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Dead Trees, Snow

Dead Trees, Snow
Burned forest trees silhouetted against snow storm clouds swirling around a granite face

Dead Trees, Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dead forest trees silhouetted against snow storm clouds swirling around a granite face

I have written before about my long-term process of trying to find ways to photograph the beauty of dead or burned forests, a subject that I was brought up to regard as a tragedy. For decades, Smokey the Bear told me that forest fires were a wholly bad thing, to be avoided at all costs. Eventually we came to understand and (mostly) accept that fire is a normal and even necessary part of the life-cycle of healthy forests, and in places like Yosemite fires are often “managed” rather than suppressed. Currently in the Sierra Nevada the issue is compounded by the sight of millions of trees that fell victim to bark beetles during the recent drought, and whole forests have died in some places. A few dead trees are a normal part of the landscape, but this is unprecedented in the lives of any of us.

This photograph was made on a snowy day in Yosemite Valley, probably the last such day of the current season as winter turns to spring. Beyond the stark trees, a combination of clouds and blowing snow mostly obscured the Valley’s cliff faces. This photograph illustrates something else I figured out about photographing tall trees some years ago. I used to feel that the way to show the vertical scale of tall trees was to move back and show the whole tree, usually in a vertically framed image. I specifically recall the day when I figured out that there is another way. I was photographing in the coast redwood forest north of San Francisco, where I was unable to move back to get the tree-encompassing distance. I realized that I could do the exact opposite of what I had been doing — use a panoramic framing that does not show the whole tree, but instead implies by absence that subject is too tall to fit in the camera’s frame.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Burned Forest, Twisting Branches

Burned Forest, Twisting Branches
Burned Forest, Twisting Branches

Burned Forest, Twisting Branches. Yosemite Valley, California. March 1, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Bare, twisted branches in burned forest, Yosemite National Park

For a number of years, Yosemite National Park has allowed naturally set fires to more or less burn themselves out under supervision, and management fires are set regularly in areas including Yosemite Valley. For many of us there is a natural negative response to this, at least initially, since we were brought up on a stead Smoky Bear diet of “fire is bad!” It turns out that not all fires are bad. In fact, the healthy forests depend on fire – to clear out underbrush and reduce the fuel load and even to prompt the renewal of plant life. Ironically, there is some thought that one reason for the very big and very destructive fires that have occurred more recently is that fires have been suppressed for so long that too much fuel has built up in the forest, allowing fires that might otherwise be “healthy” to become firestorms that destroy even mature trees.

The evidence of fire is found in many areas of the park, including Yosemite Valley. If you visit late in the season you might find a managed fire underway, closing off sections of the forest and spreading smoke. (While I worry about the health effects of the smoke, I have learned to use it photographically but finding ways to use the haze in my images.) For some time I have worked to find ways to photograph the burned areas. They can have a kind of stark beauty in the right light and when looked at in just the right ways. I had stopped in a more traditional meadow, full of dormant winter grasses and leafless winter trees, when I looked behind myself to see on of the managed burn areas, and these curving and twisting bare limbs against a background of scorched trunks.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rim Fire Zone, Morning

Rim Fire Zone, Morning
Rim Fire Zone, Morning

Rim Fire Zone, Morning. Rim of the World, California. October 30, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Hazy morning light filters across the burned hillsides in the area of the Rim Fire, California

In photographic terms this is perhaps not the most spectacular photograph, and the location is not quite a scenic icon – though it is a place that many stop and take a look on their way to Yosemite, the “Rim of the World” overlook along highway 120 between Groveland and the northern park entrance. However, this view is loaded with implications and connected to many stories.

Late this past summer, the state of California was tremendously dry after a second drought season. It wasn’t a question of whether there would be big wildfires, but more of where, when, and how many. Perhaps the biggest one of all started very near the Rim of the World overlook, and in the hot and dry conditions it quickly – some might say explosively – spread to the north, east, and south. While many think of it as “the Yosemite fire” – and it did burn a lot of terrain inside the park – it really was more of a “Yosemite area” fire. Because of the conditions – the long-term conditions of drought and the immediate conditions of heat and wind – the fire apparently did very serious damage to the forests in the are.

Shortly after the fire was contained, I thought that I might drive through the park on Tioga Pass Road to get to and from the eastern Sierra in early October. In fact, the roads had opened up again by that time, but snow closed Tioga Pass on my trip to the west and we ended up coming back over Sonora Pass. So the post-fire conditions of this area, which is very familiar to me after years of visits, were still an unknown when I drove to The Valley on October 30 for a few days of autumn photography. Passing into the first fringes of the burned areas along highway 120 things didn’t look all that different than they do after any wildfire – some areas badly burned, some singed, and others that mostly escaped the fire. I decided to stop at the Rim of the World overlook, which was pretty much the only place where stopping was allowed, and get out and take a look. I was floored by the scale of the fire. It had come from behind my position, burned down and across the deep canyon of the Tuolumne River, up the canyon walls on the far side, and then across a vast series of receding ridges. Some smoke and haze still seemed to be coming from the area, and early morning light glanced across the ridges, with their dead trees. In the far distance there is a low peak with a bit of early season snow.

I have seen quite a few fires in the park over the past few decades. One not far from here destroyed a large area of forest a few decades ago – and on this trip, ironically, I was noting that new evergreen trees are finally taking hold there. Later several very bad fires blew up from near Foresta, doing terrible damage to the section of Crane Flat Road descending towards The Valley. There have been others. In most of these cases – though I wondered in the case of the most recent Foresta fire, too – it seemed that I could watch the forest recover and return to something resembling what I remember. However, given the intensity and scale of this fire, I wonder if I’ll have that opportunity where the Rim Fire burned?

To end on a cheerier note, a couple of other observations. Even near badly burned areas, I did see sections where this fire only burned some of the vegetation and a few that seemed to have been completely spared. And when I got to a spot inside the park along highway 120 where I often stop to photography dogwood trees in the spring and fall, a spot that seemed like it might have been within the burn zone on the maps, I found my little spot completely intact, with the dogwoods turning to fall colors.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Merced River, Forest, Autumn

Merced River, Forest, Autumn
Merced River, Forest, Autumn

Merced River, Forest, Autumn. Yosemite Valley, California. October 31, 2013. © Copyright 2013 G Dan Mitchell – all rights reserved.

Colorful autumn trees among burned forest and reflected in the water of the Merced River, Yosemite Valley

This is, in several ways, a “quieter” photograph than some that I have posted recently. The location is along a section of the Merced River in Yosemite Valley that is probably not really seen by more than a handful of people, if that, on any given day.The spot is not special enough, if specialness is definable, to warrant its own particular name. (However, a few people do have a name for it – but it isn’t really to be shared here.) So the scene itself was, objectively speaking, quiet – the only others around were a couple of photographer friends working individually nearby, there was no wind, the river was as calm and quiet as I recall seeing it – barely even flowing, and almost nothing was moving in the forests along its banks.

There was another kind of quiet, too – the mental quiet that I often look for while photographing, especially in places like this. It is easy to let my mind wander – is this the right place to stop? should I check email before leaving the car? is there anything here that will make a great photograph? might it be easier to shoot someplace more predictably beautiful? what if I can’t find anything to shoot? Leaving my car behind and shouldering my tripod and bag of gear, I walked down to the river bank and began looking. My notions about what I might photograph are not so important – being open to what I might find to photograph is. When you first begin to photograph, it can sometimes take a long time to get into the frame of mind that allows you to slow down and become engrossed by what you see, to the point that you lose track of time and even where you are, focusing entirely on the seeing and the photographing. Eventually, I think you can learn to let this happen more quickly – not that it always does – and to avoid the trap of trying too hard to steer the process and to instead be quiet and open to what you see. And so, thinking back on this evening, as I made my last photographs before heading home, I recall the sense of quiet focus as much as the objective features of the scene itself.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.