Tag Archives: camera

Aarrgg! Broken Camera!

Last night I joined The Nocturnes for night photography at Mare Island Naval Shipyard. Things began in the usual uneventful way – perhaps 40 photographers assembled as Tim Baskerville went over the “rules” of the game, I shot a few photos of the group, and then I headed off to start photographing the interesting shipyard structures under the light of a nearly full moon.

I began by working on improving a shot that I had attempted on another visit, a scene of a brick building with an attached green building in front of a metal roof structure with the power plant smokestack in the background, this time with some very interesting shadows cast by the overhead shipyard structures. Finishing this shot, I set up another of an overhead truss structure illuminated by moonlight with star trails behind. So far so good – and I felt like I was getting in the groove for a productive evening.

I composed a third shot, again with that shadowed wall of the brick building but this time with the base of a giant steel tower in front of it. I pressed the shutter release… and something didn’t sound right. Tried again, and still no go. I took the camera off the tripod and saw the dreaded Canon “err 99” message in the display. No panic, though; I’ve seen this before and know enough to remove the battery, card, and lens and give it another try. Ah, still no go. After removing the lens and jumping through a few other hoops I figured out that the mirror was in the “up” position, more or less waiting for the shutter to open… which it didn’t do.

So, perhaps 15 minutes into this night photography session I had an inoperable camera. I packed up and headed home, where I did a bit of Internet searching and found other descriptions of exactly this issue. It looks like I need to have Canon replace the shutter mechanism.

(I’m going to bring up one odd factor with Canon. It seems that a good percentage of the people who encountered this problem did so after exactly the same sequence of events that I followed in shooting long exposures with mirror lockup engaged. A number had even been using the 24-105 beforehand, as I had been. Hmmm… Later: I’ve been contacted by another photographer who had precisely the same situation and had some dialog with Canon about the situation…)

So, at the moment I’m without a camera. I’m giving some thought to picking up a 5D II a bit ahead of my planned schedule and either keeping the repaired 5D as a backup or selling it. (It would be a good deal for someone, especially with a brand new shutter.) Of course, as luck would have it, it appears that all of the body-only versions of the 5D II that were available last week are now out of stock…

Seems like a good day to take a hike. Without a camera. :-)

In Praise of the Canon 5D II, and Why I’ll Wait a Bit Longer

I’ve used the Canon 5D for the past few years, and it is a very fine camera for most types of photography and an excellent camera for my photographic purposes. I find the advantages of the full frame sensor to be compelling: potentially higher image resolution, a greater range of useful apertures, the ability to shoot at smaller apertures than on cropped sensor cameras, and so forth. Any criticisms of the camera that I might have are truly minor. (A mirror lockup button would be nice… ;-) Other photographers have agreed, and the 5D has probably been the most popular full frame DSLR until now. It is a favorite of those who shoot landscape, and I’ve seen people using it successfully to shoot almost any type of subject.

Given the relatively brief product life of DSLRs – they are often replaced by updated/new models in as little as 18 months – many had been expecting an update to the 5D for some time. When Canon announced and released the new 5D Mark II (5D II or 5D2 for short) this fall, the excitement among Canon photographers peaked. At some discussion forums I read you might find that half of the posts concerned this camera at times!

The specifications explain why the 5D II is such a compelling camera. The photosite density of the full frame sensor has been increased, and the new model has a 21+MP sensor, nearly double that used in the original 5D- but with higher ISO capability, greater dynamic range, and no increase in noise. It incorporates newer Canon DSLR features including “live view,” an exciting HD movie mode, Canon’s sensor dust reduction system, the ability to fine tune the auto-focus system to your lenses, increased “weather resistance,” and more. All of this and the price has actually dropped a few hundred dollars from the list price of the original 5D. 

Many photographers have gone to great lengths to be the very first to get the new camera. They have signed up on “waiting lists.” Some have paid pre-order fees so that they would “have dibs” on the first boxes to arrive. Others frantically post on forum boards asking which dealers have one in stock, and are apparently ready to drive great distances to pick one up. I’ve even seen a few posts in which the writer offered many hundreds of dollars as a “finders fee” to anyone who would locate a 5D II. And you can be quite sure that all of these folks are paying full list price (and more) for their new cameras.

Not me.

There is a pretty decent chance that I’ll get this camera eventually, but I’m in no big hurry to be the “first on my block” to get one. Here are some of the reasons:

  • My existing 5D produces quite good image quality already. While the 5D II is capable of “better” resolution, the difference is certainly one of degree and not a “night and day” difference. When I make good sized prints, sensor resolution is rarely the limiting factor – whatever enlargement limit I encounter is more likely due to focus issues, lens issues, camera motion issues, and so on. Already having a camera that is capable of capturing images with excellent resolution, I’m know that I do not need to rush to get the incremental improvement that the 5D II might provide.
  • I prefer not to be a beta tester.  There is a very good chance that problems will be discovered when the first production run of any product finds its way into the hands of end users. Nothing against the manufacturers (in the majority of cases), but when many thousands of photographers use a new camera it should not surprise anyone that certain subtle issues emerge. In fact, it appears that this may have already happened with the 5D II. I read today that Canon has released a statement acknowledging that they are looking into two issues: “black dots” that appear to the right of bright highlights in some images and banding issues that appear when certain settings are used. Based on my previous experience with Canon, I’m confident that they will resolve these issues, but I would just as soon wait until after that happens.
  • Why pay list price? You don’t have to be an economist to know that the price of an item will be higher when the demand is highest. When a new product is released, typically after a marketing buildup and plenty of “buzz,” there are many buyers who are so excited that they will pay almost anything to get it. Now. No matter what. The manufacturers and retailers are willing to oblige them. ;-) You can get one of the first copies of a camera like this, but you are almost certain to pay a premium for the privilege. If you need the camera right now you don’t have much choice. But if you already have a camera that can produce fine images (like my current 5D) there is little rational reason to buy immediately at the higher price. In a few months we’ll undoubtedly see the price begin to drop.

Here’s my bottom line on the 5D II: I think that it looks like a really fine camera. It provides a very compelling feature set at a very reasonable price. If I didn’t already have a good camera that serves me pretty well, I’d probably plan to pick one up fairly soon. However, I’ll wait until the initial bugs have been identified and fixed in the manufacturing process and until the price softens a bit.


If you are ready to buy, you can purchase this product from B&H Photo via this link and help support this web site – thanks!

Lowepro Nova 200 AW

Earlier this year I acquired a Lowerpro Nova 200 AW camera bag. I have been meaning to write my review, but I’ve managed to delay. I think this is partly a result of the nature of this bag. No, there is nothing wrong with it – in fact, I like it a lot. It is just there is nothing flashy about it either – instead it is just a very competent and useful piece of basic equipment. Continue reading Lowepro Nova 200 AW

Canon EOS 5D Mark II Announced

This evening I’m seeing quite a few links to the announcement of the updated EOS Canon EOS 5D Mark II. (Here is a link to a Canon press release.) Unlike some previous Canon updates that seemed rather trivial – e.g. 20D to 30D – this one includes quite a few compelling new and improved features, and I’m sure this will be a very popular camera.

Some highlights include:

  1. 21MP full-frame sensor
  2. HD video capture
  3. The expected sensor dust reduction/cleaning features
  4. Live view shooting
  5. Some interesting software additions – a “new creative mode,” “peripheral illumination correction” in jpg modes (sounds like compensation for vignetting), and “auto lighting optimizer” (seems to try to deal with recording details in high dynamic range scenes)
  6. Continuous shooting at 3.9 fps
  7. Larger and higher resolution LCD
  8. 150,000 shutter cycles
  9. Expanded ISO range
  10. Price: $2699

For many of us who are attracted to the 5D image quality, the 21MP sensor is a good thing – this camera should compete with the 1DsMKIII on an image quality basis as long as one has good enough lenses and uses careful technique. (I doubt if there will be much IQ advantage if one hand holds the camera in most cases.) It is interesting to note that the increased shutter life is competitive with 1-series cameras as well.

Video capture is quickly going to be a standard feature on DSLRs – though the usefulness of the feature is something that will perhaps only become apparent once these cameras find their way into the hands of those who know how to use the feature effectively and creatively.

The relatively leisurely 3.9 fps burst mode is no surprise. The 5D is not a camera optimized for fast action sports photography that relies on high speed burst mode shooting. But still, at nearly 4 fps it won’t exactly be unusable in this regard either.

The pricing is interesting as well. Whether due to the recent announcement of a $3000 25MP full frame Sony camera and the anticipated competition from a 20+MP Nikon camera or something else, it seems that the prices of full frame cameras – and very capable ones, at that! – are starting to drop.

Will I buy one? I had pretty much decided that I would not buy a 5D upgrade that only provided a 16MP sensor. However, at 21MP this body provides close to double the number of photosites – and such a doubling has been more or less my trigger for an upgrade. Of course, I’m not one to rush to be the first to buy. I’ll let those who are willing to pay any price to be “first on the block” get theirs right away, and I like to see what initial problems are discovered as the first units are released. All of that being said, I think there is a fair chance that I’ll do this upgrade within the next 6 months or so.

Also: Canon announced one new lens, an upgraded EF 24mm f/1.4L II USM. The previous version was thought by some to be less impressive than its 35mm f/1.4 big brother, so it isn’t too surprising that Canon updated this lens. There is also some thought the Canon will update some lenses in order to take better advantage of the higher MP count sensors – they can exceed the resolving ability of some good lenses. It will be interesting to see whether the new 24mm L is a significant improvement over the previous version… and whether it is worth the somewhat shocking (for a prime!) $1699 list price.

G Dan Mitchell Photography
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