Tag Archives: crack

Fractured Rock

Fractured Rock
Detail of a fractured rock wall in the John Muir Wilderness

Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a fractured rock wall in the John Muir Wilderness

There are quite a few “photographer jokes” that you’ll hear if you hang out long enough with these folks. (I should make a list sometime!) Some of them come up in answer to the common question, “What did you photograph?” (A variation on, “What are you photographing?” and not totally unrelated to, “Did you get anything good?”) In a lot of cases, when asked the “what did you photograph?” question, you have choices: given a long answer (often the truest response) and make your questioner wish they hadn’t brought it up, give a very short superficial answer, or make a joke. One joke answer among some folks I know and sometimes photograph with is a cheery, “Rocks, water, and trees!”

If you have been watching recent photographs from this location in the Eastern Sierra Nevada, you may be forgiven for noting that in some cases I seem to have been reducing the subjects from “rocks, water, and trees” down to the minimal, “rocks…” This is — obviously! — one such example. It is the sort of thing that most folks would probably not see, since it wasn’t in an obvious place and is in a location where you could easily walk past while looking at other, larger things. But I wasn’t looking for the obvious, at least not only for the obvious, so I stopped here and poked around a bit, discovering a small section on a larger rock fact where the remnants of an old layer of pink rock were gradually breaking away from the underlying gray material. One more thing — when I make a photograph like this one, focusing on some compositional aspect of some small and non-iconic thing, I often think of the photographs of Mike Osborne, one of the original “First Light” photographers and a person with a unique and wonderful way of “seeing” the Sierra Nevada landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Stained and Fractured Rock

Stained and Fractured Rock
A stained and fractured rock face in the Sierra Nevada backcountry

Stained and Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

A stained and fractured rock face in the Sierra Nevada backcountry

I have one more of these “abstract” photographs of Sierra Nevada rocks. While I used the term “abstract,” these subjects are real rock faces, photographed in shadow light with fill reflected from sun-lit rocks across the valley behind my camera position. The rocks here were remarkable — dark slate-like material, covered with water and mineral stains, and cut through by cracks and small ledges.

Most often I think we are drawn to the big, beautiful landscape of trees and water and peaks in the Sierra. Those are, indeed, worthy subjects, and I photograph them frequently. But there are other things to see, some of them not so obvious. This face was one of those other things. I had missed it entirely the first time I passed by, and it was only after one of my friends suggested that it was worth another look that I decided to go back.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Plants and Lichen, Colorful Cliff

Plants and Lichen, Colorful Cliff
A few plants grow in cracks on a colorful cliff face in the Eastern Sierra Nevada

Plants and Lichen, Colorful Cliff. © Copyright 2018 G Dan Mitchell – all rights reserved.

A few plants grow in cracks on a colorful cliff face in the Eastern Sierra Nevada

I’ll be honest. I had initially walked past this spot without even noticing it, back on the first day of our trip, when we were hiking in to the location of our base camp for the next week. I was tired, feeling the effects of altitude, and just wanted to “get there.” A few days later one of my compatriots happened to mention the “wall” back at the lake we had passed on the way in, and I made a mental note to try to visit before the trip ended. In fact, it wasn’t until the last full day of our visit that I finally made it back.

The site is special in several ways, though I’d bet that quite a few hikers don’t really notice it. It rises above a section of trail along the shoreline of a lake. The rocks vary from typical Sierra granite gray to dark slate-like rock, with veins of other materials running through here and there. There are some good-sized solid sections, but much of the wall is fractured and broken. Plants grow in some of the cracks and on ledges, and lichen is attached to the rocks as well. The wall remains in deep shade until rather late into the morning, but a beautiful wash of reflected light comes across the valley from bare peaks on the opposite side. Here you can view the photograph as a record of a real place, but you can also view it as an abstract construction of color and pattern. (I tend toward the latter way of seeing it.)


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Weathered Sandstone Wall

Weathered Sandstone Wall
A weathered and cracked sandstone wall in Utah canyon country

Weathered Sandstone Wall. Grand Staircase-Escalante National Monument, Utah. October 28, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A weathered and cracked sandstone wall in Utah canyon country

It has been about four-and-a-half years since I visited this spot and made this photograph, but I remember it distinctly. We had followed the twisting course of a small stream down a canyon as it wound back and forth between the tall sandstone walls. Eventually we perhaps began to think it was time to turn around, but it was hard to resist finding out what was around “one more bend” — until we had passed through quite a few more of them! I remember three things about this particular wall. It was huge — a monumental expanse of nearly solid granite broken in a few spots where giant flakes of rock had fallen. The stream passed right along the base of the wall. And there were odd circular patterns inscribed into its surface — so regular in shape that I first thought they must have been made by humans.

This spot is in Grand Staircase-Escalante National Monument, a place that we might have believed to be safely protected for future generations. But these days, when America has been turned upside-down, things we took for granted are now threatened. And, yes, there are forces in the state of Utah that are working to take land out of this incredible monument and turn it over to extractive industries to dig it up and take out shale oil, uranium, and whatever else they can get their hands on. There are many things we can do about this. One very important step is to get the attention of the people of the state of Utah and remind them that one of their greatest assets is the beautiful system of parks, monuments, national forests, and other lands that draws visitors from all over the world — visitors who support a thriving tourism and recreation economy in the state. Since their legislators don’t seem to respond to reason or shame, perhaps they will respond to economic pressure. This week a consortium of outdoor manufacturers announced that they are moving their annual convention out of Utah. Lots of us are vowing to not visit the state until they stop trying to destroy it — and we won’t be staying in their motels, eating in their restaurants, buying gas there, or anything else.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.