“Bubble Dancing” — Children dance and spread soap bubbles at the Praça do Comércio, Lisbon.
On our May visit to Lisbon (and a few other places) one of our first outings was to simply walk down the street to the Praça do Comércio square on the waterfront. It is a pretty obvious tourist thing to do, but it was the morning after a late arrival following about 20 hours of travel… so we were not up for anything too stressful.
Someone had a big bucket of soap and was making bubbles on the square, and a group of exuberant children was running and dancing around them, unconcerned about what anyone else might think.
“Street Scene, Florence” — People walk along a narrow street in Florence, Italy.
There’s a lot happening in this little street vignette, photographed in Florence, Italy in the summer of 2023. You may have to look closely to see. Beyond the woman at the far right is another woman who is rather extensively tattooed. Behind her we see a young man and a fellow in black and a wide-brimmed hat assisting him. What looks like a family is about to disappear around a corner. One of the things that street photography aspires to do is capture these brief, fleeting events that occur spontaneously.
If you have been following along here you know that this photo is a pretty big contrast to the Death Valley photographs that I have been sharing since late March. There are more of those yet to come, but there are still even more of these photographs from our 10-week European adventure in 2023… and it is time to start catching up.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A mother and sons in a High Sierra meadow near the Minarets
For some reason that I cannot quite recall, not too long ago I took an excursion through some old photographs from about a decade ago, from a time just after I had made most of the transition from film to digital photography. (This past week a friend asked if i had photographs from a 2005 trip, so I’ve been digging into this old work even more.) Back in these days I was slightly past my “wonder if digital is all that?” stage, and I was moving resolutely away from film and toward digital technologies. The results were becoming quite usable, though I was still shooting landscapes with a cropped sensor camera!
On this trip I joined up with my brother, his wife, and their three young sons. Although I had taken all of my children into the backcountry when they were young, those days were largely behind my by this point and I had almost forgotten what it is like to backpack with children. And my many solo trips back in these days had made me perhaps hyper self-reliant, to the point that I tended to let everyone fend for himself or herself. I recall being reminded of this by my brother who was bit less than pleased when I crossed a creek flooding portions of the meadow in this photograph and then kept going! Look closely and you may be able to see some of the rest of my party down in that meadow as twilight falls.
Two children in striped hoodies walk along a San Francisco street at night
This is yet another photograph that I don’t actually recall making! Sometimes when shooting street I think I work so quickly and spontaneously that I simple capture an image and move on to the next one without imbedding the specific experience in my memory. This almost certainly was one of those very quickly made photographs, and I only made two exposures of these subjects before moving on to something else.
There is a lot in this photograph, some of which I was likely considering in the moment when I made the photograph and some of which may have been more or less a happy accident. I’m pretty certain that I was attracted to the fact that the two kids were both wearing hoodies with horizontal stripes — perhaps someone’s mother or father had just gone shopping for the two of them? A wonderful bonus was the child on the right (big sister?) putting her arm gently on the shoulder of the other child — her younger brother? Then there are the other bits of color — the blue form on the left (which houses an automated carnival-like figure) and the wildly painted lamp-post on the right. And, yes, there is something a bit disconcerting about seeing two young children alone on the nighttime streets of a big city — at least to this photographer who brought up three such young children.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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