Tag Archives: fog

Trees, Boulders, and Dawn Fog

Trees, Boulders, and Dawn Fog
“Trees, Boulders, and Dawn Fog” — Trees silhouetted against dawn light as fog rises above glacial boulders.

Late in the first half of September I spent a few days camping and photographing in the Yosemite high country. The weather was a bit challenging — cold, cloudy, and with rain at times. But those conditions are often more photographically interesting than typical summer blue sky days. I was up before dawn on this morning, and I was thrilled to discover thick fog blanketing frosty meadows.

My favorite Sierra Nevada season begins in September and can extend into the beginning of November. The pleasant, easy-going summer conditions begin to fade as the days get shorter, vegetation dries out, crowds disappear, weather fronts approach more often, and fall colors arrive.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Morning Forest

Morning Forest
“Morning Forest” — An “imaginary landscape” photograph of a foggy morning forest scene, using in-camera motion bur.

From time to time I experiment with ways to portray the landscape in a more abstract fashion. I often refer to these photographs as “imaginary landscapes.” While the line between “real” and “imaginary” can be pretty fuzzy in photography, these photographs make no pretense of portraying the objective facts of the scene. (To be clear, no photograph is fully objective, but I digress…)

In this case I used intentional (or perhaps unintentional — you decide) techniques to blur the details of the scene, leaving the biggest elements intact but leaving a lot to the imagination. The original scene is the edge of the forest next to a small lake on a foggy morning.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Forest and Fog

Forest and Fog
“Forest and Fog” — Fog envelops the forest near Pena Palace, Portugal.

Back in May, during our Portugal travels, we took the train from Lisbon to Sintra so we could visit the historic Pena Palace. This structure sits on a high point in the mountains above Sintra, and it is a remarkable visual presence. I suppose that on a typical day this could be a warm and sunny place — but we arrived to light rain, fog, and clouds, a bit to our surprise.

This was not necessarily a bad thing. The temperatures were cool but comfortable, the crowds were likely suppressed a bit, and the fog and clouds produced some dramatic effects. I stopped along the walk to the palace and made a series of photographs of this fog-covered forest.


Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Coastal Cascade

Coastal Cascade
“Coastal Cascade” — A Big Sur creek forms a small waterfall just before it reaches the Pacific Ocean on a foggy morning.

We were on the upper Big Sur coast on this June morning, photographing large surf along with sea stacks and steep cliffs. I first worked that subject from some distance using long lenses, then moved right down to the edge of the water for intimate landscape/seascape images. Eventually I decided to head back up and away from the immediate coast, and as I walked I came across this little cascade.

I thought that the angle of the falling water below the little gully was interesting, and I like the back light an rim light on the edges of the rocks. The combination of thin fog and ocean spray added a muted quality to the atmosphere. The biggest challenge here was that the primary subject, the falling water, was in shadow, and this muted its brightness a bit.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

(All media © Copyright G Dan Mitchell and others.)