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Rocky Shoreline, Reflections

Rocky Shoreline, Reflections
Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Rocky Shoreline, Reflections. © Copyright 2021 G Dan Mitchell – all rights reserved.

Talus boulders and their reflection at the edge of a Sierra Nevada lake.

Three summers ago a group of us (yes, THAT group) spent a week camped at a little backcountry lake on the east side of the Sierra Nevada. The lake is a pretty one, with forest on one side, rocks on the other, and a few areas of meadow and granite slabs here and there. All in all, a fairly typical sort of scene in the range. Beyond the lake itself, the valley that holds in also contains many other small lakes and is surrounded by ridges and peaks, all of which gave us plenty to photograph.

This photograph comes from the rocky side of this lake. A common pattern with high country lakes is for there to be some flat area(s) along one side and perhaps at the inlet and outlet streams, and for one side to be close to some sort of slope. Anyone who tries to circumnavigate such lakes is familiar with the difficulties of finding a way along that rocky side. The rocky slope next to this lake was exceptionally rough, with large boulders extending right down to the shoreline. What it lacked in “walkability” it made up for in reflections. A much higher ridge above the rocks left this area in shadow late in the morning, producing a nice blue tonality to the light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Shoreline Meadow And Forest

Shoreline Meadow And Forest
September light on forest and meadow lining the shore of a subalpine Sierra Nevada lake

Shoreline Meadow And Forest. © Copyright 2018 G Dan Mitchell – all rights reserved.

September light on forest and meadow lining the shore of a subalpine Sierra Nevada lake

Having set up a base camp nearby and remained there for slightly more than a week, I got to know this lake and its surroundings very well during my September 2018 visit. Because of the high ridges to the north and south, the length of time when the area was in the direct sun was shorter than is typical in such places at this time of year — we have a couple of hours at the start and end of the day when the lake fell into the shadow of these great ridges. But when that sun did come out the light was often glorious.

At this elevation, close to 11,000′, the eastern Sierra trees become quite short and their grow in an open manner that allows a lot of light to penetrate. (Hence, the “range of light!”) There was forest around this lake, but much of it was composed of these smaller, high elevation trees. Along the shoreline where I made this photograph, a meadow like area descended from the left to a narrow band of grasses lining the lake’s shore. Trees grew on the rocky rise along this side of the lake, perhaps an old moraine. When I made the photograph the light was coming through from the right at a low angle, and there was a bit of haze between my position and the high ridge in the distance.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Rocky Shoreline, Reflections

Rocky Shoreline, Reflections
Sky and high peaks reflected in the surface of a lake in rocky alpine country

Rocky Shoreline, Reflections. © Copyright 2018 G Dan Mitchell – all rights reserved.

Sky and high peaks reflected in the surface of a lake in rocky alpine country

This is (yet another!) photograph from my September week in the John Muir Wilderness backcountry with a group of photographer/friends. We set up a base camp at a lake in a long valley running north/south, and photographed the immediate area and further subjects that we could reach on day hikes. The orientation of this valley gave us an unusual lighting condition — hours of blue hour light in the morning and early evening after the sun dropped below the tops of the two giant ridges to the east and west.

Our lake was mostly a fairly rocky place. The gentler portions of the shoreline featured small trees, often separated by open space and both rocky and meadowy areas. The more rugged side of the lake was the base of a gigantic talus field that extended far up the mountainside to the east. I made this photograph when light still illuminated the upper slopes of the ridge while the lake itself was in shadow. The effect was to make the landscape seem even more stark, so I photographed to emphasize the large forms of light and dark, and then chose to render it in black and white.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Shoreline, Glacial Moraine

Shoreline, Glacial Moraine
An old glacial moraine reflected the water of an alpine lake in blue hour light

Shoreline, Glacial Moraine. © Copyright 2018 G Dan Mitchell – all rights reserved.

An old glacial moraine reflected the water of an alpine lake in blue hour light

Over the years — decades, actually — I have learned to recognize more patterns in the backcountry landscape. (Which is not to say that I recognize or understand everything — there is still more to learn!) In places where I used to, and still do, respond with, “beautiful scene!,” I now ask additional questions: What makes it beautiful? Why does it look this way? How are these features connected? What processes are at work here? How is this changing? I have always known that glaciation played a big role in the formation of the Sierra Nevada. It is hard to miss this when crossing glacial polish on a granite slab or when tracing the shapes of Yosemite Valley. But it took longer to become aware of subtler effects.

For many years I hiked a particular route out to the Sierra crest that begins not far from Tioga Pass. There is considerable up and down in the first section of the hike — notable enough that I remember three specific such locations. It wasn’t until I had crossed them quite a few times that I realized that they were the remnants of very old lateral/media moraines. That doesn’t make them any easier to cross, but it does “excuse” them! This photograph includes another of these patterns, in this case a mound of gigantic boulders and smaller talus that was clearly pushed up by a small but long gone glacier that stopped just short of the shoreline of this lake. I made the photograph in blue hour light, in the shadows of the ridge above the talus field, and that light and the nearly smooth water evoke for me the stillness and deep quiet of such places.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.