Tag Archives: art

Unfun

Unfun
Weathered wall with graffiti, Amsterdam

Unfun. © Copyright 2018 G Dan Mitchell – all rights reserved.

Weathered wall with graffiti, Amsterdam

For the most part I don’t photograph graffiti, and on the rare occasions when I do in the US I may alter the painted “tags” in post in order to avoid giving publicity to folks who, it may be argued, are basically vandalizing the property of others. I’m also sometimes a bit uneasy, when the marks transcend mere graffiti and become street art, about simply capturing an image of someone else’s art and presenting it as my own.

But sometimes I can’t help myself. In fact, on our 2018 European travels we encountered so much graffiti that it would almost be dishonest to pretend that it isn’t part of the urban landscape. (Especially in Berlin. Very much especially in Berlin…) This little example comes from Amsterdam, and I appreciated several things about it. I was intrigued to see that it was mostly constrained to the blocks or rectangular material on the right side of the frame and mostly not on the bricks — almost as if these were somewhat well-mannered graffiti artists. The juxtaposition of shapes and colors interested me in its own right. And then there is that enigmatic “UNFUN” inscription in a somewhat neat sans-serif font, contrasting with the other colorful scrawls on this wall.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Hostel 36

Hostel 36
Window and entrance to Hostel 36, Heidelberg

Hostel 36. © Copyright 2018 G Dan Mitchell – all rights reserved.

Window and entrance to Hostel 36, Heidelberg

By now we have visited Heidelberg several times, spending a total of perhaps a couple of weeks there. We have relatives (Patty’s brother and sister-in-law) who live there, so we almost always include a visit when we are in that part of the world. By now we’ve wandered a bit around the city, especially the Altstadt area and its surroundings, but also on the other side of the hill that runs along the opposite of the Neckar.

The Altstadt is, of course, a bit of a tourist destination. It is an older area of the city, many of the streets are narrow enough that there is little or no vehicle traffic, it is filled with restaurants, hotels, and other things that attract visitors, with historic churches, a university, and a large castle in the hills above. I recall that the first visit took us right up one of those streets filled with shops and restaurants. We still go there, but we also wander away from the “main drag” and into some of the back streets. It was on one such walk that I spotted this scene, a hostel with an unusual color exterior color scheme.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Woman and Clock

Woman and Clock
A woman gazes through the portal of a Musee D’Orsay clock towards Paris

Woman and Clock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A woman gazes toward the Paris skyline through the portal of a Musee D’Orsay clock

I can tell something of a story on us regarding the Musee d’Orsay. On a previous visit to Paris we were trying to get to various specific locations including a few museums. However, we can be a bit “seat of the pants” when it comes to wandering around in such cities — rather than making specific plans we tend to decide things on the spot and/or wander around and see what we find. We knew we wanted to visit this museum, but it wasn’t until later on that visit that we made it there. We paid our admission, went inside, and discovered that we had perhaps 90 minutes left before it closed. Needless to say, we moved very quickly through sections of the place and missed a ton of stuff.

This time we wanted to go back and spend a more reasonable amount of time there. And we did. We got there in time to see a good portion of the marvelous exhibits. At one point we were getting hungry, and we ran into a restaurant on one of the upper floors and decided to stop. Overlooking the restaurant was a clock like what you see here. I was very confused. I knew I had seen “the” clock briefly on the previous visit, but I didn’t recall a restaurant… so I chalked up to, “they must have remodeled things and installed this restaurant by the clock. ” We finished eating, went back to visiting the exhibits, and eventually worked our way to the far end of the floor… where we found the other clock, the one that I had seen before. Usually there are a ton of people standing in front of the thing — and who can blame them — but for a moment I was able to frame this photograph with a solitary woman standing and looking through the clock’s windows towards the skyline of Paris.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Time To Dance

Street art in Berlin, Germany

Time To Dance. © Copyright 2018 G Dan Mitchell – all rights reserved.

Street art in Berlin, Germany

I made this photograph in Berlin, not too far from the “East Side Gallery,” which is a still-standing remnant of the Berlin Wall that was turned over to artists and which is now covered by paintings. The scene in this photograph is not part of the “gallery,” but was instead a graffiti covered wall we passed on the way to the wall. I don’t make a habit of photographing graffiti, often because I don’t want to contribute the notoriety of some folks who vandalize public and private property. But here the stuff is everywhere and seems to have become a part of the environment, so I’m making an exception.

Besides the wild colors and patterns of this street art, there was another reason for photographing it. While I don’t know “her” cultural significance, the figure in the center of the scene keeps showing up in photographs of mine. I encountered and photographed her twice on a visit to Paris two years ago. In one photograph she appears on a wall, partially obscured by ivy. In another, one of my favorite photographs, she is one of several related figures pasted onto a Le Marais wall behind a small group of pedestrians. Oddly, some of the surrounding “stuff” on this wall seems very similar to that in the Paris photographs, making me think that he appearance may not be quite random.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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