Tag Archives: display

Deal Alert — X-Rite i1 Display One Pro

This isn’t the typical post here, but today only there is a great deal on the X-Rite i1 Display One Pro calibration system at site-affiliate B&H Photo. The device calibrates computer and other monitors and projectors and has a bunch of other useful features that I won’t list here. If you need such device, this sounds like a great time to get it. Here are the details:

  • Big savings on X-Rite i1 Display One Pro calibration system at B&H — Regular price $249. $95 off right now makes the cost $154. An additional $25 mail-in rebate brings your final cost to only $129! VERY LIMITED TIME OFFER – ENDS AT MIDNIGHT EST TODAY or when supplies run out. This unit calibrates a wide range of monitors and projection systems.

Note the VERY LIMITED DURATION of this offer. It ends tonight at midnight EST or sooner if supplies run out. Now, off to see about ordering… ;-)

X-Rite I1 Display Pro
X-Rite I1 Display Pro

Fallen Begonia Blossom

Fallen Begonia Blossom - A fallen begonia blossom on a bench at the Mendocino Coast Botanical Gardens
A fallen begonia blossom on a bench at the Mendocino Coast Botanical Gardens

Fallen Begonia Blossom. Mendocino Coast Botanical Garden, Fort Bragg, California. August 27, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A fallen begonia blossom on a bench at the Mendocino Coast Botanical Gardens.

On a recent trip to the northern California coast around Mendocino, we spent the better part of a day wandering around at the Mendocino Coast Botanical Gardens in Fort Bragg. If you ever visit this part of California, you will quickly discover that there are lots of flowers there, both wildflowers and cultivated varieties – they seem to like the cooler, moister, foggier climate. The Botanical Gardens is surprisingly large and comprehensive for a private facility in a somewhat out-of-the-way location. It covers many acres, stretching from the coast highway all the way to the edge of bluffs overlooking the Pacific Ocean, and it includes a wide range of plant types, not all of which are what you would expect here.

This was our first visit to the Gardens, so we sort of explored rather than trying to necessarily see everything. Not far from the entrance is the structure of the Mauer Display Garden, where begonias were blooming. The flowers and the intensity of their colors were quite amazing. At one point I believe I remarked that I had never seen anything quite as intensely orange as some of the flowers. At one point I looked away from the main displays of living plants and happened to notice this very colorful blossom that had fallen onto the corner of a bench. While the color probably seems unbelievable, it really was this intense. (Photographing these flowers proved to be a great reminder of the exposure challenges we face when using DSLRs to shoot subjects that are intense in one of the three color channels. In some photographs, the red channel was perhaps three to four stops brighter than the other channels!)

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Yet Another Reason to Like Live View – Shooting in the Wind

I have posted in the past about some of the advantages of having a live view feature on your camera, especially for the types of photography that I do using my Canon 5DII. This past week I discovered another use, and an unexpected one at that – shooting in conditions of gusty winds.

I most often work from the tripod, and I usually use a pretty large and stable tripod in the context of shooting a full frame DSLR camera. But in some very windy conditions putting the camera on a tripod is not sufficient to stop camera motion and the consequent blur. This is especially a problem when you are shooting in low light or otherwise need to use very long exposure times, and it becomes worse when using long lenses which will catch more wind and magnify vibrations. There are a bunch of tricks that you can try in order to keep the camera steady, but in really strong winds the camera is just going to move, especially if you have a very large lens attached.

One way I try to deal with this is to time my exposures for moments when the wind may momentarily decrease. This can require a lot of patience – sometimes I’ve had to wait several minutes for a very brief halt to the gale, during which I try to make my exposure. But even in this case, you have to make sure that the camera vibration stops completely if you are using a long lens. Ultimately, you have to simply trust that the camera really has stabilized since there is no way to tell directly. Last week, as I was using live view to focus a 400mm lens on a distant subject and again noting that 400mm plus 10x software zoom in live view makes the camera very sensitive to vibration. In the past I have noted this mainly in the context of how darn hard it is to manually focus a big lens this way! But this time it occurred to me that I could use this in my favor.

With the 10x live view magnification enabled, the display is very sensitive to camera motion from the wind. I realized that by leaving the camera in the 10x magnification setup after composing the shot that I could simply watch this display, with its magnification of motion, and wait until the image stabilized during lulls in the wind to take my shots. If the display isn’t bouncing at 10x, motion blur is not going to be an issue. Problem solved. More or less.

G Dan Mitchell Photography
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.


An Itinerant Photographer and His iPad: A Second Report

Some time ago I posted “An Itinerant Photographer and His iPad: A First Report” – and this is a follow-up to that post, written after a few more months of experience with the iPad. It is also an expanded version of something that I posted in a photography forum in response to a question about using the iPad as an image backup device.

One question that seems to come up a lot is whether it is possible/viable to use the iPad as a backup device for making copies of your files in the field. There at least two reasons that you might want to copy your files from your camera’s memory to an external storage. First, you may want to create duplicate backup copies of the image files on your camera memory cards for safety reasons – it is risky to have only single copies of them. Second, some might choose to do this so that they can economize by using a single memory card, transferring files from the card when it is full, erasing the card, and starting over again. I’m not convinced that this makes a lot of sense given the relatively low cost of memory cards today and the risks of having only a single copy of your files.

You can transfer raw files directly from your camera to the iPad using a USB cable and the “camera connection kit” adapter. Here are ome observations based on my experience doing this:

  • It works – you can move your raw files to the iPad and view them there.
  • The process is very slow. Thumbnail previews appear quite quickly, but downloading is a very long process during which I usually find something else to do.
  • You need to think through the memory issues carefully. Your raw files are quite large and the maximum memory in an iPad is currently 64GB. I have the maximum in mine which leaves me about 32GB for photographs. (I have a lot of music and video files on my iPad – perhaps more than the typical user.) There will be very little space for photographs if you get the 16GB model and the 32GB might be tight depending upon what else you store on it.
  • You can view the raw files directly on the iPad. They are not optimized – and raw files need some sharpening and so forth to look their best – but they are fine for previewing images and sharing with others who might want to quickly see what you came up with. Don’t underestimate the value of being able to share files this way. I notice that sharing the images with others on the iPad is often a more natural and pleasant experience than sharing them on a laptop – viewers will frequently hold the iPad and pass it to one another in ways that are rarely seen with laptops.
  • The raw files cannot display at full native resolution – there is some upper boundary currently built into the iPad – though they do  display at a resolution that is considerably larger than that of the iPad screen.
  • I may be missing something that would make the task simpler, but I don’t find it very easy to delete the files from the iPad once they are transferred to my computer.

A bottom line is that you can use an iPad for backing up files in the field, but you need to be aware of several issues before you decide to depend on this. The issues include the very slow file transfer speed and the importance of making sure that the unused memory on your iPad is sufficient for the files you will transfer. With a 64GB iPad, the vast majority of users will have more than 32GB available.

(If the speed and storage space limitations of the iPad are a problem for you, there are other options for backing up in the field. There are specialized back drive products that are designed for making backups of your camera memory cards, or you could use a regular laptop. The tradeoff its greater storage capacity and access to more photo editing applications include shorter battery life and greater size/weight.

What about image editing on the iPad? Several programs are available the provide varying levels of image editing capability.  I use Photogene. It is competent and well-worth the very tiny cost. It provides basic editing features that can let you create decent (but not stellar) jpgs for upload. It does a curve, cropping, black and white conversion, color adjustments, simple sharpening and so forth – but it most definitely is not Photoshop or Light Room. That said, I’ve used it for doing quick edits and web posts from the field. For what it is and for the very low cost, I recommend it. (iPad apps appear so rapidly that it is quite possible that other options will be available by the time you read this.)

Can an iPad replace your laptop? The iPad is only sort of a laptop replacement – I like to simply say that “an iPad is not a laptop,” though it can perform some tasks that you might otherwise use a laptop for. It is great for web browsing and OK for email, though extensive typing on the virtual keyboard is awkward and error-prone. I am fine with it for short emails and short web posts and reading the updating social media sites. You can do better with an external keyboard, but this starts to defeat the small size/weight and convenience of the iPad and makes a laptop look like less of a burden.

Battery life is excellent. Apple is not lying when they claim 10 hours per charge.

The tiny size and small weight make a significant difference. Even my small laptop seems downright large after carrying the iPad instead. It is small enough to easily slip into a side pocket of my camera bag when traveling. I left the laptop at home and carried only an iPad on a weeklong trip to New York City. I was very grateful for the size and weight savings and only mildly inconvenienced by missing some of the power of the laptop I would usually take. What with tripods, lenses, bodies, flash equipment and other gear, I welcome the smaller size/weight of the iPad when a regular laptop is not really needed.

One other reason to have an iPad is that publishing is likely to move increasingly to forms that can be distributed on devices such as the iPad. Photographers would do well to experience and understand this first hand, especially if they intend to distribute their photographs electronically and/or write about photography.

VERDICT:

It will make sense for some photographers and some circumstances, but not for others. There is no universal “right” answer to the question of whether the iPad is a useful tool for photographers – the real question is whether its features will or will not be useful to you. For my part, when I don’t have to do more than minimal editing in the field and I want to share electronic versions of photographs and travel light… I prefer to take the iPad rather than my laptop.

What do you think? Do you use an iPad for photography-related purposes? Are you wondering if it will work for you? Leave a comment via the link found below.