“Cubist Wall” — A wall of rectangles and colors, Cork, Ireland.
When we travel we like to combine the new with the familiar. That was true on our recent trip — the Scotland portion was an extension of the familiar, and Ireland was new to us. That’s right, this was our first visit to the Republic of Ireland. We know there is much, much more to Ireland than we could see in a week, but on this trip we focused on three cities: Dublin, Galway, and Cork. This photograph comes from Cork.
The boundary between two colorfully painted San Francisco buildings.
These two buildings appeared in another recent photograph, also shot straight on and focusing on the fascinating geometry and color scheme of the structure. The location is, broadly speaking, near North Beach and Fisherman’s Wharf, on a less-travelled side street. The architecture is within the typical San Francisco model — multi-story residences packed wall-to-wall, right up against the sidewalks.
The colors, of course, caught my attention. But there are a few other things going on that also fascinate me. For one, there’s a sort of dissonance between the extremely regular and geometric features of the two residences… and the odd lack of alignment between things like the two windows, the lower edge of the windows in the doors, and the garage door on the left.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
A small collection of shallow water feeders in Central Valley wetlands.
Today’s photograph is something that is a bit more of a record perhaps — a photograph of three sorts of wetland birds that are not among those that typically loom largest in our attention. The long-beaked birds at the left are white-fronted ibises. I think that the brown birds are teals — perhaps cinnamon teals? The taller black and white birds are black-necked stilts.
All of these are shallow-water feeders. The ibises and stilts give this away with their long legs and beaks, while the ducks dispense with the dignity that comes from standing erect and simply get up close and personal with the water and the muck beneath it. I’ve written before about how I came to photograph such critters not from an initial attraction to birds, but more to discovering them in the landscape. This leads to several aspects of my relationship to birds: I’m not an expert on them, and I’m still learning new things about them all the time. (This week’s new nugget is that there are “diving ducks” and “dabbling ducks.” Who knew?)
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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