Tag Archives: from

Photographs: France, Photographs: Night, Photographs: Urban/Street

Hi From Paris

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Hi From Paris
Street art on a Paris wall at night.

Hi From Paris. © Copyright 2022 G Dan Mitchell.

Street art on a Paris wall at night.

One thing often leads to another. Recently I looked up a photograph I made in a few years ago. (I’m writing something about that photograph that will appear on my blog soon.) As I contemplated the circumstance of making that photograph I wanted to go back and look at others I made right before and after that one. Once I started it was impossible to stop, and before long I was digging into a body of work that I had not looked at for a while. As I did, I found some forgotten images that I wanted to work on.

This photograph is one of them. We were staying in Montmartre, and on this evening we went out to find something to eat… and then we ended up just walking along the evening streets, taking in the feeling of the place and, of course, making photographs. As in many big cities, there is fascinating street art throughout Paris — and some not-so-fascinating stuff, too. I photographed this eclectic little vignette under the light of street lamps: “HI FROM PARIS!”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Home Away From Home

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Home Away From Home
My camp for a week in the Yosemite backcountry, September 2015

Home Away From Home. Yosemite National Park, California. September 11, 2015 © Copyright 2015 G Dan Mitchell – all rights reserved.

My camp for a week in the Yosemite backcountry, September 2015

For the past few years I have escaped to the mountains (or desert, in one case) each fall or late summer for uninterrupted photography. Perhaps a half-dozen years ago I was fortunate enough to be able to join up with the five photographers whose work appears in the book “First Light: Five Photographers Explore Yosemite’s Wilderness.” The first year I more or less ran into the group (Charles Cramer, Scot Miller, Mike Osborne, Keith Walklet, Karl Kroeber) — they were on a pack-train supported weeklong-plus trip, and had backpacked in to the same area where I ran into them briefly. The next year I “crashed” their lengthy back-country trip for a few days; the following year I was still a backpacker (they used pack animals) but I joined them for the better part of a week. Since that time I’ve joined all or part of the group for a week or more each fall. (I’m grateful to all of them for welcoming me to join them.)

This year a smaller group of us spent a bit more than a week camped at a single Yosemite backcountry location. For someone with years of backpacking experience, typically moving from place to place each day, staying in one spot for so long has been a revelation. At first I wondered how in the world there will be enough to keep me busy for a week or more. Then half way through the trip I typically realize that I have just enough time to photograph the things I decide are important to work on, only to discover on the final day or two that I could probably actually use another half week or more! The photograph shows my backcountry home for a week this past September, at the end of a granite slab that extended almost all the way to the lake that was our home base.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Technique

How I Sharpen – An Overview

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(I originally wrote this article way back in 2009. Some portions were revised in February 2019 to reflect changes to sharpening tools and some different ideas I have developed regarding sharpening settings. It was updated and modified again in 2023.)

I just posted something elsewhere about how I sharpen for prints and I figured I’d get some extra mileage out of it by posting it here as well. First, few disclaimers…

  • The title of this article originally referred to a “quick overview.” Clearly, it is too long for that! But there are whole books on sharpening, so by contrast I think this qualifies as a quick description. In fact, I’ve left a lot out of the description!
  • There are people with far more expertise on this topic than I have, and I have no illusions that this description represents the “right” way to do this, much less the “best” way!

The subject of how to sharpen photographs in post for print or electronic output is one that confuses many people… and a subject to which many books, online articles, and forums posts have been devoted. There are any number of ways to get the desired results via sharpening, and different techniques are called for depending upon taste, the nature of the image, and the final form of presentation: size? print? jpg? etc…

Here is a general description of what I do when I print. I’ve left some variations out of this description. The description also covers software that I use in my workflow — you might prefer something different, but you might still be able to adapt these ideas. You’ll note at least one controversial method later in the list, but try it before you dismiss it. The approach I use could well be “over-kill” if you just want to pump out a bunch of jpgs to share with friends and family or if you want to make some small prints — my end goal is good sized prints, and I work on each one rather carefully rather than mass-processing them and printing a bunch at one time.

And please understand that I’m most certainly not implying that my way is the right way. It works for me, and that people who view my prints often remark on their sharpness and detail. (And a few other things, too, I hope! :-)

Continue reading How I Sharpen – An Overview →