Tag Archives: fall

Morning Sky After Autumn Snow

Morning Sky After Autumn Snow
A cloud-speckled morning sky above the Eastern Sierra Nevada after light snow from an autumn storm.

Morning Sky After Autumn Snow. © Copyright 2021 G Dan Mitchell – all rights reserved.

A cloud-speckled morning sky above the Eastern Sierra Nevada after light snow from an autumn storm.Morning Sky After Autumn Snow

On this second of two autumn visits to the Eastern Sierra this season we arrived after a few days of early winter-like storms. That’s not unusual during this transition season, a time when it seems that warm and sunny autumn days may alternate with bouts of weather that feels distinctly winter-like. While the weather was in the “warm and sunny” pattern by the time we arrived, we had to alter our plans since several of the high passes were still closed by the early snow.

On our first full day there we headed up towards the base of the eastern escarpment of the range, driving up dirt roads that climbed the huge, gently sloping country below the steeper peaks, an area that is perhaps characterized as high desert. As we gained elevation and worked our way closer to the mountains the views to the north and east began to open up. Far away and beneath morning clouds remaining from the recent passage of a weather front, we could see distant snow-capped peaks, and the very summit of the closer ridge also is topped with a light coat of the early snow.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Color Layers

Autumn Color Layers
Layers of autumn color from aspen groves ascending an eastern Sierra Nevada slope.

Autumn Color Layers. © Copyright 2021 G Dan Mitchell – all rights reserved.

Layers of autumn color from aspen groves ascending an eastern Sierra Nevada slope.

This is one of those “rediscovered” photographs that I had originally left behind a couple of years ago. I found it again during the last few months while doing a review of some older raw files. I originally made several exposures of this group of trees with autumn foliage in the eastern Sierra Nevada, and I initially went with something framed a bit differently and using the landscape (horizontal) format. But coming back to the set of images, I noticed that layered effect of these trees and thought it might be a worthy photograph, too.

This grove is somewhat characteristic of the sorts of aspen trees we find in the Sierra Nevada. As friends often remind me (usually after retiring from visits to these other places), in places like Colorado and Utah and similar locations you can find seemingly endless groves of tall, thick, and straight trees. That’s quite rare here in my state. It isn’t impossible to find large groves, nor is it impossible to find thick and tall trees — but that’s not the most common situation. Often the trees are smaller and with distinct “personalities” — which is another way of saying that they many be twisted in interesting ways rather than straight and tall. But in this grove, we get a bit of (almost) everything. Behind that first line of small trees, which are likely encroaching on the foreground meadow, there is a grove of tall aspens. Beyond that, as the slope becomes steeper and more rocky, the trees once again begin to have that… “personality.”


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Old Cottonwood and Red Rock Cliffs

Old Cottonwood and Red Rock Cliffs
An old cottonwood tree, changing to fall colors, stands in front ot a red rock cliff face, Zion National Park.

Old Cottonwood and Red Rock Cliffs. © Copyright 2021 G Dan Mitchell – all rights reserved.

An old cottonwood tree, changing to fall colors, stands in front ot a red rock cliff face, Zion National Park.

There’s a very good chance that I’ve already said this too many times, but the color palette of the Utah red rock country is simply remarkable. The rocks themselves are astonishingly diverse, ranging from the reddish tones to whites, grays and blacks, and occasionally more exotic colors. The trees and plants, especially as the autumn color change begins, cover a range from grays through greens to yellow, orange, red, and brown. And all of this varies from the bluish tones of early morning and evening through the golden hour saturation and the midday intensity of light. I’ve said it before and I’ll likely repeat myself in the future, but to a Sierra Nevada photographer this can be almost overwhelming.

Early on our second morning in Zion National Park we took a drive that entered the park near Springdale just before dawn. We stopped several times as we began the ascent on the Mt. Carmel highway, first to photograph the intense dawn light and then, a bit later, to photograph this gnarly tree against the backdrop of a shaded canyon wall.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mono Moonrise

Mono Moonrise
Autumn full moon rises over Mono Lake, California.

Mono Moonrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Autumn full moon rises over Mono Lake, California.

The scene is an autumn moonrise over Mono Lake, a scene that I often encounter on my fall photographic visits to the Eastern Sierra. I’m there often enough that it seems like I have this opportunity almost every year. I had been photographing more typical autumn subjects earlier in the day — largely the fall colors of aspen trees — but I decided to finish that activity early enough to get myself to a likely location to see and photograph the moonrise over the lake. These days, with the help of various digital tools, we can come very close to putting ourselves in precisely the right spot at precisely the right time. On this evening the moon rose in early twilight, but I continued photographing until it became quite dark.

On a technical note, there are some challenges to including the full moon in a photograph made after dark. The biggest issue is that the moon is a lot brighter than the landscape — the landscape is in darkness but it is essentially noon on the moon! There are ways to deal with this, one of which is to photograph before the landscape becomes completely dark, and I did that here. But I was pushing that boundary a bit, and I was initially unable to get the balance between the moon and the dark landscape that I was looking for. However, as sometimes happens, the sophistication of post-processing software advanced, most notably with the introduction of some powerful new selection tools in Lightroom and Adobe Camera RAW. (Despite the popularity of Lightroom, I’m still a Bridge/ACR/Photoshop user.) These tools enabled me to make some important adjustments to the dark portions of this image while retaining detail in the moon. (NOTE: This is a re-working of a photograph that I had previously shared back in 2019.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.