Tag Archives: avenue

Abandoned, Rio Dell

Abandoned, Rio Dell
An abandoned building in the twon of Rio Dell, California.

Abandoned, Rio Dell. © Copyright 2021 G Dan Mitchell – all rights reserved.

An abandoned building in the twon of Rio Dell, California.

On this last full day of our recent visit to the far Northern California coast we took a long drive through varied terrain out along a section of the so-called Lost Coast. While the mileage would have made for a one-hour urban drive on almost any California freeway (at least if it weren’t rush hour), the nature and condition of the roadway, along with the need to stop to look and make photographs, turned this into a full-day affair.

This is a very different California than what we see in the Bay Area, Southern California, or even the Central Valley for that matter. Most of the area is quite rural, and the effects of over a year of pandemic isolation are clear in small communities with many closed businesses. (Though a new business, one based on certain formerly-illegal agricultural products, seems to be thriving in some of the backwoods areas.) We came back to US 101, the main through-route, near here and decided to stop of coffee in the small town of Rio Dell. As we left town this building caught my eye. I’m guessing that it was originally a gas station before being turned into something else and then more or less abandoned. But what a paint job!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Crossing Lexington

Crossing Lexington
A man crosses Lexington on a winter afternoon in New York City

Crossing Lexington. © Copyright 2018 G Dan Mitchell – all rights reserved.

A man crosses Lexington on a winter afternoon in New York City

I made this photograph on one of the coldest in a string of very cold winter days in New York City between Christmas and New Year’s Day. On such days we still were out walking around Manhattan quite a bit, but we also sought out shelter and warmer activities. On this day the plan was to visit an exhibit at the Guggenheim. We took the subway up there and arrived late enough that we had to join a line waiting, we presumed, for folks in the already-crowded building to leave so that we could enter. After fifteen or twenty minutes in the line, standing in freezing wind, we realized that the line was not moving at all, and we bailed out for a nearby restaurant where we could warm up.

After lunch we ended up on Lexington, where there was plenty to see and photograph. Many of my photographs on this afternoon took advantage of winter sunlight obliquely slanting across buildings and windows and reflecting onto the sidewalk and street. However, the light for this photograph was different — a sort of soft glow filtering down from the strip of sky above the street. This is a busy place, but during a momentary break in the pedestrian and vehicle traffic this solitary man slowly crossed the street in front of me.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Pedestrians, Lexington Avenue

Pedestrians, Lexington Avenue
Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

Pedestrians, Lexington Avenue. Copyright 2017 G Dan Mitchell – all rights reserved.

Pedestrians cast shadows as they walk past reflecting windows on a Lexington Avenue sidewalk, Manhattan

I think that so-called street photography (which might be termed “urban landscape” photography) can do many things. Some try to constrain it, offering limiting definitions that call for monochrome, handheld cameras, photographs featuring people, and a certain direct approach to dystopian unpleasantness. While it can be that, it can be other things, too. The focus can be the light, the geometry, the individual and collective people, oddities, visual beauty, the constructed environment, and much, much more. And (despite this example!) there is nothing requiring it to be black and white and look like it was created with the photographic technologies of any particular era.

In this case, my thoughts were mostly about shapes and light when I made this photograph. (That doesn’t mean that we aren’t free to make other associations.) On this date, close to the winter solstice, the light shines obliquely up streets like this one in Manhattan, and because this section of Lexington is relatively wide and in an area with few really tall buildings, quite a bit of that light finds its way down to the street and sidewalk. As I walked into this light, I was looking for certain effects that are mostly found in such urban environments, especially the multi-directional light produced when the direct sunlight combines with light reflected from buildings and windows.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Pedestrians, Night

Pedestrians, Night
Nighttime pedestrians at a Chinatown street corner

Pedestrians, Night. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Nighttime pedestrians at a Chinatown street corner

I’m back with another colorful night street photograph this time. This one is from last summer, when a group of us met up to wander around parts of downtown San Francisco on a lovely evening. We eventually ended up in the Chinatown area, some photographing the environment there and others — like me! — photographing the people who were visiting.

This is more or less just a photograph of people walking by at a street corner. However, there are bits and pieces that I think are interesting. In the larger scale, the scene is a wild and complex arrangement of colors and patters, made more intense but he effect of the electrical lighting at night. There are several lines and planes of interest in the photograph, at least the way I look at it. And line extends from the back of the foreground figures, though the family on the corner (with the young girls in their interesting jackets), and on through the man walking away behind them. I’ll leave it to you to find others…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.