A lamp casts a shadow across a textured wall, Salzburg, Austria
This is another take on the ubiquitous Salzburg lamps found attached to the walls of many buildings. In the afternoon the light passes right across the textured surface of this wall, producing shadow that is much longer than the lamp itself.
I don’t know what the actual story is regarding these lamps, but once I recognized them I started seeing them all over the place around Salzburg, attached to the walls of various buildings and braced by a pair of curving metal pieces. In many places their locations seemed almost haphazard to me.
A Salzburg, Austria street scene including a woman with an umbrella
This is one of those photographs that you could see in any number of ways, I think. It is a narrow street in Salzburg, Austria, not far from the main square and the Salzburg Cathedral and perhaps right in front of the building that is described as the birthplace of Mozart. (Somehow the juxtaposition of a shopping district with that place seems just a bit jarring.) You could regard it as an almost random scene from this street, though I think there is a bit more going on.
One of the things I like about street photography is working quickly and spontaneously, reacting quickly to people, events, and juxtapositions that may last only for a brief moment. If I recall correctly, I perhaps began simply by thinking “there is a shot here somewhere, with all these people on this narrow street.” Then things began to coalesce a bit when I noticed the bright backlight streaming almost directly down the street and stretching long shadows toward me. Then I saw the woman with the dark umbrella — and who can resist a photograph of umbrellas!? As she walked past I quickly made a brief series of photographs, trying to instantly place her and her shadow in some kind of compositional relationship with people and objects in the scene. From this series, this one has her standing slightly apart from others and with her shadow stretching toward the lower part of the frame, and a similar shadow from another woman almost parallels it. The people at front right were in shadow (yes, some work in post makes them more visible) but I felt like they provided some balance to the brightness on the left side of the frame and, to me at least, there is something a bit odd and interesting about their intense gaze at something behind me. Looking closer at the people in the scene — closer than I could consciously look when I pressed the shutter release — I find the dark figure on the right margin interesting, and as the people stretch into the distance several of them seem to have stories to tell, too.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A street lamp and its shadow between two windows, Salzburg, Austria
In the summer of 2013 we spent three weeks visiting London, Heidelberg, and the Berchtesgaden area of Bavaria. Since we traveled there from Heidelberg by train, we arrived and departed at Salzburg — and since Salzburg was so close we managed to visit that city on other days during our stay. With our musical backgrounds, the first thing we think of when we think of Salzburg is Mozart, since this is his birthplace and the city is still something of a musical center. Of course, once we arrived we realized there is a lot more to the place. (Did someone say “coffee?”)
I love wandering around in virtually any city with a camera, and I did a bit of that sort of wandering here. It was only after photographing in different areas and on different days that I began to recognize these characteristic lamps showing up in many photographs of diverse subjects, at which point they became a bit of a subject for me.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Bavarian Alps rise above Königsee in Berchtesgaden National Park, Germany
Over the course of a summer week in 2013 we had a lot of opportunities to gaze at these Bavarian Alps. We spent a week with family in the Berchtesgaden area, staying in a big farm-house with views across a bucolic valley and into the mountains as they rose to the summit of the Watzmann, the second-highest peak in Germany. We did the “tourist thing” and rode the electric boats up the Königsee Lake between high ridges, and on one memorable day we visited Jennerbahn, took the tram to the top, and spent the rest of the day descending alpine valleys on foot — with a mid-hike stop for snacks and a beer!
During our stay I think I got a sense of how these mountains are different from my “home range” of the Sierra Nevada — though I would need a much longer stay and more hiking to get to know them well. Because they are built from different sorts of rock, the shapes of the peaks are often quite different. The tall rugged peaks also rise almost directly from relative lowlands — for example, a short hike took us from the lake to the base of a huge cliff at Die Eiskapelle, a place that felt thoroughly alpine. In the Sierra we have kept vast stretches of the range relatively wild, isolated from human structures to the point that one can imagine that he/she is in a fully wild place. In the alps there are huts, and you can stop for a beer in the middle of an afternoon hike! The ridges and valley in this photograph rise from the shoreline of the Königsee.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
Manage Consent
To provide the best experiences, we use technologies like cookies to store and/or access device information. Consenting to these technologies will allow us to process data such as browsing behavior or unique IDs on this site. Not consenting or withdrawing consent, may adversely affect certain features and functions.
Functional
Always active
The technical storage or access is strictly necessary for the legitimate purpose of enabling the use of a specific service explicitly requested by the subscriber or user, or for the sole purpose of carrying out the transmission of a communication over an electronic communications network.
Preferences
The technical storage or access is necessary for the legitimate purpose of storing preferences that are not requested by the subscriber or user.
Statistics
The technical storage or access that is used exclusively for statistical purposes.The technical storage or access that is used exclusively for anonymous statistical purposes. Without a subpoena, voluntary compliance on the part of your Internet Service Provider, or additional records from a third party, information stored or retrieved for this purpose alone cannot usually be used to identify you.
Marketing
The technical storage or access is required to create user profiles to send advertising, or to track the user on a website or across several websites for similar marketing purposes.