Tag Archives: forest

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Granite, Forest, and Lake

September 26, 2014 G Dan Mitchell Leave a comment

View of rugged northern Yosemite terrain of forest, lakes, and peaks, as seen from the top of a glaciated granite ridge

I went exploring on this evening, checking out the spine of this glaciated granite ridge above the lake where we were camped. It was only a short walk, first along the forested shore of the lake, then up the gradual incline of smooth granite benches and over a few bits or broken terrain to the top. This wasn’t the highest point around, but it was high enough, and it was full of trees that would catch the evening light as the day came to an end.

This is quintessential high Sierra scenery. Underfoot is glaciated granite, topped with glacial erratic rocks and boulders left behind when glaciers retreated from this area thousands of years ago. The granite has weathered, and where sand and plant material collect in pockets and cracks plants have managed to take hold, ranging from small grasses to rugged trees. Below the granite ridge the soil is thicker and forest trees grow around a subalpine lake. The terrain drops off into the canyon of the Tuolumne River on the other side of the lake and in the distance are the high, alpine peaks of the Cathedral Range.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Late Season Shoreline

September 25, 2014 G Dan Mitchell Leave a comment

As I have written elsewhere on more than one occasion, every August I begin to pay attention to hints that summer will end and that autumn is on its way. Early in the high country summer everything is in a state of rapid change — plants are in a hurry to take advantage of a short growing season and the availability of runoff water, and that water itself flows everywhere. After the explosion of early season growth and the production of flowers and cones things slow down, and at some point in August a feeling of quiet and stability begins to take hold.

The hints of change that I look for range from almost immaterial — a feeling about the sound of wind or the angle of light — to quite objective. In the latter category are changes that occur in the cycles of plant life. Corn lily plants change from green to yellow and gold and then to brown, and topple over. A few yellow leaves begin to appear on willows and even the aspens. But one of the strongest signs for me is the appearance of the red bilberry leaves in clear areas in the forest and near the edges of lakes. While the autumn bilberry leaves do not appear to be all that colorful in regular light, when backlit they turn the ground a gaudy range of colors from yellow and gold to bright red.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Morning Light, Forest and Granite

September 18, 2014 G Dan Mitchell Leave a comment

Morning light on forests and granite terrain along the Tuolumne River on a day of rain and wildfire smoke

After about five days of beautiful late-summer conditions high in the northern Yosemite backcountry we descended to a lower elevation, partly in preparation for our departure a few days later and partly (OK, mostly) so that we could photograph in a different location for a few days. On the morning of our move to the new spot we saw a small bit of smoke in the far distance, over the shoulder of Clouds Rest, but it didn’t seem much different from the other small bits of smoke coming from the usual late-season managed fires. However, as we began our cross-country route down a steep canyon we saw that the smoke had grown and that the plume was now extending over our position. Not long after this, as we neared the bottom of the canyon, the smoke became very thick, blotting out the sun and dropping ash on us. We knew that the fire, no doubt whipped by winds that we experience in our location, had taken off — this was the start of the big “Meadow Fire” that burned in Little Yosemite Valley and which forced a number of back-country visitors to evacuate.

Fortunately, that night it rained — what perfect timing! The next morning we were up to make photographs, and for most of the day we shot between the periodic showers that swept through. Early in the morning I went to a high place to photograph this view down the canyon as light, somewhat obscured by clouds and lingering smoke, broke through gaps in the clouds to strike the forest along the river banks. But further down the canyon another shower was on its way, and before long I had to leave my position here and scramble back to my tent to wait out the next bout of rain.

Morning Light, Forest and Granite

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Shoreline Boulder and Meadow, Subalpine Lake

September 17, 2014 G Dan Mitchell Leave a comment

Some aspects of landscape photography remind me, perhaps in a strange way, of spring skiing. In the spring there is still often plenty of snow, but the temperature swings between sub-freezing nights and warm days have some big effects on the snow. In the morning the re-frozen snow can be so hard that it is almost like trying to ski on a tilting ice rink, and you can easily find yourself skittering across the surface out of control. By late afternoon the warm temperatures melt the snow and can turn it into a slippery slush, and it can be like skiing on oatmeal. But at just the right moment, as the surface of the snow begins to soften but the lower layers are still firm, some of the best skiing possible can occur for a short period each day.

When photography in early or late light, I encounter something very similar — though with a bit of creativity it is possible to stretch things just a bit. Let’s take the afternoon, the time of day when I made this photograph of a simple scene near the outlet stream of a subalpine lake. I began my work a couple of hours before sunset, when the light was still clearly “daytime light.” The sun’s angle is higher, the shadows are more start, the light has a blue quality. As the evening approaches, there is a point at which the light seems to mellow and warm, the shadows lengthen and fill with a bit of reflected light… and almost everything begins to look beautiful. But at this point things change very quickly. I might find myself spotting a bit of light on a branch or a rock, and by the time I’m set up it has moved. While this time seems conducive to looking and contemplating, it is actually a time when I often have to work quickly before the “good light” is gone. This little scene, which is nothing all that special in objective term, was such a scene — a brief moment of warm light slanting through shoreline trees and across meadow grasses, and a few moments later the day ended.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

G Dan Mitchell Photography

Tag Archives: forest

Granite, Forest, and Lake

Late Season Shoreline

Morning Light, Forest and Granite

Shoreline Boulder and Meadow, Subalpine Lake

Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.