Tag Archives: brick

Ben Is Watching

Ben Is Watching
A Brooklyn, New York wall

Ben Is Watching. December 21, 2015. Brooklyn, New York. © Copyright 2015 G Dan Mitchell – all rights reserved.

A Brooklyn, New York wall

I generally make it a rule to not photograph graffiti, though it is not quite a hard and fast rule. I almost never photograph a subject with someone’s vanity tag on it, and in a few cases when a larger subject as been compelling I have removed or defaced the tag in post. There are probably a range of reasons that one might write or scribble or draw on public and private property, ranging from a poor sense of social belonging to a desire to produce something like art — so the decision to show or not isn’t without context.

In this case, the wall seemed to be one that had become, likely by more or less popular agreement (or a concession?) a place where such public art is perhaps not only tolerated but also expected. While a simple tag doesn’t usually interest me, here there were layers of text and imagery that had been assembled over time and then modified by weather, wear, and perhaps later contributors. Eventually, the accidental juxtapositions seem to take on their own lives, as in this vignette featuring a worn dollar bill image of Benjamin Franklin, and oddly anthropomorphic red and white and green shape, bits and pieces of paint, and the underlying old brick wall. And, of course, this is all very temporary — and probably transformed or gone by now.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Broken Glass, Spray-Painted Wall

Broken Glass, Spray-Painted Wall
A shattered glass window and a spray-painted brick wall

Broken Glass, Spray-Painted Wall. Brooklyn, New York. December 21, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

A shattered glass window and a spray-painted brick wall

This is another small and complex street vignette, found on a wall along a street in Brooklyn, New York while walking around making photographs and looking for a place to eat. This section of wall was covered with a lot of street art, layers of contributions from a large group of people over some period of time, no doubt.

There’s not a whole lot for me to write about this one, except that the juxtaposition of broken glass, a single clean vertical line, and the abstract shapes and colors on the right caught my attention. There appears to be some piece of paper behind the fractured glass, and it looks like it may hold some message, but the meaning remains unclear.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Woman Photographing Brick Wall

Woman Photographing Brick Wall
A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

Woman Photographing Brick Wall. New York City. © Copyright 2015 G Dan Mitchell – all rights reserved.

A woman stands on a bench to photograph a brick wall along the High Line Park, New York.

I made this photograph on a winter’s day walk along the High Line Park in western Manhattan — the increasingly well-known park that extends along the abandoned path of an old elevated railroad bed. The park is very popular, and even on a winter day there were many, many people out walking along it, and the surrounding neighborhoods were also filled. Of course, there is a lot going on in this Chelsea neighborhood — the Whitney Museum is now open at the southern end of the park, there are lots of restaurants and more along its length, and the north end now terminates at the busy construction site of the Hudson Yards.

When I made the photograph I probably wasn’t thinking consciously about much or than the possibility of isolating the figure of the woman, engrossed in making a close up photograph the bricks, against the small and large patterns of the background wall, with the slight natural intrusion of the tree at the right edge. Later I thought about what she was photographing, and how most people might simply wonder what the heck she sees there, in a place where there is nothing apparent to photograph. This might be a bit of a metaphor for lots of photography, where the act of capturing “something you see” defines your world and presents a personal vision of it to others. And I still do like the complex set of interlocking patterns of the wall, the wooden structure, the window, and the single figure.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Green and Blue Wall

Green and Blue Wall
Grafitti and poster remnants on a green and blue Brooklyn brick wall.

Green and Blue Wall. New York City. December 21, 2015.© Copyright 2015 G Dan Mitchell – all rights reserved.

Graffiti and poster remnants on a green and blue Brooklyn brick wall.

We arrived in New York late the day before, in time to check in to lodgings and meet our “kids” (two sons and their fiances) for dinner, but there wasn’t a lot of time to get around and see and photograph. The next morning we met up with our youngest son in the more or less the Williamsburg area, and we wandered about, hitting the waterfront of the East River and then finding lunch.

During any bit of urban wandering I’m almost always on the lookout for photographs. Photographing on the street is an exercise in working quickly and being versatile. In most cases I don’t have a specific subject in mind — the closest to that may be a general idea of looking a buildings or people or water or interiors or… In this case I was in an area with a lot of older construction, and we passed through a few spots that were obviously the hope to lots of posters and graffiti. Oddly, since people are sometimes trying to paint out the tagging, there can be many layers of often new paint, posters in various states of decay, and odds and ends of painted words and images. Here the remnants of a poster partially obscured a hand drawn heart on a wall that appeared to have been painted in two not quite identical shades of blue-green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.