Tag Archives: amargosa

Mountains, Evening Sand Storm

Mountains, Evening Sand Storm
An evening sand storm sweeps up into desert mountains above Death Valley sand dunes

Mountains, Evening Sand Storm. © Copyright 2019 G Dan Mitchell – all rights reserved.

An evening sand storm sweeps up into desert mountains above Death Valley sand dunes.

Desert dust storms and sand storms can create wild photographic conditions, sometimes producing almost apocalyptic effects of light and color and atmosphere. They are, however, a mixed blessing since they bring strong winds and dusk gets into everything. On this evening we knew that there was a chance for such conditions, and when we started to see the dust clouds rising above the valley we headed north to see what we could photograph. I made a series of photographs — some in nearly obscured conditions and others, like this one, when the dust became a bit less thick and dusk colors added to the scene.

Photographing (or anything else, for that matter!) in sand storms is not pleasant. The conditions are impressive, but they are also extremely challenging. The sand and dust are terrible — on lungs, on vehicles, and on camera equipment. I employ several strategies, depending on the circumstances. Often I head for the edges of the storm and photograph into it with long lenses. I also may work from inside a vehicle, perhaps photographing through a partly open window (on the leeward side of the vehicle if possible) or, in extremely bad conditions, even shooting through closed windows. To make this photograph I briefly got out of my vehicle and worked in the partial shelter on its downwind side, shooting handheld so that I could minimize my exposure to these conditions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Dunes and Mountains, First Light

Dunes and Mountains, First Light
The first sunlight falls across sand dunes with a backdrop of desert mountains

Dunes and Mountains, First Light. © Copyright 2019 G Dan Mitchell – all rights reserved.

The first sunlight falls across sand dunes with a backdrop of desert mountains.

Back in early March I made a trip to Death Valley, partly to meet and camp with family members and partly (of course!) to make photographs. Early March is still in Death Valley’s “cool” season, and I don’t think I saw temperatures above the mid-70-degree range. (By the time of my next visit the highs will likely be well into the 90s. And after that? I stay away from the place!)

When I travel to places like this it isn’t at all unusual to encounter other photographers that I know. (I once ran into a friend walking around a bend in a narrow slot canyon beyond the end of a 25-mile gravel road!) This time I discovered that a trio of photographer/friends from the Yosemite area were camped nearby, and we joined forces for an early morning visit to the dunes the next day. We met up and started walking well before it was light out, and we arrived in the dunes before the sun came up. Soon the first light began to slant across the forms of the dunes and we worked quickly in this ephemeral light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Kit Fox Hills, Amargosa Range

Kit Fox Hills, Amargosa Range
Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

Kit Fox Hills, Amargosa Range. © Copyright 2018 G Dan Mitchell – all rights reserved.

Amargosa Range mountains rise behind the Kit Fox Hills, Death Valley

These low, deeply eroded, and colorful (in the right light) Death Valley hills lie at the western base of the Amargosa Range near the start of the road heading north toward the Scotty’s Castle area. I recently read that they may be the remnants of an old earthquake fault along the eastern side of Death Valley, marking a division between the rising mountains and the sediment-filled valley. I have walked along the base of these hills, though I still need to find the time to more extensively explore their rugged and eroded landscape.

Late in the day they intercept almost the very last sunlight to reach the valley floor before sunset. With that in mind, I have photographed them many times, often from a good distance away across the valley. That was the case on this evening, when I found a spot elevated above the valley floor and climbed to its summit to watch the late-day light. It was one of those evenings when the light was unpredictable. There were clouds to the west above the Cottonwood mountains, which can turn out to be either a good thing or a bad thing. The clouds may light up at sunset and the minutes just after… or they may simply block the sun and “turn out the lights” on sunset photography. It looked like the latter might turn out to be the case as I watched the sun descend toward a band of thicker clouds. But there was a small gap between the base of the clouds and the top of the mountains, and the sunlight shone through this gap for a few minutes, casting beautiful soft light on these hills.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Kit Fox Hills

Kit Fox Hills
Evening light on the Kit Fox HIlls, Death Valley

Kit Fox Hills. © Copyright 2018 G Dan Mitchell – all rights reserved.

Evening light on the Kit Fox HIlls, Death Valley

This photograph was a bit of a lucky catch. I had gone to an elevated location where I had a more commanding view of a wide section of Death Valley, but late-afternoon clouds had drifted in above the Cottonwood Mountains to the west and the light ranged from filtered to “blah.” I try to “read” the clouds to predict what may come, and my reading on the conditions was that a small gap between the bottom of the cloud bank and the top of the mountains would produce a brief bit of good light just before the sun dropped beyond the peaks. These predictions don’t always pan out, but this one did. The light first appeared a great distance away at the upper end of the valley, but soon worked its way south across the Grapevine Mountains and then flowed across the low Kit Fox Hills.

I’ve been intrigued by this small row of furrowed hills for a long time. Their coloration and patterns let them stand out from the less differentiated material of the washes above and below them. I did a bit of reading about them during this recent trip, and I understand that they are a remnant of a very old earthquake fault along the west side of the valley. (There are fault zones along the sides of Death Valley, separating the rising mountains from the valley, which is largely filled with material washed down from the mountains.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.