Category Archives: Photographs: Night

Photographs: Architecture, Photographs: France, Photographs: Night, Photographs: Travel

Courtyard at the Louvre, Evening

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Courtyard at the Louvre, Evening
In the evening a shadowy figure walks across the courtyard in front of the Louvre.

Courtyard at the Louvre, Evening. © Copyright 2018 G Dan Mitchell – all rights reserved.

In the evening a shadowy figure walks across the courtyard in front of the Louvre.

Close to the end of our time in Paris this past summer we had a magical evening. As I recall, we had no particular plan at this point, but it was a warm late afternoon so we decided to walk. We headed towards the Seine and crossed at Pont Neuf right at sunset. There were thousands of people everywhere — walking, looking at the view, sitting along the river bank, dancing along the walkways, making music, riding bicycles, you name it.

Eventually, shortly after the actual time of sunset, we walked across a bridge and entered the courtyard of the Louvre. Still there were people everywhere, though things seemed to be slowing down — more of them were standing or sitting, watching the sky. I wandered into this courtyard at twilight, just after the lights on the building had come on, and I paused to make a few handheld photographs of the scene. In this one, a blurry figure seems to be exiting the scene to the right.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: France, Photographs: Night, Photographs: Urban/Street

La Pierrade, Evening

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La Pierrade, Evening
The sidewalk and street in front of La Pierrade, Montmartre, Paris.

La Pierrade, Evening. © Copyright 2016 G Dan Mitchell – all rights reserved.

The sidewalk and street in front of La Pierrade, Montmartre, Paris.

I made this photograph on, literally, our first night in France ever. (Yes, we are late-bloomers when it comes to international travel. That’s a long story involving finances, bringing up a family, strong interest in visiting other places, and more.) We had been in London for over a week — not our first visit there — and had arrived in Paris by train in the afternoon, finding out way to our hotel in Montmartre, unpacking, and then deciding it was time to head out and explore. (Here I could tell another funny story on us, involving our discovery that you can get an espresso just about anywhere in this part of Paris, but I’ll save that one for another time, too.)

When we went out we had several goals. One was testing our ability to navigate in a city whose language we do not speak. (It was fine.) Another was to start to get a fix on the surrounding neighborhood. A third, and may be most important, was to find something to eat! That’s hardly a problem in Montmartre, though deciding which place to patronize was challenging. At the intersection where I made this photograph we finally picked one and enjoyed a simple meal outdoors. Whether this is visible in this small online photograph or not is a question, but there are some interesting interactions going on among the people in this nighttime sidewalk scene.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Structures and Objects

Alley, Arrow, Windows

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Alley, Arrow, Windows
A directional arrow in a narrow alley outside of a windowed industrial building

Alley, Arrow, Windows. © Copyright 2018 G Dan Mitchell – all rights reserved.

A directional arrow in a narrow alley outside of a windowed industrial building

Night photography is, perhaps ironically, truly all about the light. There isn’t that much of it in most cases, so we resort to very long exposures (or perhaps very high ISO values) and we seek out places where there is just enough of it to make photographs. Night illumination is often from artificial sources, and frequently it comes at least partially from inside the subject rather than falling on its exterior. Subjects that may be mundane in normal daylight can take on new qualities in the light of the night — they may stand isolated from their backgrounds, take on unusual colors, and even become mysterious and moody.

This building is one of those subjects that glows from within. When I first saw it my initial idea was to get very close to some of the windows and simply photograph the interior of the empty building. For various reasons, ranging from practical to aesthetic, I gave up on that idea. Instead I stepped back a bit, included the windows and building interior, but also worked with the light spilling out into this alley, where a variety of patterns are produced on the pavement.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Night

Windows, Brick Building, Night

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Windows, Brick Building, Night
“Windows, Brick Building, Night” — Light from the interior of an industrial building spills through windows and into an alley

This building was a surprise to me. As I recall from past visits, I’m pretty sure that it had been more or less abandoned at one point, and I typically found it completely dark when I photographed there at night. I specifically recall photographing around it and having to content with a very dark environment, the sort where exposures of many minutes were necessary. But on this visit I found it, instead, to be a source of light. The interior was clear and well-lit, and large expanses of windows allowed the light to spread from the building onto the surroundings.

On a slightly technical level a few things seemed notable about photographing this structure. First, it is an example of how well current photographic technology can handle some very challenging light situations. The subjects in this photograph ranged from a bare lightbulb inside the building (visible as the brightest area in the central window) to virtually black shadows on the close side of the building wall. Yet a single exposure was sufficient to capture enough image data to protect the highlights and retain some detail in even the darkest areas. The second observation has to do with the inevitable changes that time brings to places like this. I have photographed here for about fifteen years, and on this visit I saw many changes. I lamented many of them, especially the places now off limits, knocked down, or modified almost beyond recognition. But at the same time, the re-opening of some of the old structures has made them more photographically interesting — as in the case of this building where there is now sufficient light for photography.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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