Tag Archives: dawn

Aspens, Earth Shadow, Morning

Aspens, Earth Shadow, Morning
“Aspens, Earth Shadow, Morning” — The earth’s shadow and predawn light on aspen groves east of the Sierra Nevada

On a cold and clear morning in mid-September earlier this year I left my camp in the Sierra and headed east, past Mono Lake and on out into the mountains east of the Sierra Nevada and east of US 395. I did not have a specific goal in mind, but I thought I would do a bit of early season aspen color reconnaissance in preparation for planned visits to photograph fall color a few weeks later. I gradually worked my way further out from the Sierra, stopping from time to time and poking around the ends of various gravel roads. Finally I found one that looked promising and took it.

I knew that I had previously seen aspens atop ridges in the general area of this road, and I had made a note to come back this way in the fall. I don’t typically expect to see much fall color by mid-September in the Sierra, but I soon found quite a bit of it — a whole mountain top was covered with small trees that were beginning to turn colors almost uniformly. I took a short spur road to an overlook and parked — from here there was an almost unobstructed view of a big section of the Sierra crest. It was cold enough to let me know that autumn wasn’t far away as I waited for the sun, beginning to photograph in that lovely predawn period of warm colors when the earth’s shadow can be seen in the darkened atmosphere just above the horizon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Dawn, Desert Mountains, Lake

Dawn, Desert Mountains, Lake
Dawn haze above Mono Lake and desert mountains

Dawn, Desert Mountains, Lake. Mono Lake, California. October 2, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Dawn haze above Mono Lake and desert mountains

Many people perhaps think first of tufa formations when they think of Mono Lake — and given their novel quality and popularity, who can blame them? But as interesting as those formations are, they are not what first comes to mind for me when I think of this place. Instead, my associations are with immense sky, profound silence, perhaps birds, and, of course, wind. Despite being so close to the Sierra, with its intimate forest and meadow landscapes and towering alpine peaks, this place seems much different.

I made this photograph from a high place early on an autumn morning, when haze that may have come from many sources including wildfires, muted and obscured the details of the landscape, leaving mostly the larger features and forms. The foreground is a bit of the lake surface, and beyond the surrounding basin rises toward a succession of high and barren ridges and peaks as the first light makes the atmosphere luminous.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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East Side, Morning

East Side, Morning
Early morning light on the hills and peaks of the eastern Sierra Nevada near June Lake

East Side, Morning. Along US 395 near June Lake, California. September 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early morning light on the hills and peaks of the eastern Sierra Nevada near June Lake

I’ve occasionally written about my “discovery” of the Sierra Nevada east side perhaps two decades ago. Like so many from Northern California, my orientation to the range came from arriving by driving east across the Great Central Valley and then making the long, gradual ascent from the Valley to the summit of the range, a summit whose peaks are often not even visible from that Valley. (But when they are, what a sight!) I thought of the Sierra as being a place of mostly forested mountains, rising gradually, and only topped by the rugged granite peaks at is furthest point. Then a friend, whose orientation was from Southern California and who had approached the range from the South, got me (finally!) to visit the east side of the range.

What a difference! Here the mountains begin in semi-arid high desert sage brush country. They mostly rise abruptly along the eastern escarpment, with rocky ridges and summits exposed to view. The range immediately has an alpine quality that is quite different from the gentle forested slopes of the west side. Yet it, too, is varied. In some places the abrupt and rugged steepness is real — some of the ridges just above Round Valley, for example. But in other locations that “abrupt” escarpment is more subtle, the result of starting at even higher desert elevations (in the 8000′ range in some places) and due to some very large canyons cutting toward the summit of the range. For examples, visit the huge valley that rises above Bishop, or consider these sage and tree covered slopes gradually ascending toward the inevitable granite cliffs in the vicinity of June Lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Mono Basin, Wildfire Smoke, Dawn

Mono Basin, Wildfire Smoke, Dawn
“Mono Basin, Wildfire Smoke, Dawn” — Smoke layers from a nearby wildfire drift across Mono Basin at dawn

Late summer and early fall are the wildfire season in California and especially in the areas around the Sierra Nevada. (That statement used to be more accurate than it is these days, as drought and anthropic climate change have now extended the fire season in the state.) Like most people who spend time in the outdoors I have complicated responses to wildfire. I hate to see forests and wild lands destroyed, especially by some of the recent super-hot fires that have done more serious damage. At the same time I fully understand that fire is a natural and even necessary component of the natural life in these areas. In recent years I have tried to find beauty alongside the destruction, and it has opened my eyes to seeing fire in different ways.

During my recent mid-September Sierra Nevada photography jaunt, mainly focused on visiting a few high places and scouting early aspen color, a very smoky fire broke out in the Owens River area. I first spotted in while driving down from Yosemite in the evening after a backcountry hike, and the next morning there was a big cloud of smoke over the lands southeast of Lee Vining. Mono Lake was still mostly clear, except at the south end, but beautiful layers of smoke were beginning to drift across the lake before and during sunrise, muting details and rendering more clearly some of the larger elements of the landscape. I moved around the lake and surrounding areas looking for vantage points for several hours, until eventually the smoke-filled Mono Basin so much that I decided to leave.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.