Category Archives: Photographs: Fall Color

Autumn Wetlands

Autumn Wetlands
Late-autumn colors in California Central Valley wetlands.

Autumn Wetlands. © Copyright 2012 G Dan Mitchell – all rights reserved.

Late-autumn colors in California Central Valley wetlands.

As I continue my pandemic project of reviewing years of raw files — and discovering and rediscovering all sorts of interesting things — I have now arrived at the very end of 2012. I’m currently working on the final week or so of autumn and about to move into winter and then on to 2013. One silver lining behind the dark coronavirus cloud is that I have had the time and inclination to revisit these old images and relive some of the experiences I had as I made them.

Every fall migratory birds return to overwinter in California’s Central Valley. Starting in about November I turn my attention that way and start to anticipate visits to this landscape — one that I don’t tend to photograph during the warmer months of the year. But in the cooler and wetter seasons, when the birds can be abundant, this part of California calls to me. I made this photograph on a cold and foggy late-autumn morning as the tule fog was beginning to thin, casting soft light on the autumn foliage of the scattered trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Autumn Aspens, Broken Boulders

Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Aspens, Granite

Three Aspens, Granite
Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Three Aspens, Granite. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Those of us who have spent a lot of time in the Sierra — and the story is similar for other locations — gradually accumulate “personal spots” that might not make much of an impression on others but which we greet like old friends each year. Mine include a particular rock outcropping in Tuolumne Meadows, a particular flat rock in the Yosemite backcountry where I’ve frequently placed my cook stove, a small grove of trees nestled in a bend along an Eastern Sierra road, a high and barren lake in the Southern Sierra, and quite a few more. I’ll bet you have a few such places of your own.

This little group of three slender aspen trees set against a jumble of rocks s is one of those spots. It is very accessible, but there’s an excellent chance that if you were nearby you passed without noticing. Yet virtually every autumn I end up stopping and photographing them again. (Yes, there are other photographs of them in my collection.) They are “the same,” yet they are also different every time I visit — the leaves may be green, yellow, a combination, or gone. The light may be intense in the morning or soft and blue in late-day shadows. So I return, and I photograph them again, and I mark another season with each return.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Aspen Reflections

Aspen Reflections
Autumn aspen trees reflected in an eastrern Sierra Nevada pond.

Aspen Reflections. © Copyright 2020 G Dan Mitchell – all rights reserved.

Autumn aspen trees reflected in an eastrern Sierra Nevada pond.

Each year at about this time I ask, “Is it ever too early to start thinking about fall color?” The answer, of course, is no. Autumn is my favorite season for all kinds of reasons — the colors, of course, but also the return of cooler temperatures and “interesting” weather and shorter daylight hours. The period between Labor Day and the arrival of late-autumn snow is my favorite time in the Sierra. There’s nothing as beautiful as a late-September or early-October day in the high country.

As a person who has photographed Eastern Sierra aspens a lot — and who has written a book on the subject — the way I see this subject has evolved over the years. While I’m still impressed by a hillside completely full of colorful trees, I am constantly looking for other ways to photograph this subject. Here I aimed the camera down toward the surface of an Eastern Sierra pond, framing to exclude anything but the brilliant colors of a grove on the other side of the water.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.