Tag Archives: center

World Trade Center and Oculus

World Trade Center and Oculus
One World Trade Center flanked by building and part of the Oculus structure

World Trade Center and Oculus. New York City. July 3, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

One World Trade Center flanked by building and part of the Oculus structure

Any commentary on a photograph from this location could easily expand to a chapter or more of text, but I’ll attempt to keep it to my usual two paragraphs. If you take the MTA E line spur to the WTC you emerge to more or less this view, one that has changed continuously for the past decade and a half — beginning with the events of September 2001, continuing in the aftermath of clean-up, followed by a long period of monumental construction work, and now beginning to look relatively complete. We did not visit the site for some time after the towers were destroyed, but I recall that our first visit was still a powerful experience — most of all I recall turning a corner and seeing a wall of photographs of FDNY victims.

Today the site, while still carrying the memories of the 2001 incident, begins to feel more and more like it is becoming a finished place and less like it is a perpetual construction zone. The huge Oculus structure now houses the PATH terminal and plenty of businesses. In this photograph its striking, skeletal form intrudes into the frame from the left, and dramatic clouds from another New York summer day are behind the new Trade Center building.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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San Francisco Waterfront, Night

San Francisco Waterfront, Night
Downtown San Francisco waterfront at dusk.

San Francisco Waterfront, Night. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Downtown San Francisco waterfront at dusk.

I made this photograph on a lovely, slow, spring evening in San Francisco, where I had gone to meet up with a small group of street photographers. First I joined them for dinner in Chinatown, and then we all headed out to do some photography. While I usually do street photography completely on my own, relishing the ability to move fast from place to place or stay put for long periods of time, it is enjoyable to work with others at times, too. Several folks in the group were interested in the waterfront where downtown San Francisco meets the bay, so we headed that way first, and eventually everyone ended up on a popular pedestrian pier with good views back towards the City.

A few years ago I realized that the image quality and high ISO capabilities of very small digital cameras was making it entirely possible to go out into the street and do handheld photography after dark. Before that time my night photography was almost invariably the long-exposure type, with the camera on a tripod and exposure times measured in minutes rather than fractions of seconds. Then, during a weeklong visit to New York, it hit me that I could push things enough to shoot night, and I was immediately hooked. So when I found myself in front of this subject, one that would typically be a tripod-only subject, I thought I’d give it a try even though I was traveling very light — one small camera, one prime lens, no tripod. And even in this late dusk light it turned out to be quite possible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Courtyard Window Reflections

Courtyard Window Reflections
Courtyard Window Reflections

Courtyard Window Reflections. Getty Center, Los Angeles, California. March 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Curving window reflects the courtyard of the Getty Center

This curving wall of tinted windows is a favorite subject of mine at the Getty — I have photographed it several times, in fog and rain, with people in front of it, with people behind, and the structure alone. People often move across the courtyard area in front of it on their way to other places, so I can catch people in motion against this background. In fact, one other series from this visit includes a child jumping and hopping his way across. Frequently people will appear momentarily between the columns leading into the distance at the right, too.

This was a very clear day, so the light is crisp and the reflections are very visible in the curving glass. The color of the glass almost reminds me of the water of a swimming pool, and I wonder if the architects thought about this when they designed this aquarium-like rounded building with its many windows.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

A Moment

A Moment
A Moment

A Moment. Getty Center, Los Angeles, California. March 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

An unplanned tableau at the Getty Center

The Getty Center, much like similar places where a lot of people collect and do interesting things, it a great place for shoot-from-the-hip photography. You keep your eyes open and keep the camera ready, and when you least expect it something worth photographing pops up, often for only a brief moment.

I don’t know if others will see it, but for me there is something intriguing and perhaps every so slightly “off” about elements of this little scene. The glowing white walls seems like something from the future. The woman against the wall seems to have one eye covered and the fellow at the far, who is only half seen, is standing and facing that bright white wall. The colors of the shirts on the two children relate in an interesting way, and one of them tilts off-kilter. There is something a bit odd about the two guys conversing at the right — something about their stances, the distance between them, and the body language.


G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.