“Street With Holiday Lights, Madrid” — Colorful holiday lights suspended above a busy Madrid street near Plaza Mayor.
Our December visit to Madrid coincided with holiday festivities in the city. Main streets were jammed with people walking from place to place, and crowds assembled for holiday events and displays. There were Christmas markets, and holiday lights were everywhere. We did not realize that the season was such a big deal in Madrid, but we enjoyed it and got into the spirit.
At one point we thought, “Oh, what the heck” and braved the walk through the Plaza Mayor — a popular tourist destination and the site of a large Christmas market — on our way to destinations on the other side. We exited the plaza and walked down this pedestrian street lined with busy restaurants and topped by very colorful lights.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.
A busy conjunction of characters on a Manhattan street.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
People crowd the streets of Little Italy on a warm summer evening in Manhattan
For some reason, I too often find myself in New York in the middle of August. Not that I dislike New York — actually I love the place, for wandering, for photography, for museums, for food, for many things. It has been almost six months since I was last there and I already feel like I’m overdue for a visit. The issue is with August. As my sons, who live there, have told me, August is perhaps the least comfortable time to visit. it tends to be hot and muggy, and this is why many New Yorkers pick this time to be somewhere else.
But even though I know this I have probably made half of my New York visits during this month. It has become almost a standing joke in our household. On this 2014 August day we had been in Chinatown looking for food, and afterwards we walked up and into Little Italy, where on summer evenings like this one the streets are filled with people, looking for espresso and gelato.
A child playing with a toy car on the sidewalk of a busy Manhattan street
I made this photograph on my first real day of shooting in Manhattan. We had arrived the night before, late enough that we only had time to take a cab to where we were staying, have a bite to eat (thanks, Timothy and Margaret!), and fall asleep. The next morning we went over to NYU, where Patty was participating in a music conference for the next five days, and after she got registered I was on my own in Manhattan, and on the prowl with a camera for a good part of the next few days. I often started out with very general plans, but then mostly sort of followed my intuitions as I wandered up and down the island. On this first morning I simply headed uptown toward Grand Central Station with my camera at my side, and began to get in the flow of photographing this busy, dense, and compelling place.
When shooting street I often think a bit like the landscape photographer than I am. This means that I find what I think is a visually interesting place, consider how to compose a shot, and then wait until something or someone interesting enters the frame. However, this shot worked more or less the opposite way. I saw this child, incongruously pushing his combination play car and stroller on a section of this very busy urban sidewalk. Fearing that it might be more than a little creepy to walk up and point my camera at this interesting child, I moved closer to the building wall so that I could instead include him near the edge of a shot of the overall street scene. Placing him so close to the lower left corner obviously made for an unusual composition, though I think it is somehow interesting to see him in a position that seems so peripheral to the rest of the scene. I watched to see if he would do anything interesting, and I made the exposure when he leaned over and looked in my direction. Initially I thought that the photograph might be in color, and as I worked with it the bright colors of taxis seemed to complement the cooler tones of the shaded sidewalk area. But there were problems — that interesting yellow also distracted from the child, and his little “car” was a dark shade of blue. In the end, I had a lot more control over the relative tonality of different parts of the scene with this black and white conversion.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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