Category Archives: Photographs: Yosemite

Burned Forest, Autumn Color

Burned Forest, Autumn Color
Autumn colors in a forest of burned trees, Yosemite Valley

Burned Forest, Autumn Color. Yosemite Valley, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Autumn colors in a forest of burned trees, Yosemite Valley

During this final weekend of October I spent a few days photographing in the Yosemite area, including along the road between Oakhurst and the Valley and then in Yosemite Valley itself. I had quite varied weather conditions — pouring rain on the first day as I drove up from the Bay Area, beautiful evening and morning fog followed by a sunny autumn day, and then a weather forecast of heavy rain that convinced me to beat a retreat from the park a day early.

Late on the second afternoon I stopped at a very popular and iconic location in the Valley, but I walked the other way, heading out into an area of rock, dry meadow and oak trees that gradually transitioned into conifer trees and big leaf maples, the latter being at their peak of fall color. Knowing the Valley pretty well at this point, I often prefer to look past the big sights and just wander, and that’s what I did here, eventually ending up in an area that had been burned recently by a management fire, clearing out the underbrush and charring the lower trunks of tall trees. In fact, the lower trunks were so affected that there were no branches to obstruct the view of the maples just beyond or of the vertical granite cliffs a bit further away.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Two Small Trees, Autumn Fog

Two Small Trees, Autumn Fog
A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

Two Small Trees, Autumn Fog. Yosemite National Park, California. October 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A few autumn maple trees are scattered in a Yosemite National Park forest on a foggy morning

I admit it. I got distracted. This past week I had reason to visit Oakhurst, California, just below the southern boundary of Yosemite National Park. I drove up there in tremendous rain, had my meeting, and then headed to The Valley for a few hours of photography. As I drove up from Oakhurst the forest was wet and fog was everywhere — perhaps the ideal conditions for all color — but I kept driving, wanting to get to the Valley before the light was gone. At one spot inside the park I caught a glimpse of a bright yellow big leaf maple tree in a small gully leading away from the road, but I did not stop.

I was back in Oakhurst that night, and then up very early the next morning with a plan to arrive in the Valley again by daybreak. I headed up from town again, but once again there was fog, though less of it. Three things I cannot resist are autumn color, fog, and forests — so when I passed this spot again I quickly decided to turn around and come back to make some photographs. This is a complex photograph, the opposite of the minimalist images I like to produce (see some recent Mono Lake photographs for examples), but that is the nature of forest scenes like this — they are an utterly harmonious whole created out of a very complex set of components. And, even better, they are mysterious and quiet and still.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Evening Shadows, Sierra Crest

Evening Shadows, Sierra Crest
Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Evening Shadows, Sierra Crest. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Mountain shadows on the Sierra Crest at sunset, Yosemite National Park

Earlier I had photographed in the large meadows along the Dana Fork of the Tuolumne, just below Tioga Pass, continuing to work until the sun dropped behind the long and tall ridge to the west. As I walked back toward my vehicle through the soft light of the shadows, the surrounding peaks were still in full sun. I started thinking about putting a very long lens on the camera and photographing the last light when if finally got to these peaks and ridges.

It took a while! This meadow area loses the light early, so even though I lingered there after the direct sun was gone, I still had quite a while to wait before sunset. The intense coloration of the arctic zone peaks comes from two sources. This section of the Sierra is topped by much older rocks — not granite but very reddish-brownish rocks. By the time I made this photograph the sun was very close to the horizon and the color of the light had warmed considerable, adding even more intense color to the rocks. (Inspecting the image file very closely I learned something new — there is a faint trail traversing the upper slopes of the ridge at the left!)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Glaciated Terrain

Glaciated Terrain
Trees in morning light on a glaciated dome, back by an immense fractured granite face, Yosemite National Park

Glaciated Terrain. Yosemite National Park, California. July 14, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Trees in morning light on a glaciated dome, back by an immense fractured granite face, Yosemite National Park

I’m often out before the first light and then again as the last sunlight turns to dusk. These are not the only times of day worth photographing, but they are times that often produce beautiful light and colors and effects, with warm light and dramatic shadows. Many times — even during the busiest times of the year — I have stood it some of the most impressive locations and witnesses the most astonishing light… almost alone. I don’t know whether to encourage everyone to get up early and stay out late or to perhaps just keep relatively quiet and enjoy the solitude! I sometimes wonder how different our ideas of the Sierra are, depending upon when we are out and about as more or more than where we go.

In a spot like this one, the arrival of morning light is a highly dynamic thing — not at all a static or even slow-moving event. For example, here the light is raking across the foreground granite slab the tilts down from left to right, at the angle of the light is only briefly ideal to light the trees without also lighting the granite. The whole transition from first light on tree tops to a bit too much on the granite might take little more than a minute.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.