Tag Archives: feeding

Flock of Cranes

Flock of Cranes
“Flock of Cranes” — A flock of lesser sandhill cranes feeding in an agricultural field.

Unless and until I return to my old files to review them later on, this is likely this season’s last photograph of migratory birds. I photographed this group of lesser sandhill cranes in an old corn field on my final seasonal visit back in early March. By that date the departure of geese was perhaps a week away and the cranes would leave soon after that. This was nearly the last photograph of them I made this season.

There is a familiar arc to “migratory bird season,” as I think of the period between about November and March. Although the cranes arrive earlier, I usually make my first visit to photograph them in November. At that point they are fewer in number and likely to be off in some distant inaccessible area, and mostly I photograph them during the morning and evening fly-in/out. As the season continues they seem to become more comfortable in their surroundings, and I can often find them close enough to photograph in the middle of the day. But mid-February they and the geese become extremely active in the weeks before their northward migration.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Wetland Menagerie

Wetland Menagerie
A small collection of shallow water feeders in Central Valley wetlands.

Wetland Menagerie. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small collection of shallow water feeders in Central Valley wetlands.

Today’s photograph is something that is a bit more of a record perhaps — a photograph of three sorts of wetland birds that are not among those that typically loom largest in our attention. The long-beaked birds at the left are white-fronted ibises. I think that the brown birds are teals — perhaps cinnamon teals? The taller black and white birds are black-necked stilts.

All of these are shallow-water feeders. The ibises and stilts give this away with their long legs and beaks, while the ducks dispense with the dignity that comes from standing erect and simply get up close and personal with the water and the muck beneath it. I’ve written before about how I came to photograph such critters not from an initial attraction to birds, but more to discovering them in the landscape. This leads to several aspects of my relationship to birds: I’m not an expert on them, and I’m still learning new things about them all the time. (This week’s new nugget is that there are “diving ducks” and “dabbling ducks.” Who knew?)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Three Black-Necked Stilts

Three Black-Necked Stilts
Three black-necked stilts feeding in a shallow wetlands pond.

Three Black-Necked Stilts. © Copyright 2021 G Dan Mitchell – all rights reserved.

Three black-necked stilts feeding in a shallow wetlands pond.

Often when I go out to photograph birds the potential conditions of light and weather can dominate my thoughts more than the birds themselves. It isn’t that the birds are not endlessly fascinating — they are! Rather it is that I want to photograph them, if possible, in exceptional conditions. That typically means near the beginning or end of the day and, if possible, when the atmosphere is interesting… and by “interesting” I usually mean foggy.

This was not that day. The sky was clear from dawn until dusk. But while the light was perhaps ordinary, the birds were not. There were more of them than I recall seeing in the past. They were mostly geese of various sorts (snow, Ross’s, cackling, white-fronted…) but also cranes and abundant small blackbirds. And, as always, along the edges of the ponds there were black-necked stilts, a bird that I’ve come to enjoy quite a bit. Photographing them is either really easy… or incredibly hard. The hard part comes when they suddenly take flight and tracking them is a challenge. But between those flights they spend a lot of time feeding and moving slowly as this trio was doing when I photographed them.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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White-Faced Ibis

White-Faced Ibis
White-Faced Ibis

White-Faced Ibis. San Joaquin Valley, California. February 14, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

White-Faced Ibis feeding in San Joaquin Valley wetlands

As I have pointed out in the past, I’m no bird expert – but I do like to photograph them! For some reason the white-faced ibis has intrigued me for some time. The first time I photographed them it was an accident. I was photographing birds flying overhead on one winter morning when the sky was filled with birds – so many that I mostly just photographed without paying too much attention to the specifics of what I was seeing. Sometime later when I got home and looked at the files I saw that one large group of birds flying in a long row, silhouetted against the brighter sky, had the interesting curved bills that characterize the ibises.

More recently I have learned to look for them, and in some of the places I photograph I now know where to find them, down to the acre in a few cases. In mid-February I went to one of these locations and ended up at a spot where I have seen many of them in the past, often feeding in groups. But this time I saw exactly two. One was behind some reeds and did not make a good photographic subject, but this one was feeding alongside a gravel road right at the edge of the water. I stopped my car – which often serves as an effective blind – and opened a window and waited (somewhat) patiently as the bird worked its way along in the shallow water. The trick is to think of this almost as a portrait – I watch for the bird to turn into the best light, to stand in an interesting position, to face the camera, and to be in a spot that avoids distracting or interfering objects. The egret tends to spend a lot of its time with its beak deep in the water as it looks for food – not a very attractive photographic pose! But it periodically lifts the beak and every so often it briefly stands up straight as seen here. The plumage of this bird is very interesting. It can look just plain dull and almost black in some light. But if it turns its body toward the sun, the feathers become iridescent and have tints of green and red.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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