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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Tall Aspens, Autumn

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Tall Aspens, Autumn
A grove of tall aspen trees with autumn foliage in the Eastern Sierra Nevada.

Tall Aspens, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A grove of tall aspen trees with autumn foliage in the Eastern Sierra Nevada.

Before I posted this photograph I shared another one that focused on a grove of small, slender aspen trees. In the accompanying text I pointed out that such groves tend to be typical of the Sierra, but that groves of tall, thick trees like those seen in other western locations do occur occasionally. This is one of those groves. The trees here grow in the middle of a rather large grove of aspens, in a valley that I suspect must be both sheltered and well-watered. Although many nearby trees are, indeed, of the more modest and sometimes twisted type, in the middle of this grove there are many like these, tall, straight, and with thick trunks.

I photographed these a bit before their peak color. Typically those smaller trees tend to change first, and the larger trees that grow in more sheltered locations may achieve best color a week or more later. This group grows on a gentle slope, and face a lookout where I was able to set up my camera with a long lens, and then spend some time simply looking for compositions within the span of the larger grove.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Golden Aspen Forest, Autumn

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Golden Aspen Forest, Autumn
A dense forest of golden Sierra Nevada autumn aspen trees.

Golden Aspen Forest, Autumn. © Copyright 2020 G Dan Mitchell – all rights reserved.

A dense forest of golden Sierra Nevada autumn aspen trees.

After sharing a bunch of very colorful red and orange aspen leaf photographs recently, someone asked me about those colors, wondering if they were a stage in the color development that led to the yellow/gold leaves with which this person was familiar. In response I pointed out a couple of things. First, those other colors — the reds and oranges — are actually the terminal colors of those leaves before they fall, and they do not go through a yellow stage. Secondly, those colors are, at least in the Sierra, the exception to the more familiar rule, which is the yellow colored leaves — those are by far the most common type.

The grove in this photograph is perhaps of the more typical sort. For the most part, the tall, thick-trunk trees of Colorado and similar places are quite rare in the Sierra. They do exist here and there, especially in some sheltered and well-watered locations. But more often we see smaller trees and trees that do not grow straight and tall. Many lovely Sierra aspen groves include trees that are only one or two times the height of a person. This is one of those groves. Note the typical yellow color, the small and slender trunks, and the surrounding vegetation representing fairly dry conditions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

The Last Leaves

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The Last Leaves
A few sparse leaves in a high elevation grove of slender aspens in the Eastern Sierra Nevada.

The Last Leaves. © Copyright 2020 G Dan Mitchell – all rights reserved.

A few sparse leaves in a high elevation grove of slender aspens in the Eastern Sierra Nevada.

For some reason this little grove and I have a long-standing relationship. Quite a few years ago I noticed it while exploring a slightly less-visited spot in an Eastern Sierra canyon that can be quite popular. As I crossed a creek I happened to look up and notice a grove of small and very densely-spaced aspens, then as this year already mostly bare of leaves even as the surrounding trees were in full autumn color. The trees are a bit inaccessible, so I usually photograph them with a long lens, most often from almost the same angle, since obstructions interfere with almost any other. But I return every year.

I suspect that most of us who spend a lot of time in a particular place eventually end up developing a personal collection of odd little spots that we connect with, places that others might not even notice. In various locations around the Sierra there are a few flat rocks, a couple of boulders, a high flat spot along a popular trail, a turn-off from a trail, a bit of meadow, a creek crossing , a little clump of aspens and more that feel like old friends every time I come back to them.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Eastern Sierra Lake

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Autumn Aspens, Eastern Sierra Lake
Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Autumn Aspens, Eastern Sierra Lake. © Copyright 2020 G Dan Mitchell – all rights reserved.

Faint wildfire smoke and fall aspen color around an Eastern Sierra Nevada lake.

Along the same lines as another photograph I recently wrote about, this one is an alternate framing of a scene that I previously shared in a landscape mode photograph. (For folks unfamiliar with this terminology, “portrait” mode is taller than it is wide and “landscape” mode is wider than it is tall.) When I wrote about the decision to create two versions of such a scene I proposed two reasons for doing so. First, I cannot always say with certainty which formatting is better. Second, clients (especially in the publishing world) are often quite specific about which they need, so it makes sense to have both if possible.

There is another practical factor at work in this case, too. Before I went to this spot I had a fairly specific idea of the camera position I wanted to use and of how I wanted to incorporate the red foreground trees with the lake, the more distant colorful aspens, and the higher mountains. So I got their very early — early enough that I took a headlamp when I walked to this spot — and prepared to work from more or less the same spot as the light evolved. And it evolved a lot on this morning. Before sunrise there was abundant wildfire smoke floating around and the scene was quite muted and not what I hoped for. Initially I had decided to let the distant part of the scene go and instead focus on the closer portions less affected by the smoke, but as the sun came up it cut through some of the haze. All of this meant that as I worked from this fixed location, waiting for the right light to evolve, and I had plenty of time to try different camera orientations and other small modifications of the composition and framing.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.