Tag Archives: crack

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Edges

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A conjunction of striated sandstone in a Utah canyon.

Edges. © Copyright 2012 G Dan Mitchell – all rights reserved.

A conjunction of striated sandstone in a Utah canyon.

I photographed this somewhere in Utah, almost certainly in Grand Staircase-Escalante National Monument, and I’m pretty sure I remember which little canyon I was walking through… but I can’t say that I recall the exact spot. We had driven to a rather out-of-the-way location, wandered up a shallow stream, and entered a lovely, quiet, light-filled canyon full of the usual twists and turns.

The canyon presented a veritable feast of photography — plants, reflections of sky and canyon walls in the water, sand, red rock walls, and more. Given the narrowness of the canyon, the subjects all belonged to the “intimate landscape” genre, and it was rare to have a view of anything more than a few yards away. And everywhere the star of the show was there light reflected down from above and bouncing off the sandstone canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Red Rock Face

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Red Rock Face
Detail of a sandstone face, Capitol Reef National Park.

Red Rock Face. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a sandstone face, Capitol Reef National Park.

Many times when I have photographed in red rock country I find myself looking for other subjects that work with the sandstone to produce compositions — juxtapositions of features, trees, a bit of sky or clouds, water, light and shadow, and all of the other things that are part of the experience of this Southern Utah landscape. But at times it strikes me that the rock itself can be the entire subject. This is one of those photographs.

These masses of sandstone are remarkable on their own. They may first seem somewhat undifferentiated, but a closer look in the right light — in my view, the shaded light in canyons is ideal — reveals remarkable variations and detail. The color of the rock varies greatly depending upon time of day and, especially, the color of reflected light bouncing between anyone walls. Cracks and imperfections mark the rock even on the smoothest sections. And an infinite variety of markings combine on the surface — internal irregularities, color differences where the surface has been disturbed, and everywhere vertical lines formed by seeping and flowing water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Fractured Sandstone Cliff, Plants

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Fractured Sandstone Cliff, Plants
Plants grow in cracks in a sandstone cliff, Zion Naitonal Park.

Fractured Sandstone Cliff, Plants. © Copyright 2012 G Dan Mitchell – all rights reserved.

Plants grow in cracks in a sandstone cliff, Zion Naitonal Park.

One unanticipated result of the pandemic restrictions on travel has been that I’ve had plenty of time to start digging through my archive of photographs made over the years. In some cases I have “discovered” photograph files that I had originally left behind, either because I didn’t understand how the image could work at that time or because I simply got distracted by other things and moved on. In addition to finding these “lost files,” the process of revisiting old work has caused me to rethink my original presentation of some photographs that I thought I was done with. This is one of those photographs.

The subject is in Zion National Park, where it is easy to find all sorts of interesting things along the red rock canyon walls. As I looked at my first take on this photograph, done eight years ago, I felt that I wanted to interpret it a bit differently. This version is cropped a bit more tightly, and I’ve handled the dynamic range of the scene a bit differently, perhaps retaining a bit more of the feeling subjects shaded by tall cliffs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada

Fractured Rock

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Fractured Rock
Detail of a fractured rock wall in the John Muir Wilderness

Fractured Rock. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail of a fractured rock wall in the John Muir Wilderness

There are quite a few “photographer jokes” that you’ll hear if you hang out long enough with these folks. (I should make a list sometime!) Some of them come up in answer to the common question, “What did you photograph?” (A variation on, “What are you photographing?” and not totally unrelated to, “Did you get anything good?”) In a lot of cases, when asked the “what did you photograph?” question, you have choices: given a long answer (often the truest response) and make your questioner wish they hadn’t brought it up, give a very short superficial answer, or make a joke. One joke answer among some folks I know and sometimes photograph with is a cheery, “Rocks, water, and trees!”

If you have been watching recent photographs from this location in the Eastern Sierra Nevada, you may be forgiven for noting that in some cases I seem to have been reducing the subjects from “rocks, water, and trees” down to the minimal, “rocks…” This is — obviously! — one such example. It is the sort of thing that most folks would probably not see, since it wasn’t in an obvious place and is in a location where you could easily walk past while looking at other, larger things. But I wasn’t looking for the obvious, at least not only for the obvious, so I stopped here and poked around a bit, discovering a small section on a larger rock fact where the remnants of an old layer of pink rock were gradually breaking away from the underlying gray material. One more thing — when I make a photograph like this one, focusing on some compositional aspect of some small and non-iconic thing, I often think of the photographs of Mike Osborne, one of the original “First Light” photographers and a person with a unique and wonderful way of “seeing” the Sierra Nevada landscape.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.