Tag Archives: distort

Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Virtual Surfaces

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Virtual Surfaces
Distorted reflections in the windows of a San Francisco building.

Virtual Surfaces. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distorted reflections in the windows of a San Francisco building.

Almost every time I photograph in big city (and sometimes small city…) downtowns I end up getting distracted by the things reflected in the windows of tall buildings, and by how they relate to the forms of these architectural structures.

Buildings of certain styles and vintages have exteriors that are largely glass. While these buildings have physical forms and volumes, what we see of them is more a result of what is around them than of their own shapes. I’m intrigued by how little of what we see when we look at such structures is actually the structures themselves — most of what we see is virtual, imaginary, and transitory. In this photograph, all you see of the buildings actual exterior are a few non-reflective areas between windows — some dark horizontal strips and a few lighter vertical panels. Everything else in the image is either inside the building (a few interior lights seen through the windows) or a distorted reflection of the building’s surroundings.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Chicago, Photographs: Urban/Street

Dissipating Structures

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Dissipating Structures
Dissipating Structures

Dissipating Structures. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections of a crane and Chicago buildings

Every so often I wonder about architects. For the most part we think of them — or at least I do — as folks who are as much about logic and structure as they are about design and form, and when they are about design they don’t usually seem to be particularly whimsical. (With notable exceptions.) Whimsical doesn’t fit the image or the expectations of the typical big business clients who might commission such towers as those found in an urban center like Chicago — these see like people who are more interested in cultivating an image of stability and wealth and power.

But then I look at the window reflections that are the inevitable result of placing plexiglas covered buildings in close proximity to one another and I have to wonder. Are these folk aware of the almost hallucinogenic shapes and forms that appear on the sides of these buildings? In fact, how many people on the streets are away of the abstract and bizarre visual show that is often going on overhead? Here, against the clean and mathematically perfect face of this building, neatly divided into equal grids of alternating shades of blue, appear bizarre visual monstrosities. A red construction crane warps upwards and leans precariously to the right as its upper elements simply fall apart into twists and curlicues. Sections of the reflected buildings are alternately minimized and expanded to gross degrees, and if you look closely at the resulting patterns you might find anything from aerial fish to faces to whatever else you want to imagine.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Chicago, Photographs: Urban/Street

Building Reflections

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Building Reflections
Building Reflections

Building Reflections. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Distorted reflections in windows of Chicago downtown towers

As I have mentioned in earlier Chicago posts, I like the way that Chicago’s more open urban design provides more opportunities to clearly see the many tall buildings, allow more light to get deeper down into the space, and makes the interactions between the buildings more visible. As with many of the others, I made this photograph from the Chicago River while on the architectural boat tour of the downtown area. This tour offers views of many, many of the downtown towers and other subjects, though it can be a bit tricky to photograph them — they do move past quickly and it is pretty much necessary to shoot handheld.

If I recall correctly (without taking the time to review the sequence of my raw files), I made this photograph somewhere along the south branch of the river, where there was a momentary juxtaposition of the lower building with its visible exterior framing and the much larger glass-encased building with its curving surface on the left side. If you look closely at the photograph you will notice that very little of what you see is the actual structure of buildings, aside from that external skeleton in the lower building and the narrow frames of the windows on the higher one. Virtually everything else in the photograph of the builds is arguably not the buildings but instead is some sort of distorted reflection of its surroundings.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Photographs: Chicago, Photographs: Urban/Street

Cloud Gate

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Cloud Gate
Cloud Gate

Cloud Gate. Chicago, Illinois. August 2, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Chicago’s Cloud Gate reflecting the city skyline

The Cloud Gate sculpture is one of the iconic sights of downtown Chicago, visited by many people and photographed by almost all of them! It stands in an accessible and central section of the lakeside Millennium Park, just across the street from central downtown areas. We wandered past twice on two different days as we walked around this area during our visit. (There are other fascinating public art installations in the surrounding area, too.)

The sculpture is impressive in photographs, but I did not realize how large it is in person. It is remarkable in a number of ways, not the least of which is the effect it has had on the public consciousness. In a purely objective sense, the existence of such a huge, unbroken and curving reflective surface is a marvel. And it is also, to be plain, a lot of fun — it is hard to imagine how anyone could resist playing around with the distorted reflections it produces. Having seen so many photographs of the thing I first resisted the temptation to shoot it, instead just looking. Then I thought that it might be interesting to photograph the ways that people interact with the sculpture, so I took the camera out and started shooting.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.