Category Archives: Photographs: Urban/Street

Reclining Man, San Francisco Bay

Reclining Man, San Francisco Bay
A man rests along the shoreline of San Francisco Bay

Reclining Man, San Francisco Bay. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A man rests along the shoreline of San Francisco Bay

It is usually not my habit to photograph the down and out, homeless people, and other photographic clichés — I often (though not quite always) feel that such photography can be too easy, can create a false impression of concern and engagement, and that the invasion of the subject’s privacy may raise some ethical questions that concern me. But like most rules, there are exceptions, and this subject seemed to be one for me.

There was something about this man, reclining quietly in the sun along this popular stretch of San Francisco’s scenic waterfront that has, looked at it certain ways, a kind of nobility. Something about him and his location and pose reminds me of certain Renaissance paintings. And, frankly, his appearance seems to me to coalesce and possibly completely change what would otherwise simply be another scenic San Francisco urban landscape photograph.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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At the Gallery

At the Gallery
Visitors at the new SFMOMA museum in San Francisco

At the Gallery. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Visitors at the new SFMOMA museum in San Francisco

The newly expanded and refurbished SFMOMA (San Francisco Museum of Modern Art) reopened recently, and we had an opportunity to spend a day there during the week before the public opening. The new building is a success in our minds — full of interesting and sometimes surprising interior spaces, with new portals connecting it visually to the surrounding city, and beautiful galleries to display the work. (There are a few oddities — the space on the ground floor seems sort of sprawling and disorganized, but I digress…)

I always like photographing in museums, especially those with more modern architecture. The light and the angles of walls and entry ways are often fascinating, and people behave in ways that are much different from what I might see in other venues. I usually photograph quickly in these places, partly because I don’t want to intrude on the experience of other visitors and partly because scenes and juxtapositions often assemble themselves and then disappear so quickly.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Tower

Tower
“Tower” — Tall building in shadow, San Francisco

I have a series of photographs, a series that I call my “imaginary landscapes” — photographs that do not attempt to be objectively real depictions (not that photographs can truly succeed at such a thing) but instead go for what I think of as a subjective reality. This photograph is an urban equivalent to those — perhaps an “urban imaginary landscape?”

The source image came from a recent visit to San Francisco, when I was in a location from which I could look directly toward the outer shells of very tall buildings. Because the weather was overcast, the light was muted and it made its way into shadowed areas that might otherwise be dark. This produced a source image that allowed me a great deal of leeway for interpretation in post.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Barred Window

Barred Window
Reflections and shaded interior beyond a barred window, San Francisco

Barred Window. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Reflections and shaded interior beyond a barred window, San Francisco

Walking along the waterfront near the South Beach Harbor I noticed a walkway going out to the end of a pier than I had not noticed before. This time a gate was open, so I walked out onto the pier and passed many small temporary (or so they seemed) businesses and shops that were set up behind the sliding metal doors, now open for the day. My goal was the end of the pier, where I figured I might be a good, clear view straight into the morning light coming across the bay or possibly back across the boats tied up in the harbor.

Passing one small metal-sided building, I noticed the odd combination of objects — a bird cage behind a sort of “human cage” of the barred windows. The right window provided a visual and subjective contrast with these objects, since it reflected the open blue sky and the upper portions of the masts of the nearby sailboats.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.