Tag Archives: black and white

Photographs: Architecture, Photographs: New York City, Photographs: Urban/Street

Right Angles, MOMA Courtyard

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Right Angles, MOMA Courtyard
A study in right angles, MOMA courtyard, Manhattan

Right Angles, MOMA Courtyard. © Copyright 2010 G Dan Mitchell – all rights reserved.

A study in right angles, MOMA courtyard, Manhattan.

This is a photograph from nearly a decade ago, made on one of our semi-regular visits to New York City. For some reason I ended up in the archive of raw files from that visit recently and I ended up working on this photograph. It turns out that it is quite similar to another I made at this same spot, but there are some subtle but important distinctions that convinced me to work on this version.

The camera position is a window facing this courtyard, a spot that most people probably walk right past on their way between floors at the Museum of Modern Art. I think I may first have been attracted by the elevated viewpoint, looking down into the courtyard where people may sit or walk. I also was fascinated by the dense cubic forms of the buildings and the strong perspective lines that they form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Street, Buildings, Shadows

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Street, Buildings, Shadows
Afternoon shadows fall across buildings and a narrow street in Tuscany

Street, Buildings, Shadows. © Copyright 2019 G Dan Mitchell – all rights reserved.

Afternoon shadows fall across buildings and a narrow street in Tuscany.

This photograph is the second half of a pair similar photographs I made during this visit to a vineyard in Tuscany a few years back. The location (Castello de Ama) features a small central area of stone buildings, amounting to a very small village, surrounded by vineyards. As you can guess, that it was pretty much “typical Tuscany,” which is a very good thing.

Arriving towards the middle of the day, the light was intense during our entire visit, aside from a very few passing clouds. To this Californian there is something both familiar and different about Tuscan light. The intensity is similar, especially at midday during the summer, and stark contrasts between light and shadow are common. But the Italian light seems to me to be softer, or perhaps more accurately the atmosphere seems softer, perhaps as a result of humidity. This photograph and the one I posted earlier both feature stone buildings, a bit of a narrow street, and dark midday shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Italy, Photographs: Travel, Photographs: Urban/Street

Building And Shadow, Tuscany

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Building And Shadow, Tuscany
A cloud drifts in the sky above stone buildings in Tuscany

Building And Shadow, Tuscany. © Copyright 2019 G Dan Mitchell – all rights reserved.

A cloud drifts in the sky above stone buildings in Tuscany

If you follow my posts you may have noticed quite a few post from Italy recently, and you might be wondering why. Have you been to Italy? ;-) OK, there are more objective reasons I can share. I make a habit of reviewing older work a year or more after I make the photographs. I see the images differently with a bit more subjective distance from the actual experience. There’s another reason, too, and it ties the place I live (California) to Italy it ways that have only recently made more sense to me. This spring and summer as I’ve walked trails in California’s grass and oak lands on warm days, it has hit me just how similar the experiences can be. And a visit to an area winery on such a day reinforced that feeling. So I suppose I’ve been enjoying both the pleasant memories of the 2016 visit from which this photograph comes and the realization that I live in a place that shares some Italy’s pleasant features.

This is one of a pair of related photographs I made at an Italian vineyard and winery we visited — both focus on the stone buildings and midday shadows. (The related image will show up here in a later post.) The vineyard centers on a very old hamlet consisting of stone buildings surrounded by vineyard. We were there in the middle of the day, and the unique Italian light was wonderful. I’m not quite sure how to describe it in words, but it has some remarkable combination of the intensity of southern light along with the softness of the Italian atmosphere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Macro, Photographs: Nature

The Center

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The Center
The center of a white flower surrounded by darker petals

The Center. © Copyright 2019 G Dan Mitchell – all rights reserved.

The center of a white flower surrounded by darker petals.

Previously I’ve pointed out that I’m not the primary flower and foliage photographer in our household — that honor belongs to Patty Emerson Mitchell. Sometimes I accompany her on excursions to photograph this subject, and I made this photograph on one of those occasions when we spend the morning at a beautiful formal garden not too far from where we live.

I usually photograph flowers in color — in many cases color is the point! But every so often monochrome seems like the way to go, either because the particular flower’s color is not striking or because of the way that black and white may allow us to push and pull the image in ways that would not likely work in color. I’m often a bit surprised that some people seem to regard black and white as more “real” or true to the original subject. in truth, perhaps because we give up the possibility of an “accurate” rendition of a color subject when we work in black and white, we actually have far more room to modify and tweak the image to produce the result we have in mind — and often these modifications are far from subtle.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.