Tag Archives: dusted

Forest, Peaks, And Snow

Forest, Peaks, And Snow
Storm clears above snow-dusted peaks near Tuolumne Meadows.

Forest, Peaks, And Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Storm clears above snow-dusted peaks near Tuolumne Meadows.

I suspect that most Sierra visitors and residents have certain special places that have long-time associations, certain views that we almost always must stop for, no matter how many times we have seen them. Since the first high country experiences I can recall were in and around Tuolumne Meadows, it is probably no surprise that it is the location of several of those places for me. I have collected these spots for years — decades, actually — and they range from a particular rock outcropping — I stop to visit at the beginning and end of every season — to bigger and more familiar views. I understand that I’m not the only person who counts the first view of Tuolumne Meadows and surrounding peaks, seen along the road at the west end, as one of these places.

Tioga Pass Road opened for the season this past week. I missed opening day, but I did manage a long up-and-back one-day drive a couple of days later. Tuolumne looks quite different at this time of the season, especially if your main experience is limited to the short alpine summer when the snow is mostly gone and the meadow is mostly green. At this early date the meadow is brown (though you can see first shoots of new growth if you look closely), the river is flooding over its banks, and a lot of snow is still on the high peaks. In fact, new snow had just fallen above 11,000′ or so. This photograph does not show the whole view, instead focusing on a bit of meadow, a lot of forest, snow-capped peaks, and the clouds at the tail end of a spring storm


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Yosemite Cliffs, New Snow

Yosemite Cliffs, New Snow
Cloud-filtered light passes over granite cliffs dusted by snow

Yosemite Cliffs, New Snow. © Copyright 2018 G Dan Mitchell – all rights reserved.

Cloud-filtered light passes over granite cliffs dusted by snow

This photograph came as a bit of a surprise. It had been cold and cloudy, and much of the light was rather flat underneath overcast. I had photographed through the afternoon, often finding moments of fine light, but as the day wound toward sunset the clouds thickened and obscured much of the earlier light. Running out of ideas — except for some that I was holding for a bit later — I ended up at an accessible location and, much to my surprise, some like appeared. Moments earlier this bit of cliff face had been entirely in shadow, but then a break in the clouds moved past and illuminated it.

There is a notion that landscape photography is always a slow and contemplative exercise. It certainly can be that, and I know I do spend a fair amount of time walking slowly, looking, thinking, and not necessarily making photographs until I find something — or it finds me. But as much as the landscape doesn’t move, the light and atmosphere often change quite quickly, and photographing it can be an exercise in timing. The timing takes the form of being lucky enough to be in the right place at the right time, something that you cannot control even though you can increase the odds, and then the timing of making photographs at the moments when light does its most interesting stuff. At these times if you turn away for a few seconds you may miss something entirely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Autumn Snow, Last Light On Granite

Autumn Snow, Last Light On Granite
Last evening light on glaciated granite dusted by autumn snow.

Autumn Snow, Last Light On Granite. Yosemite National Park, California. October 22, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Last evening light on glaciated granite dusted by autumn snow.

The path to this photograph was a long and convoluted one, and it was certainly not what I was planning on when my day began. I had arrived in the Yosemite area the prior morning, planning to photograph autumn subjects in The Valley before heading over to Oakhurst for the opening reception for the final run of last year’s Yosemite Renaissance Exhibit. I arrived in Yosemite Valley to find it filled with smoke (and a surprising number of October visitors), but I found subjects that could work in this conditions and set about photographing. This is the time for fall color in The Valley, with lots of beautiful leaves on big leaf maple, dogwood, oak and other trees. In the evening I went over to Oakhurst in time to enjoy the reception, where I had an opportunity to see the 2017 version of the show one last time with friends and fellow artists.

I was up well before dawn the next morning with a general plan of heading to Glacier Point for sunrise. However, a beautiful, forested valley full of dogwood and other fall color intervened, and by the time I finished there it was clear that I wasn’t going to make my goal by dawn or even close to it. I did go on up to near Glacier Point, where I photographed wildfire smoke before deciding to go back to The Valley and photograph more trees. I did so, and I had some successes, but by mid-afternoon the crowds and smoke were becoming oppressive, to I decided to make what might be my final trip of the season up to Tioga Pass. Without stopping to photograph, I made it to the pass in the late afternoon. I soon started back down to begin my long drive back to the Bay Area. As I passed the closed-for-the-winter Tuolumne store I saw a familiar van and some tripods standing nearby, so I quickly stopped to see that a couple of friends were there. We talked for a long time — longer than I expected — but I finally tore myself away with little more than a half hour of daylight left. I started west, not sure if I would stop to photograph, but I soon saw that it was going to be a beautiful evening. The smoke was gone up here, the air was clear, and the warm colors of evening were on the peaks. I quickly stopped at a familiar place, but pointed my lens at a less-familiar subject — a series of retreating granite ridges marked by new snow and lit by the final light of the evening.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Eastern Sierra Sunrise, Autumn

Eastern Sierra Sunrise, Autumn
First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

Eastern Sierra Sunrise, Autumn. Eastern Sierra Nevada, California. October 11, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

First light on rugged, snow-dusted ridges above aspen-covered Parker Bench

This is a special place, high along the eastern escarpment of the Sierra Nevada and open to the first dawn light from the east. It is also just far enough off the beaten track and difficult enough to access that it is usually not very crowded. (Don’t worry if you can’t get to it, there are thousands of other places where you can have a similar experience in the eastern Sierra.) We recently got up early enough to drive here and arrive well before sun rise. To this day, despite seeing many sunrises, I still often am surprised at how quickly the light comes and how silently. Living in a culture in which every spectacular thing, or thing that we are supposed to regard as being spectacular, is pumped up with loud music and lots of action, the sunrise comes often comes in complete silence and with little warning — you look up and notice that the light has already struck some small element of the scene, and soon you discover it moving across the landscape and quietly lighting more and more bits and pieces. I made this photograph when this first light had hit the rugged upper slopes above this aspen-covered bench, but before it had worked its way down to the trees.

This photograph also illustrates something I finally figured out about this strange eastern Sierra fall of 2015. This year the season began oddly, with very early first color in many places. In addition, many groves simply did not have leaves — either they lost them so early that I never saw them or perhaps they did not put out leaves this year. In other groves the leaves went almost straight “from green to gone,” with little or not brilliant color phase. Where this happened, I think it was the result of the four-year drought creating tremendous stress on the trees. At the same time, other climate factors thought by some to be associated with the drought also had the effect of delaying the color change of trees that were not as stressed by the shortage of water. Instead, these trees are changing later, likely due to overall warming temperatures. So far, this has been a season not quite like any other I’ve experienced. In this photograph you can spot examples of almost all of these conditions — completely bare groves, groves that have turned and already dropped leaves, some that are going straight from green to having no leaves, and even some trees that are still very green.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.