Category Archives: Photographs: New York City

Little Italy, Evening

Little Italy, Evening
Little Italy, Evening

Little Italy, Evening. New York City. August 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Visitors pack closed streets though Manhattan’s Little Italy.

Walking more or less northwest from New York’s Chinatown district after dinner we ended up heading through Little Italy. As we walked on this Sunday evening we started seeing huge crowds of people and we soon figured out why. Apparently the streets through here are closed on Sunday evening, and restaurants tables spill out across the sidewalks, and people end up walking up and down the middle of the streets. The photograph is deceptive — it shows perhaps the smallest number of people that I saw here, and most of the time the streets were packed.

Originally we “planned” (to the extent that we were operating on any kind of plan!) to just walk through here, but it was so lively that we slowed down, stopping for sidewalk gelato, and I made some photographs. The colors were intensified by the diminishing late-day light, and I held my camera above my head and shot blind to get this elevated point of view. Ideally, I think this image works best as a large print, since there are so many small details to look at that aren’t easily visible in this small web version.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Big Wong Restaurant

Big Wong Restaurant
Big Wong Restaurant

Big Wong Restaurant. New York City. August 10, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

New York City street scene, as people pass in front of the Big Wong Restaurant in Chinatown

To an outsider, there are many things that seem to characterize New York City — the noise, the energy, the density of people, the constant motion, the often gritty character of many areas, the unique neighborhoods that bump into one another, the huge number of people out walking, the food, and much more. I’m more familiar with the famous San Francisco Chinatown (which is at least as crowded), and New York’s Chinatown feels vaguely familiar but also quite different. It certainly seems, for the most part, a lot less geared to tourists.

We went there for dinner one evening. After a week of too many expensive dinners we were looking for something both good and less expensive, so we ended up at a place near here that one of our group knew about. After dinner we went out on the streets, where it was now close to twilight. We decided to wander up towards Little Italy, and on the way we quickly passed though more of Chinatown’s narrow streets, and I managed to slow up our progress by stopping to photograph people and storefronts, including this wonderfully named restaurant with a few people and piles of trash outside on the sidewalk.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

New York Street, Child with Toy Car

New York Street, Child with Toy Car
New York Street, Child with Toy Car

New York Street, Child with Toy Car. New York City. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A child playing with a toy car on the sidewalk of a busy Manhattan street

I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.

When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Museum Atrium

Museum Atrium
Museum Atrium

Museum Atrium. New York City. August 11, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Light patterns on the atrium wall at the New York Museum of Modern Art

I think I end up visiting the Museum of Modern Art (MOMA) every time I visit New York City. It may be partly out of habit, but it is also because there are always things there to see. MOMA always features photography — though the work on display this time was not quite my cup of tea. There are special exhibits, and we were especially surprised and please by the Lygia Clark show. It is always hard to resist — we inevitably fail — visiting the regular collection of famous work in the main galleries.

For me, the space itself is an interesting photographic subject. To some extent it is a good place to photograph people, and I did a bit of that in one particular gallery displaying work that did not particularly impress me — though I noticed one particular museum attendant keeping a very close eye on me. She never said a word, but it seemed like she was always watching me, to the extent that she shows up in perhaps half of the photos I made in that exhibit! The building itself is fascinating, in terms of its own architectural details, how people inhabit the space, and how light plays on its shapes and surfaces. This photograph features the central atrium, which I have photographed in the past, crisscrossed by light patterns stretching down from the roof.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.