People sit at an outdoor cafe on a sidewalk along a narrow street in Salzburg, Austria
This is sort of a photograph of nowhere in particular in Salzburg, Austria. A ways off from the busy downtown area around the touristy shops and other old buildings, things seem to quiet down a lot. There are few or no cars on many of this very narrow streets – barely wide enough for a single car anyway, and the tightly packed multistory buildings create a sort of canyon effect. There do not appear to be any gardens here, and every plant I recall seeing on most of these streets was growing in a pot. The buildings are not all the same color, but they do all seem to be pastel shades.
As we walked in this area we came to a t-intersection, with this little cafe occupying the middle of the upper bar of the “t.” I photographed it straight on from the other street on the intersection. I was fascinated by the almost complete lack of “branding” on this business – it was only by looking very closely at the photograph that I could make out a name for the place. The most obvious sign simply says “cafe & restaurant.” I was also interested to see that the seating, of which there must not be enough inside the building, not only spilled onto and across the narrow sidewalk, but extended right into the street, where its boundaries were defined by the large potted plants! A couple sits in the green chairs on the right with a very young child. They seem to perhaps be the grandparents – and grandpa is catching a smoke while grandma tends to the child. The colors in the seating area contrast with the pale, pastel colors of the buildings (and the matching umbrellas), and include a green that is brighter than that of the plants and lemon yellow back near where two men talk on the right.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The front of a building identified as “Heidelberg College,” Heidelberg, Germany
To answer likely the first question, this is not Heidelberg University, a very old and very highly regarded institution. As near as I can tell it isn’t even related to the University, though information about a “Heidelberg College” in this town is sparse. (One source suggests that it might be a high school or similar, though I’m not sure about that.) The building was along our typical walking route to the old town section of Heidelberg, and the orderly appearance and combination of colors had caught my attention the first time we passed.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I have so many photographs in the queue right now that I have decided to do something a bit different and post some of them in collections. This first group features night photography from the historic Mare Island Naval Ship Yard, a location where I have been doing night photography for about a decade now. As is often the case, this visit was with my friends from The Nocturnes, the San Francisco Bay Area night photography group.
A street light illuminates tracks running down Railroad Avenue at historic Mare Island Naval Ship Yard
This is probably one of the iconic views of the nighttime environment at Mare Island, as it was made in a location where many night photographers start, whether it is their first visit or their fiftieth time there. The spot is near the Mare Island Museum, which holds many objects and photographs from the long history of the place as the first important west coast naval ship yard. The tracks – obviously! – given this street its name. The tower is the chimney of the old power plant, and off in the distance more of the old ship yard buildings are visible.
Red light behind the door of an industrial building at the historic Mare Island Naval Ship Yard
I was interested in the windows, doorway, and wall of this building for several reasons on this visit. First – and night photographers will understand – Mare Island has recently started to see an update of its lighting. As newer and presumably more energy-efficient types of lighting become available, the older lighting gets replaced. Some years ago the move was to the intensely yellow sodium vapor lights (which you can see in other images in this set), but today it is to what I understand are LED systems. Since the ambient light is tremendously important to night photographers, we notice that this produces a significant change in the mood of photographs made here since the LED light seems to have a much more subtle coloration that is closer to what we might regard as daylight. The new lighting has been installed by this building, so I wanted to see how I could use it to make a photograph that still captured the feeling of the night. In addition, I noticed some subtle red interior lights behind the doorway that seem to suggest something a bit mysterious in this scene.
A green tinted shadow falls across the front of a yellow building, Mare Island Naval Ship Yard
There are several things I like about this photograph of the side of a tall building and a lower section casting an odd green shadow. In much night photography we create photographs of things that we actually cannot see – essentially we are making photographs of what the camera sees. Standing in front of this scene it was very, very dark and the details of the building wall was barely visible at all. However, after shooting this stuff for some time I can recognize what might happen with an exposure long enough to make this scene visible. The old sodium vapor lamps are still installed along this street, and I knew that their yellow light would have a powerful effect on the colors of the scene. I also know that where there is a shadow that is not illuminated by sodium vapor light, the shadow will take on the colors of other kinds of ambient lighting – in this case a relatively green type of light coming from a nearby open area. In the end, without actually doing any light painting (the process of using colored lights and gels to illuminate the subject) I was able to make a photograph that is “naturally” just as wildly colorful.
Metal wall with white doors, window, and Reserved Parking sign
The plain and simple geometry of this building and its front wall has attracted me for several years, with its vertical lines, square forms of the door and the shadows, and the surprising orange highlights – and I have photographed it before. This building is now also lit by the newer lighting, so I had to see what I could do with this new coloration. I made two photographs of it. This one is a simple, straight-on view that is “about” the angular and square forms and the thin lines of orange paint and asphalt, with the only curves coming from the shadows in the window and a bit of broken-off pipe near the bottom center.
White door on a metal building with industrial structures of Mare Island Naval Ship Yard in the distance
This is a different take on the same wall, here composed off-center so that some of the darker ship yard machinery and structures can be seen.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Once we got off the “main drag” (aka, the “hauptstrasse”) in Heidelberg, the streets became even narrower, the crowds diminished, the number of (mostly) young people riding bicycles increased, and there were more small shops that seemed quite unique. I think that this shop sells used or old books from the looks of it, but I’m afraid that I did not go inside to check – I don’t speak more than a few words of German, so a German bookstore was going to be more than a bit of a challenge!
Visually the store was still interesting, though. I’m fascinated by the interesting colors of paint on the walls and by the rather distressed quality of that paint on these old buildings, along with the odd and perhaps misaligned angles – you can see them clearly here if you take a close look at the door and its frame. There were a few small items sitting outside on the steps, but they hardly constituted a display that was guaranteed to grab the attention of passers-by. Inside you can see the inviting ambience of almost any old bookstore, with the warm glow of a lamp sitting on a desk or table.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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