Tag Archives: flats

Death Valley From The Panamint Range

Death Valley From The Panamint Range
Looking down from the ridge of the Panamint Range toward Death Valley

Death Valley From The Panamint Range. Death Valley National Park, California. April 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Looking down from the ridge of the Panamint Range toward Death Valley

I have paused near this spot many times while traveling in the Panamint Mountains of Death Valley, sometimes thinking about making a photograph but never quite seeing it. It probably hasn’t helped that I’ve typically been on my way to another location as I passed by, and I didn’t really want to linger here too long while the light was waiting for me at my destination. In fact, on my outward journey I more or less passed right by this time, too. I went on to my destination, spent time there making photographs of a subject that I had in mind, took time to fix breakfast “on the road,” and then turned back.

By the time I passed by this spot again on the return trip it was well past the typical photography hours in Death Valley, where the light can become quite harsh and washed out closer to the middle of the day. But this time that seemed to almost work to my advantage, especially since a bit to thin high cloudiness muted the light just a bit, and the distant haze in the Valley helped produce a near-far distance effect. So I stopped, in a spot close to by not exactly where I had previous thought about photographing, noticed that the hills at the close edge of the Valley were just visible through the slot between the converging slopes on either side of the gully, and made a photograph which I anticipated would become a monochrome image.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Salt Flats, Evening Shadows

Salt Flats, Evening Shadows
The evening shadows of mountains and clouds stretch across patterned salt flats.

Salt Flats, Evening Shadows. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The evening shadows of mountains and clouds stretch across patterned salt flats.

The stark landscape of the desert is visually unique. Because there is little or no plant life (and what there is typically is sparse and small), the bare earth itself is revealed. Patterns of rock and soil and even water that would be hidden in a forested landscape are out in the open. In many cases there is little or nothing to provide a sense of visual scale — objects could be the size of baseballs or small cars and there is no way to tell. The landscape is often so large that haze and light play tricks, and cloud shadows play across the relatively plain playas and hills. Because the native colors are often subtle, any color from light (blue from shadows and warm tones in early and late light) can have a more profound effect.

Late on this day we visited the sunny side of this section of Death Valley, ascending the ramp of an immense gravel fan at the base of a canyon. The hills on this side of the valley were interesting, but looking back and across the valley very interesting patterns began to emerge. The far hills were already in the blue shadows of the oncoming evening, and the shadows of clouds raced across the nearer portions of the playa, which are here laced with their own patterns of flow channels and dried salt. Altogether these elements produced a landscape that seems more like an abstraction than a reality.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Salt Flats and Waterways

Salt Flats and Waterways
Salt Flats and Waterways

Salt Flats and Waterways. Death Valley National Park, California. March 30, 2011. © Copyright 2013 G Dan Mitchell – all rights reserved.

Seasonal creeks twist though salt flats of Death Valley, Death Valley National Park, California

Since I have recently posted a few other photograph from this same location and with some of the same commentary that I might include here, I’ll try to keep this description a bit short. The photograph was made from the top of Dantes View, the Death Valley observation point that is about a mile above the lowest part of the Valley near Badwater. The panorama from Dantes View almost overwhelmingly expansive, so on this visit I though that rather than just trying to photograph that immensity, I would also use a long focal length lens to try to isolate and pick out some smaller portions of the overall scene.

This photograph shows a section of the salt flats, surrounded by browner areas that include more gravel. A darker foreground area that runs along the road is visible at the bottom of the photograph, and the upper corner includes the area where the West Side Drive runs between the flats and the lower slopes of the Panamint Range. The many waterways crossing the flats and then converging on the salt area are evidence of the role water plays in the creation of this barren terrain.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Salt Flat Patterns

Salt Flat Patterns
Salt Flat Patterns

Salt Flat Patterns. Death Valley National Park, California. March 30, 2011. © Copyright 2012 G Dan Mitchell – all rights reserved.

Detail of a section of Death Valley salt flats as seen from Dantes View

Death Valley is often not quite what it seems to be. Repeat visits and views from different perspectives – far away, very close up, from above – begin to reveal things that you might not see at first. From next to and on the salt flats in the lowest section of the Valley, you see a very desolate terrain – one of the most non-human terrains I know. Here, well below sea level, there are places that seem completely inhospitable and alien, landscapes of caked salt, worked and sharp-edged salt and dried mud, seeps of shallow water, occasional odd plants, and landscape that often seems to go on almost endlessly the same way. But just as looking more closely reveals surprises (such as living creatures in those millimeters-deep pools of salty water), the view from overhead shows patterns that cannot be readily seen up close.

This photograph was made from the summit of Dantes View. This high point along the eastern side of the valley is close to a mile above the Valley floor. The view can often be panoramic, stretching for tremendous distances in almost all directions, blocked only by the higher peaks of the Panamint Range to the west and a few other high points nearby. Although Dantes View is one of the best known “iconic” locations in the park, I have a complicated relationship with the place. First of all, I seem to attract awful weather when I go there, perhaps because I tend to do so in the season that is winter elsewhere in the state. Not too long ago I attempted to drive to the summit on a winter day and was turned back by a snow storm perhaps a half mile from the end of the road. In addition, it has been hard for me to warm up to the place as a photographic subject. In some ways, there is almost just too much in the view for me to see how to isolate a photograph out of that detailed immensity. I dealt with that here by using a very long lens and restricting my view to a small section of the valley floor, without much context of surrounding terrain, which I think produces a photograph that allows the features in this frame to be seen as abstractions.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.