name of this little canyon or even if it has one. But I do know that there are canyons like it everywhere in this national park. Many are worth exploring, whether or not there is a trail. In many cases you can just walk carefully up the gravel fan to a canyon’s mouth and then follow a wash up among the quiet hills until you run out of time or the terrain becomes too difficult.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Flooded Playa, Mountain Shadow

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Flooded Playa, Mountain Shadow
“Flooded Playa, Mountain Shadow” — The shadow of a mountain retreats across a flooded playa in morning light, Death Valley.

It is hard to make sense of the landforms of Death Valley when you are within the valley. It is so vast and so flat that your view is often a combination of what is right at your feet and what is many miles away. A more comprehensive view comes from ascending to a high point in the mountains on either side of the valley. From these elevated perspectives you can see things that are otherwise invisible.

This year these perspectives revealed something very unusual. A large section of the playa near Badwater, where the lowest point is located, is submerged under the shallow waters of Lake Manly. This photograph incorporates several elements of this year’s view — that shadow of the mountains on which I was standing, the salt flats shining white in morning light, the turquoise waters of the shallow lake, and a maze of channels along its periphery.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Sky, Photographs: Southern California

Desert Clouds, Evening

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Desert Clouds, Evening
“Desert Clouds, Evening” — Sunset light colors evening clouds above Death Valley.

Let’s call this a moment of peace and calm in a world that sometimes seems too tumultuous. I photographed this cloud formation above Death Valley on a quiet evening, alone in a high place above the valley as the day ended. I was there to photograph the landscape, but at this moment it was the cloudscape that caught my attention.

It isn’t news that clouds are fascinating. While they often appear as supporting acts in landscape photography, sometimes they form temporary “cloudscapes” on their own. That ephemeral quality is part of their magic — one moment there might me nothing there, but soon they silently assemble into fascinating shapes and juxtapositions, only to dissolve and re-form a moment later.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.