Category Archives: Photographs: Utah

Balanced Rock and Cliff, Sunrise

Balanced Rock and Cliff, Sunrise - Dawn light on Balanced Rock and cliff face, Arches National Park
Dawn light on Balanced Rock and cliff face, Arches National Park

Balanced Rock and Cliff, Sunrise. Arches National Park, Utah. October 10, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Dawn light on Balanced Rock and cliff face, Arches National Park

When I first visited Utah for photography, only in April of this year, I think that Arches National Park probably provoked the most serious “wow” response from me. I loved each of the parks we visited in different way, but the first-impression of Arches was, for me, stunning. It probably helped that I had more or less intentionally done no research on the place before our arrival. It also helped that my first view of the park was on a spontaneous golden-hour drive into the park from Moab late in the day, when we found ourselves with more time after arriving than we had planned on. I was stunned to see what seem to be essentially impossible formations throughout the park – the arches themselves, of course, but also the tall thin towers, long and narrow fins of sandstone, large rocks balancing on pedestals, and more.

On the second visit, this fall, I was still impressed by these amazing formation, but I also began to look past them a bit more and start to see a few of the subtle things that are there as well, and to begin to understand a few of the patterns of the place – where and when certain types of special light or atmosphere might occur. On this morning I had returned to re-shoot something that had not worked out quite the way I planned on the previous visit. Having completed that task, we moved on up the road, looking for other opportunities, of which there were many. Here, as we passed one of the large towers in the Courthouse area, I saw a photograph that juxtaposed several things: the silhouetted shape of the balanced rock on the far ridge, the brilliant morning sidelight on the nearby sandstone tower, and the early morning sun slanting across the petrified dunes area, picking up the higher points on the terrain.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Autumn Detritus, Zion National Park

Autumn Detritus, Zion National Park - Oak leaves and other autumn material on a rocky stream bed in Zion National Park
Oak leaves and other autumn material on a rocky stream bed in Zion National Park

Autumn Detritus, Zion National Park. October 22.2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Oak leaves and other autumn material on a rocky streambed in Zion National Park

This mixture of autumn debris was lying on a low shelf near the bottom of a narrow canyon wash in the high country of Zion National Park. We had descended into this wash to look for autumn colors, mostly the red maples and perhaps some cottonwood or box elder trees. It had not been long since the last rain, given the evidence of flow patterns in the sand and occasional wet spots in deeper sections.

The gambel oak trees are quickly becoming a favorite of mine in this area of the Southwest. They are found all over the place and vary from small, bush-like plants to decent sized trees. When fall comes they can put on a quite varied show. Some leaves simply turn the rich brown/tan that you see on some of the leaves in this photograph. Others turn yellow and some take on very bright red colors, especially when the light comes through the leaves from behind. (A photograph from a small canyon in Capitol Reef that I’ll post later shows a more gaudy side of these leaves.) Here the leaves had fallen onto a low sandstone bench just above the stream bed, and the reddish rocks compliment the other autumn colors of this intimate scene.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Clearing Storm, Morning Light

Clearing Storm, Morning Light - Clearing storm clouds and morning light on sandstone towers, Zion National Park
Clearing storm clouds and morning light on sandstone towers, Zion National Park

Clearing Storm, Morning Light. Zion National Park, Utah. October 13, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Clearing storm clouds and morning light on sandstone towers, Zion National Park

We had arrived in Zion the day before, driving through rain across lower Utah and upper Arizona, stopping to photograph here and there including the still-wet upper elevation areas of Zion. On this morning we got up relatively early so that we could be on one of the first shuttles up into the canyon, and the day began with sun coming through breaks in the remaining clouds from the previous day’s rain. In my view, clouds in Zion canyon are not usually all that conducive to photography, since I tend to rely on the diffused midday light coming from open sky to light up my subjects, which are often found in the shade. Clouds can produce too much shade and move the color balance away from the warm tones of daylight and toward the dark and blue tones.

On the other hand, I love sunlight broken and muted by clouds, especially if they are moving and are a bit transparent. I love shooting in Yosemite Valley when winter storms or fog are swirling around the Valley’s walls and spires, alternately revealing and hiding bits of the cliffs. As we rode the shuttle into Zion Canyon, with a vague plan of heading toward the middle or upper part of the canyon, I looked up to see that same sort of effect high on the cliffs along the west side of lower Zion Canyon – early morning sun was shining through breaks in clouds that swirled around the upper cliffs, alternately revealing and concealing their form. Plans change, and we quickly hopped off the shuttle. I put the long lens on the camera and spent a few minutes exploring this subject.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Box Elder, Bend in the Creek

Box Elder, Bend in the Creek - A Utah canyon creek winds through a narrow canyon and past a box elder tree.
A Utah canyon creek winds through a narrow canyon and past a box elder tree.

Box Elder, Bend in the Creek. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah canyon creek winds through a narrow canyon and past a box elder tree.

This little stream and its canyon was the first place we stopped at on our late-October photographic trip through (mostly) Utah. Before this we had shot a bit in the “touristy” part of Zion NP, but this place was quite a bit more off the beaten track. Truth be told, this was also my first time wandering/wading/rock hopping my way up one of these small Southwest canyons – so it was a special bit of adventure for me, and one that I took to very quickly. Although I felt, to some extent, like I already “knew” these places from reading and seeing the work of other photographers, it was still something special to be in the place for the first time.

We began by walking up a portion of the wash through which the stream flowed after it left the canyon. I quickly discovered that here, unlike in “my Sierra,” one does not necessarily try to avoid the water – which wouldn’t really be possible anyway – but instead you walk in it, hop or wade back and forth across it, or tread the soft sand and mud along its banks. Some figure that you’ll get wet, and they wear light footwear. I went “old school” and put on a pair of Gore-Tex hiking boots and rolled up my pants enough to keep the bottoms out of the water.

The light in such places – as the veterans of such shooting know – is a complex and interesting thing. Most of the time you don’t really want direct sunlight, so you (or I, anyway) seek out shade. But you do want reflected light, coming off of the canyon walls high above, taking on the color of the rock, and diffusing down into the depths of the canyon. Contrary to my well-developed shoot-very-early-and-shoot-very-late instincts, you also typically want to shoot during the mid-morning hours and the afternoon, and if the canyon is deep enough and oriented the right direction you may even shoot right through the noon hour! What a concept: sleep in until the sun comes up, eat breakfast, and then go shoot! In this little twist in the stream, at just about the point where we turned around, the water takes on the color of the light reflected from the sandstone walls around the bend, and a single small box elder with golden leaves adds a spot of fall color.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.