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Dark Forest and Pond

Dark Forest and Pond
Beyond a small subalpine pond, dark forest rises into rocky terrain, Eastern Sierra Nevada.

Dark Forest and Pond. © Copyright 2020 G Dan Mitchell – all rights reserved.

Beyond a small subalpine pond, dark forest rises into rocky terrain, Eastern Sierra Nevada.

The main fall color show in the Eastern Sierra Nevada (and in other higher portions of the range) comes from the October aspen color. But this most certainly is not the only Sierra Nevada Fall color. I always mark the start of the color season by the corn lilies taking on yellow and brown hues, and not long after that the bilberry plants turn areas (often around lakes) deep red in just the right light. Willows are some of the first plants to get real yellow leaves. Grasses begin to transition from green to yellow to brown.

Most of the autumn colors in this photograph are a bit more subtle than the brilliant aspen leaves. The beds of grass are well along on that transition from green through yellow to tan and brown. A few small plants along the base of the rocks are showing yellow. And beyond that, the overall sense is that of a scene of end-of-season quiet and stillness. There were fewer people than usual up in this area due to fires and the pandemic, and as I continued photographing into the dusk hours I was almost the only person left here when I arrived, and by the time I finished I had the silence of this scene to myself.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Forest, Boulder, and Pond

Forest, Boiulder, and Pond
A tree grows in a crack in a large boulder set in forest and reflected in a quiet Sierra Nevada pond.

Forest, Boulder, and Pond. © Copyright 2020 G Dan Mitchell – all rights reserved.

A tree grows in a crack in a large boulder set in forest and reflected in a quiet Sierra Nevada pond.

Although the indications are more subtle than in the wildly colorful aspen groves, this is also a Sierra Nevada fall color photograph. It is not a familiar icon — not remotely so! — but it seems to be “iconic” to me, in the sense that it captures something of the quality of this season when things seem to slow down in preparation for the coming winter.

What are the subtle autumn signifiers in this photograph? There is one obvious feature in the tiny patch of yellow leaves at the far right. But those grasses lining the banks of this small pond are another indicator — while they are still green at their bases, the upper tips have gone to yellow and brown. There is something about the quality of the light, too. It always seems softer to me at this time of year, especially in shaded areas like this one.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Autumn Aspens, Broken Boulders

Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Three Aspens, Granite

Three Aspens, Granite
Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Three Aspens, Granite. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Those of us who have spent a lot of time in the Sierra — and the story is similar for other locations — gradually accumulate “personal spots” that might not make much of an impression on others but which we greet like old friends each year. Mine include a particular rock outcropping in Tuolumne Meadows, a particular flat rock in the Yosemite backcountry where I’ve frequently placed my cook stove, a small grove of trees nestled in a bend along an Eastern Sierra road, a high and barren lake in the Southern Sierra, and quite a few more. I’ll bet you have a few such places of your own.

This little group of three slender aspen trees set against a jumble of rocks s is one of those spots. It is very accessible, but there’s an excellent chance that if you were nearby you passed without noticing. Yet virtually every autumn I end up stopping and photographing them again. (Yes, there are other photographs of them in my collection.) They are “the same,” yet they are also different every time I visit — the leaves may be green, yellow, a combination, or gone. The light may be intense in the morning or soft and blue in late-day shadows. So I return, and I photograph them again, and I mark another season with each return.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.