From 2008: Winter Surfers, Northern California

Since the 2014 Mavericks surf competition is on for today, I’m reposting a favorite surfer photograph of mine from 2008, along with descriptive text. Enjoy!

California Surfers, Winter
California Surfers, Winter

Winter Surfers, Northern California. Between San Francisco and Santa Cruz, California. January 12, 2008. © Copyright 2008 G Dan Mitchell – all rights reserved.

Two surfers near the edge of the winter surf in central California near San Francisco. Black and white.

As I write this description a half dozen years after making the photograph it is the day of another Mavericks surf competition, and I remember distinctly the day I made the photograph and the experience of making it. The location is somewhat typical of the California Coast Highway, along with the road alternates between ascending along the edges of high coastal mountains and dropping down to small beaches where creeks and rivers enter the sea. This beach is one of those latter locations, in this case one I frequently visit when I photograph along the coast south of San Francisco.

My favorite time of year along this coast is the winter, and for a diversity of reasons. Contrary to the expectations of non-Californians, summer is not the most beautiful time on the coast. In summer the coast is frequently socked in by fog, and the clear days are so clear that there may be no clouds – a lovely thought for all but perhaps the photographers, who often wants more “interesting” conditions. In the winter the ocean can become a powerful force, with winds whipping the tops of huge waves as storms near and far stir things up. While the summer coast can seem benign, the winter coast can present us with scenes of tremendous, awe-inspiring power. But it can also be quiet and moody as it was on this day. Yes, the surf was running high (which is why the Mavericks surf competition was going on a few miles north of this spot on the day I made the photograph), but winter clouds muted the colors, the sounds of birds and water were everywhere. These two surfers walked quietly along the beach, seeming a part of this beautiful scene. (Revised description written January 24, 2014)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Marin Headlands, Winter Evening

Marin Headlands, Winter Evening
Marin Headlands, Winter Evening

Marin Headlands, Winter Evening. San Francisco Bay Area, California. January 17, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Golden evening haze over the Pacific Coast below the rugged cliffs of the Marin headlands

How we ended up here on this evening in a slightly complicated and random story. Our main goal was to go San Francisco’s De Young Museum, where the big show of David Hockney’s work was entering its final days – we had been planning to go but somehow the time passed and it was now or never. I’d write, “It is a great show and you should go…” but it is too late! Hockney’s work is engrossing and compelling and includes subjects that a landscape photographer can identify with. (Hockney’s relationship to photography is interesting and, it seems, a bit complex. He is known for some photo collages that he created, yet he disparages photography or at least the way photography is often done. He apparently said something about photography along the lines of it being fine if you want to view the world from the point of view of a paralyzed cyclops. Ouch!)

We spent a few hours in the exhibit and then it was mid afternoon. There were still a couple of hours of light left, so we decided to head across the Golden Gate Bridge, but with only the vaguest of plans in mind. (Basically the plan consisted of “Coffee and then look for something before the light is gone.”) By the time we got over there and were ready to look for light, we realized that we had only a short time before the light would go and we would have to head back over the bridge to get dinner. (We had reservations at a favorite Indian restaurant.) We realized that we had only enough time to drive up into the headlands on our way to the bridge, so up Conzelman Road we went. I missed a mysterious and ominous photograph of a large freighter in the haze outside the Golden Gate since I wasn’t able to find a place to stop and park – but we finally managed to park the car and get out and look around. I did not take my camera gear out at first, since I have more than enough photographs of The City and the bridge at sunset, but soon I became interested in the backlit glow around the rugged cliffs dropping to the water to the west and then the expanse of glowing, hazy air stretching over the water towards the horizon, where water and sky merged invisibly.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Ding

Ding
Ding

Ding. New York City. December 25, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A pedestrian walks past a New York City post office building.

An apology might be appropriate for this photograph, which might be the oddest Christmas Day photograph of 2013. We had arrived in New York City the previous evening, and when we woke up on Christmas morning in Manhattan things were relatively quiet. We had an afternoon engagement in Brooklyn, but plenty of morning time to kill before that, so we figured that we might just take a (rather cold) walk deeper into Lower Manhattan, and we ended up heading toward the World Trade Center site.

Because there were so few people – and so few cars – out this morning, certain photographic opportunities arose that might not usually be easy or even possible here. You can bet that on a more typical day this street would have been filled with vehicles and the sidewalk filled with other pedestrians. But on this quiet day it was much easier to photograph unobstructed views or to find an individual figure in this urban landscape. As this man in black strode purposefully (very purposefully for Christmas day!) past this post office building I saw that I might have a brief opportunity to frame him against the architecture of the building and as soon as I saw this particular shot, a little voice in my head said… “Ding!” (Sorry. But probably not sorry enough.)

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Granite, Water, and Tree

Granite, Water, and Tree
A small tree grows from a crack in a granite wall and the reflecting surface of a Sierra Nevada lake, Kings Canyon National Park

Granite, Water, and Tree. Kings Canyon Park, California. September 14, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

A small tree growing in a crack in a granite wall above the reflecting surface of a Sierra Nevada lake, Kings Canyon National Park

I have begun to return to the photographs from the September 2013 9-day backcountry trip into the eastern Sierra of Kings Canyon National Park. Four photographers traveled over two nearly-12,000′ passes to reach a basin full of lakes at 11,000′, where we set up camp and photographed for the better part of a week. By staying in one location we were able to come to know the surrounding wilderness intimately, frequently returning to locations at different times of day and in different weather conditions. Of course, even a week in one valley like this one is not sufficient to truly know it – a lifetime might be necessary for that!

When I return from a shoot like this one I’m always anxious to dig into my photographs and see what I came back with. In the field, while I’m complete focused on each photograph as I make it, I quickly move on to the next thing, and after a week of shooting I certain do not recall every shot. The initial pass through the image files always reveals some photographs that speak to me, and others that seem to have potential. I might work them over for a week or two, but then I tend to put them aside and move on to other things. But I’m not done. Some photographs do not reveal themselves to me as quickly as others, and I’ve learned that when I go back to the original files months or even years later I often “discover” photographs that were there all along, but which somehow escaped my attention. This is one of those, though in this case I think I have some ideas about how it ended up waiting for me to revisit it months later. First, when I made the photograph I knew there was something about these patterns that was photographable – but at the time I recall being a bit challenged by making a composition out of it that did not include some distracting materials above the elements you see here. At the same time, another photograph of a similar subject turned out to be one of those that worked right away, and I think that encouraged me to move on past this one. This week I began to revisit these files and when I saw this one it was almost immediately obvious to me that it would work with his wider crop, which solved the problem of the “distracting materials” that I mentioned above. I like several things about this photograph: its subtle color palette, the strong abstract patterns of cracked rock and green-gray lichen, the very small tree growing in the crack in the rocks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

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