Tag Archives: cranes

Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Morning Cranes, Pond

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Morning Cranes, Pond
A large flock of cranes, resting in a pond on a foggy morning, prepares to take flight

Morning Cranes, Pond. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A large flock of cranes, resting in a pond on a foggy morning, prepares to take flight

I made this photograph on a bit of a gray morning. As I drove toward this place the sky was clear, but just before sunrise the typical Central Vally tule fog began to develop. It did not completely sock the area in, but it turned the sky gray and obscured views of distant trees and other subjects before long.

As things come to life in the early morning hours in these wetlands areas, the cranes are often the first birds to take flight in large groups. (Though, unlike geese, whose groups may include thousands of birds, a group of cranes is often fewer than ten.) I was early enough to spot where the cranes were coming from before all of them were gone, and I arrived at this spot to see a large group of them standing in the shallow water, gradually taking off a few at a time. If you watch quietly, the birds seem to be very quiet — but almost without warning some of them will appear to stretch forward a bit, and soon they take to the air.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Central California, Photographs: Nature, Photographs: Wildlife

Two Cranes, Morning, Marsh

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Two Cranes, Morning, Marsh
Two sandhill cranes stand in a marsh in early morning sunlight

Two Cranes, Morning, Marsh. San Joaquin Valley, California. December 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes stand in a marsh in early morning sunlight

This past Saturday was a full-on bird day for me. It started before dawn in the San Joaquin Valley, where I visited some wetlands areas to photograph various birds: cranes, geese, ibises, tri-color blackbirds, a solitary heron and a few egrets. Later that afternoon I wrapped up my bird photography and headed up to Oakhurst in the Sierra foothills to attend the opening reception for AVIAN: Birds in A Changing World at Gallery Five. The juried exhibit includes over 60 pieces by more than 40 artists, including a couple of my bird photographs. Afterwards I drove back to the Bay Area. Yes, it was a long day!

The conditions and the birds can vary a lot at this time of year in the San Joaquin Valley. Often it is foggy, but the skies were nearly clear when I arrived this time, with just a bit of scattered ground for a some haze. Two bird events were striking right after I arrived. First, a huge cloud of very small birds — perhaps tri-color blackbirds — rose before dawn and moved across the horizon. Second, a larger-than-usual number of sandhill cranes lifted off at dawn, and they followed unusual paths that brought them close to me. As the fly-out was getting underway I photographed these two cranes in the pond as the first light began to filter through the haze. They stood quietly for a few minutes, then suddenly took to the air and were gone.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Night, Photographs: Northern California, Photographs: Structures and Objects

D4 — Do It Safe

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D4 — Do It Safe
Two shipyard cranes, Mare Island Naval Ship Yard

D4 — Do It Safe. Mare Island Naval Ship Yard, Vallejo, California. March 11, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two shipyard cranes, Mare Island Naval Ship Yard

This past weekend I joined my friends from The Nocturnes, the San Francisco Bay Area night photography group for a night photographing at the historic Mare Island Naval Ship Yard. (Despite the similar names, this is a different group than Studio Nocturne SF, a group of photographers with whom I exhibit.) The location is a bit of a Mecca for night photography around here, and I’ve been photographing in this place for something like a dozen years, virtually always at night.

On this shoot I focused on a combination of some less obvious things that I’ve learned to see over many years of working this subject and some of the classic, iconic subjects at Mare Island. This photograph is in the latter category. These huge cranes, set on a system of tracks surrounding dry docks, are perhaps the most characteristic visual feature of Mare Island, especially since they tower high above the old historic buildings. My night photographs of this subject don’t exactly strive for an accurate image. To be honest, that would be an incredibly boring thing, since there is so little light that the subject is often barely visible on the scene. So my idea is to focus on “what the camera sees,” and I typically make very long exposures that collect enough of that faint light to make the subject more clearly visible.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Flight, Photographs: Nature, Photographs: Wildlife

Sandhill Cranes in Flight, Dawn

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Sandhill Cranes in Flight, Dawn
Two sandhill cranes fly in dawn light

Sandhill Cranes in Flight, Dawn. Central Valley, California. January 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Two sandhill cranes fly in dawn light

I think that the sandhill cranes may have become my favorite birds in the California Central Valley wetlands. (OK, ask me again later — I may change my mind if I’ve just had a white pelican flyover or discovered a surprise group of tundra swans or photographed a bald eagle, or… ;-) On my first visit to the wetlands, the result of a set of coincidences that I’ve described before, I was completely ignorant about what I was seeing. There were lots of birds, but heck if I knew what they were. Then I became entranced by the Ross’s and snow geese, with the white bodies and black-tipped wings in huge flocks. I photographed this pair in lucky conditions — on a morning that was foggy nearby it cleared enough right here to let the sunrise light strike these birds as they flew above my position.

I saw the cranes, but they seemed on those first visits to be less interesting birds. Their color is less striking. (Though the brilliant red of their heads is attention-getting.) While they flock together, their numbers are typically smaller than those of the geese. But the pump had already been primed for potential interest in the cranes, all the way back in college when I read (but didn’t really fully understand) Aldo Leopold’s Sand County Almanac. The main thing I recalled about that book, for some reason, was the sandhill cranes. (And if this isn’t an example of how a college experience that seemed to mean little at the time planted a seed that sprouted later, I don’t know what is.) In recent years, the more time I spent in the wetlands the more the cranes became central to the experience. In fact, their cries are my primary auditory association with these places, both when heard from birds flying invisibly in the early morning tule fog and the mass returns of these noble birds after sunset.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.