A lone tree stands against the fractured textures of a sandstone cliff, Zion National Park, Utah.
Time for one more Zion photograph. Actually, it may not be quite the last from this April visit to that park and other beautiful areas of Utah. It almost doesn’t matter exactly where this photograph was made, since red rock and green trees can be found all over the area. Basically we were driving along a park road in the afternoon, with eyes wide open and looking about for photographic subjects, when we stopped alongside a section of the cliff that was still mostly in the shade, and in front of which beautiful trees were growing.
I liked the conjunction of the hard, reddish rock with its vertical cracks and horizontal patterns… with a single living thing, the very green tree growing up against the cliff face in the shade. Sometimes the colors of the rock can seem almost unreal. I feel a bit that way now when I look at the intense red-yellow colors in the upper right corner of the frame.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two elephant seals spar in the surf at Point Reyes National Seashore, California.
After over a month of not exposing a single frame, I needed to go out and start shooting again this past week. (June is often a very busy time of year for me, and this June was especially challenging in a number of ways.) So, even though it is finals week at the college and I have a lot of papers to grade and loose ends to tie up, I managed to get away for a half day to photograph at Point Reyes. I went there with few specific ideas about what to shoot, instead just sort of hanging loose, enjoying whatever I could find, and making photographs as I found them. I started by taking an unplanned detour out towards Tomales Point – I was sort of killing time while waiting for the light to do the right stuff, and I thought it would be interesting to head out there and see the tule elk. After that I returned to the main road and headed out toward the Point Reyes lighthouse.
It actually was not my plan to go to the lighthouse, and didn’t even drive the last little bit of roadway to that site. Instead I took the turn towards the start of the Chimney Rock trail, with a general plan of being high up on the bluffs of this southernmost section of the Point when the good light arrived. I pulled in, at a sandwich for dinner, loaded up my camera gear, and headed out along the trail. I had a few things in mind. I know that shooting back along the steep, rocky cliffs of the Point late in the day can be dramatic, and I started by photographing there – fortunately my timing turned out to be almost exactly right, as I caught a last bit of light on the mist and haze along the shoreline before the sun moved too far north to continue to light the area. I then moved on out the end of the trail, where I just sat for a while as I waited for the early evening color to come to the light. I made a few photographs out here, stopped again along the bluffs to photograph along the point (but the best light had passed), made a few photographs back across Drakes Bay, and then started back towards a low point, protected from the wind, from which I thought I might try to photograph the Farallons right at sunset. Once I got there, the light on the islands seemed uninteresting, but I soon realized that the guttural sounds of elephant seals that I had been hearing were coming from the base of the cliff on which I was standing. I moved a bit closer to the edge – but not too close! – and was able to shoot straight down on a group of elephant seals as they alternately lay around on the beach and sparred in the shallow surf just beyond the sand.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Redwood and big leaf maple forest along Gazos Creek, California.
I recall that on this day I had gone out to photograph along the Pacific coastline between Santa Cruz and San Francisco, California, mostly without any specific plan. First I had gone to one of my favorite Highway 1 bluffs to photograph the birds that pass within a few feet of it as they coast along the coastal updrafts. Then I moved north along the coast and discovered a group of kite surfers at one of the beaches, so I stopped and photographed them for a while.
Continuing north I came to a turn off to one of the many small roads that head up into the mountains that lie between the shoreline and the urban areas around San Francisco Bay. I took it and found myself driving along this narrow and twisty road that followed the bottom of a valley holding a small creek. The bottom of the steep and narrow canyon was deeply shaded by thick forest, including some stands of second-growth redwoods. This photograph was made in a nameless section of the valley where there was a spot to pull over and photograph the soft light filtering down through the moss-covered trees.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A wooden door in a concrete wall in an alley along The Embarcadero, San Francisco.
I’ll keep this description short since the photograph was taken in a location and circumstances that I have already described more fully. While walking along the Embarcadero on the waterfront of San Francisco I came across some alleys that had been locked up in the past and this time found them open. So I wandered down the alleys toward the water and discovered some old industrial buildings with worn doorways and walls and decided to make some photographs.
Much of this area is undergoing renovation or else being reclaimed by firms that find the slightly old-fashioned and dilapidated buildings to be picturesque and perhaps a bit trendy. Side by side with modern companies and offices there are remnants of a much different and rougher past.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
