Some end-of-year special promotional prices on Canon DSLR/lens bundles, Canon lenses and Speedlites, and Nikon DSLR/lens bundles are valid at B&H only through 4:00PM EST time today!
Canon DSLRs and DSLR/lens bundles — Savings of up to $650 on many products including 5DIII, 5Ds, 5DsR, 6D, 70D, 7DII, several Rebels
Canon lenses and Speedlites — Savings of up to $200 on over 30 lenses, including many excellent and popular models, along with four Speedlite/flash units
Nikon DSLR/lens bundles — “Instant Savings” of hundreds to over $1000 on camera bundles including D3300, D5300, D610, D7100, D7200, D750, D810, Df, D4s
Purchases through these links to site-affiliate B&H return a small percentage of your purchase price to support this website. Your price is the same.
A Fujifilm “Instant Savings” promotion just started today (November 15, 2015), and it brings some excellent price reductions on all of the current X-Series cameras and a whole bunch of lenses. This is a great opportunity to acquire or upgrade a Fujifilm system!
“Asian Styles” — People in front of a San Francisco storefront at night
If you follow this website and my photography, you may already know that I’m a big fan of the Fujifilm X-Series cameras and lenses. I rely on the little X-E1 plus a small set of the excellent Fujifilm lenses for my street and travel photography. This 1.5x cropped sensor camera system performs beautifully.
The list of cameras and lenses is too long for me to describe each piece of equipment. I’ll mention a few, but feel free to leave a comment if you have questions about anything on the list.
Fujifilm X Series Cameras
Summary: The X-Pro1 feels like an old-school interchangeable lens rangefinder camera. The X-Pro1 is the current high-end in this series — and probably the body I would get for my own use if I were buying right now. The X100T is a rangefinder body with a fixed 35mm-equivalent lens. The XT-10 shares many features with the X-T1, including its sensor, but at a lower price. The X-E2 is a very compact rangefinder-style interchangeable lens body with an electronic viewfinder. (It is the updated version of my X-E1.) The X-30 is a very small camera with an integrated zoom lens and a smaller sensor. With the exception of the X-30, all of these cameras use the excellent 16MP, 1.5x cropped sensor Fujifilm x-trans sensor.
X-Pro1: Fujifilm’s innovative interchangeable lens camera combining an optical rangefinder design with an electronic viewfinder.
Steep, tree-covered cliffs along the shore of the Konigsee, Berchtesgaden National Park, Germany
Fujifilm lenses for X Series interchangeable lens cameras
Summary: Based on my own experience with a number of the lenses and confirmed by many other reports, the Fujifilm lenses provide first-rate optical performance. The range from very small prime lenses up to large aperture zooms that are competitive with the best from the DSLR manufacturers. I have marked lenses that I own and use with asterisks — *.
Links go to site-affiliate B&H Photo, and purchases through these links return a small percentage of the sale price to support this website. Your price will be the same as if you clicked directly on the vendors own links. Thanks for your support!
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
Photographer Scot Miller at work on a ridge in the backcountry of Yosemite National Park
I have been fortunate to get to know photographer Scot Miller over the past few years. I write “photographer,” but a more complete accounting would include videographer, author, and much more. I met Scot through my association with a group of photographers who have been photographing in the Yosemite backcountry for the past 15 years or so — sometimes referred to as the “First Light” photographers in recognition of their beautiful book, First Light: Five Photographers Explore Yosemite’s Wilderness. (The others are Charles Cramer, Karl Kroeber, Mike Osborne, and Keith Walklet.)
This past September three of us (Scot, Charlie, and myself) spent a bit more than a week base-camped at a backcountry Yosemite National Park lake making photographs. By staying in one location for so long we become acquainted with the location in ways that would not be possible in the normal backpacking mode, in which one tends to move from place to place daily. Instead we have the opportunity to let the character of the place sink in, to wander slowly, to return to spots we saw earlier, and to experience a range of conditions — which on this trip included everything from Sierra sun, though wildfire smoke, to a couple of days of rain. One morning, without planning to do so, Scot and I ran into one another high on this ridge above our lake.
Landscape photographer Charlotte Hamilton Gibb works the summer evening light along the Tuolumne River, Yosemite National Park
This photograph was one result of a wonderful set of coincidences in the Yosemite high country. I had gone up to the Tuolumne Meadows area for a few days of photographing mid-July. I arrived midday, managed to get a campsite, set everything up, hung out a bit… and it was time to figure out what to photograph in the late afternoon and evening. As sometimes happens, especially on the first day of such a trip, when I’m still working my way back into “the zone,” I didn’t have a plan. So I decided to simply get in my vehicle and head back to the west along Tioga Pass Road and look for some interesting potentials in the light and the scenery. At one point I caught a glimpse of some interesting light on trees and I quickly pulled over into a clearing at the side of the road. I noticed two other cars already there and a woman getting out of one of them, and I thought “I hope I’m not annoying her.” Then I realized that she was a friend and her husband was parked one car up. Claudia and Michael and I exchanged greetings and quickly decided to join forces and head out across the meadow.
As we crossed to the other side I saw another couple, one with a serious looking tripod, who seemed to be following us. we paused at the far side of the meadow and they caught up — it was Charlotte and her husband. Now the party was becoming larger! We headed slowly downstream, talking and watching for subjects, finally arriving at a spot where the river twisted through a few turns and granite slabs lined the banks. Each of us went to work on our particular views of the spot, and I made this photograph of Charlotte, focused so intently on her photograph that she was unaware that I was photographing her.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
