Tag Archives: eastern

Aspens At The Shoreline

Aspens At The Shoreline
A grove of shoreline autumn aspen trees reflects on the surface of a subalpine lake

Aspens At The Shoreline. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A grove of shoreline autumn aspen trees reflects on the surface of a subalpine lake

We arrived before dawn at this little eastern Sierra Nevada lake because, well that’s what photographers do! Also we knew that it would be most effective to photograph aspen color at this location in the soft, pre-sunrise light and the shadowed light that follows before the sun rises above the peaks and shines harsh light on the scene. It was one of those wonderful autumn mornings when it actually feels like fall has arrived. The temperature was as low as 23 degrees, and we had to wear lots of layers as we went to work.

We began by photographing a familiar sight, a band of aspens that drops down the opposite mountainside, following a gully to the shores of the lake. I’ve photographed it so many times that I almost never simply make another photograph that includes the larger scene, and instead I now look for smaller components of the large scene that might be compositionally interesting. As the direct sun arrived on that subject I shifted my attention to other things that were still in the soft light, including this bit of the aspen grove right at the shoreline, reflected in the still early morning waters of the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Within The Aspen Grove

Within The Aspen Grove
An eastern Sierra Nevada grove of small aspen trees with fall color

Within The Aspen Grove. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada grove of small aspen trees with fall color

This little grove is a sort of special place for me. I have photographed there quite a few times in the past, and on one or two occasions with a great deal of success. If I described its location, even those who would then recognize the spot might be surprised to hear that I think of it as being special — it is in a location that we generally drive right past on our way to other better known locations. Often when I walk into this grove I find myself at a loss for photographs — the light can be tricky, and it isn’t always easy to find a composition there. But it was one of the locations where I learned that the big, iconic locations are far from the only ones other photographing, and that it can be far more rewarding — photographically and personally — to slow down and start paying attention to the rest of the landscape!

In fact, on this morning I was, once again, on my way from one other place to a different location further away when I drove past. We almost didn’t stop, but there was something about the light and the grove that persuaded me to get out and look around. I wandered (quite literally) into the grove and at first I didn’t really see anything. I almost walked back out to go look elsewhere. But then I stopped myself and thought about slowing down and simply looking around to see what the grove had to offer. I decided that the density of the trees might make a very wide-angle lens useful, and once I started to “see” that way the potential become clearer.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspen Grove in Shade

Aspen Grove in Shade
A hillside grove of autumn aspens in early morning shadows

Aspen Grove in Shade. Eastern Sierra Nevada, California. October 9, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A hillside grove of autumn aspens in early morning shadows

I think there may be at least a couple of things worth discussing about this photograph — both from a slightly technical point of view and from an “opportunity” perspective, as in what photographic opportunities might be available in this part of the Sierra when focusing on the subject of autumn aspen trees. The technical issue (though it really turns out to be an aesthetic issue in the end) is one that I’ve discussed before, namely the kinds of light in which one can photograph aspen and other fall color. This photograph was made in fairly deep shade, and the trees stand on a slope of a tall mountain that blocks the morning sun until several hours after sunrise. I went here largely because of that — and the beautiful trees! — because I wanted to photograph in this soft light. Photographing these trees in shade reduces the huge contrast in light levels between highlights and shadows that we must deal with when the trees are lit directly by the sun. The intensity of the colors can increase and the light fills in the shadows, revealing details that disappear in harsh midday light. (One challenge is handling the blue quality of light that comes from the open sky, but that is perhaps a topic for another post.)

The second observation has to do with the types of aspen trees found in the Sierra. People who have seen the huge groves to straight and tall aspens in places like Colorado and Utah often remark on the many small and twisted aspens in the eastern Sierra. They are right to do so — many of “our” aspens are shorter, the groves frequently (though not always) are limited in their extent, and the tall and straight trees are less common. However, that is part of what I like about the Sierra aspens — the variety of “aspen personalities” is remarkable, ranging from brilliantly colorful but very small scrub aspens to some examples of tall and straight trees with thick trunks. This photograph combines the two. The presence of the smaller foreground trees provides color in front of the revealed trunks of this grove of tall and straight trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Peak Aspen Color

Peak Aspen Color
An eastern Sierra Nevada aspen grove at the peak of fall color

Peak Aspen Color. Eastern Sierra Nevada, California. October 9, 2017© Copyright 2017 G Dan Mitchell – all rights reserved.

An eastern Sierra Nevada aspen grove at the peak of fall color

I regard fall aspen photography as, to a great extent, an exercise in timing. One element of this is, of course, to simply be in the right place at times of peak color. Aspen color is rarely static, and from day to day it changes. Just a few days earlier I had been in this same spot and most of the trees were still green. (I made a mental note on that earlier visit to come back in a few days when I suspected that the colors might be more developed.) The time of day is also critical since light variations play a huge role in the ways the colors appear. Early and late in the day, when the trees are still in shadow but perhaps lit by open sky and reflections from surrounding mountains, the soft light can produce rather saturated colors and fill the shadows with light. When backlit, the same groves might be so bright that it is sometimes difficult to figure out the idea exposure. And when the groves are front lit the colors can be greatly diminished.

Before we came to this spot we had started our day by photographing in a rather different area a few miles away. We worked those subjects for perhaps an hour and a half, and at that point I remembered my idea of visiting this other location, the one where I made this photograph, before the direct sunlight arrived. So off we went, down one canyon and then up another, to arrive at this spot where I knew colorful aspen trees would spread up the hillside in the shade. The colors were quite incredible. Most of the hillside was in full color — a lot of golden/yellow, but also shades of orange and red. Here and there a few trees where still green, and for this composition I decided to place one of those clusters of green trees in almost the center of a frame otherwise filled with wild colors.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.