Krämergasse und Ingrimstrasse

Krämergasse und Ingrimstrasse
Corner of Krämergasse and Ingrimstrasse, Heidelberg

Krämergasse und Ingrimstrasse. © Copyright 2018 G Dan Mitchell – all rights reserved.

Corner of Krämergasse and Ingrimstrasse, Heidelberg

I have walked this street in Heidelberg a few times during three visits in the past few years. Sometimes it is filled with people (and bicycles), but it was very quiet on this day when we used it partly as a way to bypass the busy main street, which was crowded with other visitors. On the corner at the left you can see the sign for a restaurant where we enjoyed a very fine meal on my birthday a few years ago.

There are several things that I like about this simple scene. The streets have a certain neatness and orderliness that seems northern European to me. Not all German cities that I’ve seen look like this — and even parts of Heidelberg don’t — but it is a “type” of street. The light was beautiful, too — coming across the tops of the buildings on the left side of the street, striking the faces of the buildings on the right, but softened a bit by thin clouds. And, at least to my eyes, those bicycles seem to be peeking out from behind the corners and they seem like the only things inhabiting this empty street.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Fractured Rock

Fractured Rock
Detail of a fractured rock wall in the John Muir Wilderness

Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a fractured rock wall in the John Muir Wilderness

There are quite a few “photographer jokes” that you’ll hear if you hang out long enough with these folks. (I should make a list sometime!) Some of them come up in answer to the common question, “What did you photograph?” (A variation on, “What are you photographing?” and not totally unrelated to, “Did you get anything good?”) In a lot of cases, when asked the “what did you photograph?” question, you have choices: given a long answer (often the truest response) and make your questioner wish they hadn’t brought it up, give a very short superficial answer, or make a joke. One joke answer among some folks I know and sometimes photograph with is a cheery, “Rocks, water, and trees!”

If you have been watching recent photographs from this location in the Eastern Sierra Nevada, you may be forgiven for noting that in some cases I seem to have been reducing the subjects from “rocks, water, and trees” down to the minimal, “rocks…” This is — obviously! — one such example. It is the sort of thing that most folks would probably not see, since it wasn’t in an obvious place and is in a location where you could easily walk past while looking at other, larger things. But I wasn’t looking for the obvious, at least not only for the obvious, so I stopped here and poked around a bit, discovering a small section on a larger rock fact where the remnants of an old layer of pink rock were gradually breaking away from the underlying gray material. One more thing — when I make a photograph like this one, focusing on some compositional aspect of some small and non-iconic thing, I often think of the photographs of Mike Osborne, one of the original “First Light” photographers and a person with a unique and wonderful way of “seeing” the Sierra Nevada landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Couple With Roller Bags

Couple With Roller Bags
A couple of tourists pulling roller bags on a Paris sidewalk

Couple With Roller Bags. © Copyright 2018 G Dan Mitchell – all rights reserved.

A couple of tourists pulling roller bags on a Paris sidewalk

I photographed this couple in Le Marais, Paris, not far from where we stayed for a few days near the end of August. If I recall correctly it was Friday evening, and I suspect that these folks were just arriving for the weekend. (I could be wrong — perhaps they live here and were returning from travels.) Their appearance in this scene was fortuitous. I had noticed the monumental weathered wall in the background. I was intrigued, but it hardly seemed like a photograph by itself. But with people in the frame such a surface can add interest.

Being a relatively light travel — at least when traveling by air — I can also identify a bit with these folks. This European trip was nearly six weeks long, yet we managed to restrict ourselves to carry-on luggage — one backpack-style bag plus a smaller “camera” bag that fit under airline seats. (We cheated a bit, too. We did ship some more formal clothes ahead of time for one special event that we attended in Germany.) Even with our relatively light loads, sometimes at the end of a day of travel those bags just… weigh you down. These folks look like they just might be having a similar moment…


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens Ascending A Gully

Aspens Ascending A Gully
Colorful autumn aspen trees ascend a gully in the Eastern Sierra Nevada

Aspens Ascending A Gully. © Copyright 2018 G Dan Mitchell – all rights reserved.

Colorful autumn aspen trees ascend a gully in the Eastern Sierra Nevada

In the past I have looked at this grove but not photographed it. Unfortunately, it stands in close proximity to an Eastern Sierra Nevada “feature” that has long troubled me — a fake waterfall apparently created by a nearby homeowner who seems to have redirected a stream over the top of an outcropping in order to make his/her backyard more picturesque. Unfortunately, once you see how this was done you cannot unsee it, and the “waterfall” becomes an annoying and even insulting feature.

But there are these trees. And they are quite nice, following a narrow gully in the break between two outcroppings of solid Sierra rock. I like the way that the ascending band of trees narrows as it rises, almost suggesting a queue of travelers passing through a narrow pass. There are also some beautiful and colorful trees stretched across the bench at the top of the outcroppings. Finally, these trees are in the state of color transition that I’m almost ready to say I enjoy the most — that stage where a few trees are intensely yellow/gold and others are still just barely beginning to change.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.