Fractured Slabs, Reflection. © Copyright 2019 G Dan Mitchell – all rights reserved.

The patterns of fractured Sierra Nevada slabs reflected in the quiet surface of an alpine lake.

This lake was a productive target for all of us in a group of photographers and artists who base-camped for a week at 11,000′ in the Eastern Sierra last summer. Our camp was perhaps 15 minutes away from this beautiful lake set in a huge bowl at the base of a tall peak that dominated the view from almost everywhere in the area. In places near its outlet there were trees, rocks were everywhere, and the side at the base of the cliff was covered with large talus.

We all spent considerable time there. I know that I visited at least three times. On my first visit I did little more than get a sense of the prospects at the lake since the light wasn’t ideal at that time and there was a bit more wind than I wanted. On a second visit I went at just about the right time, but the many subjects distracted me and I missed the light for some that I had come for. I think it was on the third visit (or was it the fourth?) when I finally managed to get to this bit of textured slabs at the water’s edge before the bright morning light washed out the scene and before the day’s winds broke the smooth surface of the water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Lake and Reflected Peaks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Rugged peaks reflected in the surface of a quiet subalpine Sierra Nevada lake.

Many of my landscape photographs, at least those made in clear and sunny conditions, come from rather early in the morning or quite late in the day. As we know, the light is often very lovely at those times — it can be warm-toned, reflected light may fill shadows. But it is most certainly possible to photograph at almost any hour of the day, and that can broaden the photographic opportunities quite a bit.

While it was still somewhat early when I made this photograph, it was most certainly long past sunrise. The warm light had been replaced by the colder, bluer light of daytime. The geography of this location helped a bit — a very tall ridge stood to our east, and it blocked the direct sunlight until relatively late in the morning. After finishing my sunrise photography I ended up strolling slowly along the shoreline of this small lake, paying attention to the small inlets and peninsulas and to the ways that the smooth water reflected the surrounding peaks.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Pond, Evening Reflection, Peaks. © Copyright 2019 G Dan Mitchell – all rights reserved.

Evening light on peaks is reflected in a pond on an alpine stream.

Photographers often get to experience evening quite differently from the way typical backpackers do. I know, I’ve done both for years. A typical end of the day backpacking: Get to camp, find spot and set up tent, move gear into tent, set up cook area, filter water, perhaps wander around a little bit, fix dinner, then most likely sit around camp or take short nearby walks until night fall. A typical end of day for backcountry photography: Come back to life in the middle/late afternoon, grab a snack or even dinner, load up pack of camera equipment, head out of camp for some (occasionally distant) location, start photographing, work the scene as the light changes, stay on the move and keep photographing as sunset approaches, a burst of photography at sunset and a bit after, finally photography winds down, walk back to camp in partial or complete darkness, arrive back at camp and perhaps have dinner in the dar,.

In either case there is something — how to describe this? — slow and quiet about the approaching evening and then nightfall. Interspersed with moments of intense photography — after all, the light may change quickly — are longer moments of quiet contemplation. Frequently that is how the photography ends, with that work slowing to a stop I stop and often just stand or sit quietly a bit in the failing light. I made this photograph a bit earlier, as I headed up toward a higher ridge and a lake, but the feeling of oncoming quiet still pervaded the scene.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.