Tag Archives: dusk

Rooftops Of Paris, Twilight

Rooftops Of Paris, Twilight
Rooftops of Paris and the Eiffel Tower at Twilight, Montmartre

Rooftops Of Paris, Twilight. Paris, France. August 10, 2016. © Copyright 2017 G Dan Mitchell – all rights reserved.

Rooftops of Paris and the Eiffel Tower at Twilight, Montmartre

This photograph is partly a hotel story. There are all sorts of such stories, but this one began poorly and ended well. We took a cab from the train station to our hotel when we arrived in Paris, hopped out, ran inside, went to the desk to check in… and they had no idea who we were. Uh, we were in the wrong hotel. Ours was next-door and, if I recall, had a similar name. We sorted this out, went to the right hotel, checked in, and went up to our room. We opened the door to find… someone else’s luggage spread out in the room. Uh, no…

Back downstairs at the desk they apologized profusely and asked if we should mind an upgrade to a better room with a better view on a higher floor. Sounded good to us, and we ended up high enough to have a decent overview of the surroundings. We didn’t initially think of this in a photographic context, at least not until we found ourselves in the room at twilight one evening as lights began to come on in the city and soon the Eiffel Tower was illuminated.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Urban Fishermen, Dusk, San Francisco Bay

Urban Fishermen, Dusk, San Francisco Bay
A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

Urban Fishermen, Dusk, San Francisco Bay. San Francisco, California. April 30, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A group of urban fishermen working from a San Francisco Bay pier finishes up for the evening

During the last weekend of April I joined a group of fellow street photography and night photography enthusiasts in San Francisco. We met up for dinner in the Chinatown district, and afterwards we wandered down to the Embarcadero and the waterfront, busy with tourists at this time of year. Ultimately we ended up in a spot very popular with such folks, a pier the affords walking access to the waters of the bay. I spent perhaps a half hour out there photographing: people, the bay, passing ships and boats, the City skyline.

These urban fisherman are a regular part of the San Francisco urban scene and they represent a sort of intersection between the human and the natural worlds. They are everywhere along the City’s waterfront, and often are fishing within earshot and “eyeshot” of the busy urban scene. Stop and think about what this means and there is a lot to ponder. Even in a busy and fast-paced place like San Fransisco, it is possible to walk a few feet and find yourself standing quietly above the bay in dusk, perhaps with a few friends — one way to help maintain sanity in the urban world. These guys appeared to be finishing up for the evening and were simply standing around and talking as they packed up and as tourists stopped to watch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Apartments, Driveway, Dusk

Apartments, Driveway, Dusk
Security lights illuminate the driveway of an urban apartment complex, Pasadena

Apartments, Driveway, Dusk. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Security lights illuminate the driveway of an urban apartment complex, Pasadena

Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)

It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

The Valley, Autumn Fog, Evening

The Valley, Autumn Fog, Evening
Fog fills Yosemite Valley at dusk following an autumn storm

The Valley, Autumn Fog, Evening. Yosemite Valley, California. October 28, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Fog fills Yosemite Valley at dusk following an autumn storm

OK, I confess that sometimes I still stop at Tunnel View, and sometimes I do take my camera out, and I may even make a photograph. ;-) On this late-autumn evening I had been in the Valley for just an afternoon, on a day that had begun with quite heavy rainfall as I drove to Oakhurst for a meeting. The rain turned to showers with some breaks of sunlight as I drove to the Valley in the afternoon for a few hours of photography.

I photographed well east in the Valley, working wit clouds that were brushing past pinnacles and faces high on the granite walls. As the sunlight left that subject I packed up and started to head out of the Valley and back toward Oakhurst. I passed Tunnel View, and as I always do, I did a quick visual check to see what was going on. I got out of the car and walked to the overlook — there were almost no photographers left by this point, as it was well into the dusk blue hour light. It was quite dark, actually, though there was still residual light on the furthest peaks and on higher portions of the clouds, Drifting low clouds and fog almost filled the Valley itself. The fog was intriguing, so I dashed back to my vehicle, grabbed the camera and a lens and tripod, rushed back, and set up to make a few exposures in the failing light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.