Tag Archives: arches

Eglise de Notre-Dame Des Victoire Interior

Eglise de Notre-Dame Des Victoire Interior
“Eglise de Notre-Dame Des Victoire” — The interior of the Eglise de Notre-Dame Des Victoire, Brussels.

During our visit to Brussels near the beginning of June, we stayed near the old central part of the city, an area of remarkable architecture, many places to eat… and a whole lot of tourists. In many ways it was a good location — we could easily walk there from the train station, and food options were abundant. But eventually we decided to take a very long walk out of this area.

That eventually took us to quieter neighborhoods and districts and past the Eglise de Notre-Dame Des Victoire, a beautiful older church. Like so many similar European churches, it is architecturally impressive, and I enjoyed photographing it. The light is often beautiful — soft and diffused, with spots of color and direct light coming through stained glass windows.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone, Light and Shadow

Sandstone, Light and Shadow
“Sandstone, Light and Shadow” — Early morning sunlight accentates the color of a Utah sandstone cliff.

The idea here was to get “up close and personal” with a small section of a monumental sandstone tower standing in the early morning sunlight. To make the photograph I turned away from the conventional scenic landscape I had been focusing on, using a long lens to focus on an area where features projecting from the wall were casting shadows back onto it.

Southwest sandstone is often impressive simply because of its color variation. I’ve commented before on how “my” California granite inevitably looks very… gray after I return from a visit to Utah. But in some places, such as here at Arches National Park, it isn’t just that the sandstone’s coloration is attractive, it is also that the strata of red rock are so thick and extensive.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Formations, First Light

Sandstone Formations, First Light
“Sandstone Formations, First Light” — Sandstone towers and walls in first light, Arches National Park.

I made this photograph from an “official” viewpoint…. that is named for an entirely different view that lies behind my camera position. There is something interesting in that other direction, but this tableau of sandstone towers and walls, near and far, seems more compelling to me, especially very early in the morning when the rising sun illuminates them. I made this photograph just before actual sunrise, when the earth’s shadow is visible in the distant sky.

My feelings about Arches National Park are complicated. When we drove into the park in the morning on my very first visit, I really had little idea of what I would see. I was dumbfounded by the wild formations — huge sandstone walls, tall towers, rocks perched in improbable places, long views. It is definitely worth a visit or two, but be aware that it is a heavily impacted place. Its beauty is part of the reason, but it also lies just outside the town of Moab, Utah, making it (perhaps too) accessible.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Sandstone Formations, Earlry Morning Light

Sandstone Formations, Earlry Morning Light
“Sandstone Formations, Early Morning Light” — Early morning light on sandstone formations at Arches National Park.

Recently I have been revisiting photographs from a decade ago, including a couple of lengthy trips to Utah in the spring and fall seasons. On one we visited Arches National Park — believe it or not, my first visit. I felt like I sort of knew the place, having read Edward Abbey’s “Desert Solitaire” a few times, but the reality of this landscape astounded me. My wife, Patricia Emerson Mitchell, likes to tell a story about me more or less losing it when I first saw those sandstone formations!

On this morning we entered the park very early, well before sunrise. I had been photographing for some time when I made this photograph. The sun had recently risen, but the light still was warm, and the effect on the red rock formations was striking. This is an example of my long-lens landscape photographs. Some people imagine that landscape photography must be done with wide and normal focal length lenses, but I often like to use long focal lengths to limit my view to small sections of the larger landscape


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.